A black farce masterpiece, Loot follows the fortunes of two young thieves, Hal and Dennis. Dennis is a hearse driver for an undertaker. They have robbed the bank next door to the funeral parlour and have returned to Hal's home to hide-out with the loot. Hal's mother has just died and the pair put the money in her coffin, hiding the body elsewhere in the house. With the arrival of Inspector Truscott, the thickened plot turns topsy-turvy. Playing with all the conventions of popular farce, Orton creates a world gone mad and examines in detail English attitudes at mid-century. The play has been called a Freudian nightmare, which sports with superstitions about death - and life. It is regularly produced in professional and amateur productions. First produced in London in 1966, LOOT was hailed as "the most genuinely quick-witted, pungent and sprightly entertainment by a new, young British playwright for a decade" (Sunday Telegraph)
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Joe Orton was born in Leicester in 1933. He joined RADA in 1951, where he met his mentor and lover Kenneth Halliwell. Living on the dole (and briefly in prison, for defacing library books) the two collaborated on novels, though Orton's solo writing brought him more fame. His openly gay lifestyle has turned him into an iconic figure. He was murdered by Halliwell in 1967.
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a useful play cllection to be used by the director and production team in the local amateur drama group, next year
Format:Paperback
Very funny, very insightful, dramatically brilliant. Having taught this play, I have found young and old both enjoy and appreciate it.
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Format:Paperback
Having seen the play last night, and already being an Orton fan, I was very impressed. I saw it in a small theatre, with minimal cast, props and lighting. The entire play dependant on the acting. The sheer farce of the play is enough to make it hysterical. When McCleavy asks how long his mourning should be he is told 2 weeks is about right. The detective's disguise was a hat alone. All in all one of Orton's finest.
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