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Looking On Deluxe Edition, Original recording remastered, Extra tracks


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Product details

  • Audio CD (15 Dec. 2008)
  • Number of Discs: 1
  • Format: Deluxe Edition, Original recording remastered, Extra tracks
  • Label: Salvo
  • ASIN: B0014DC0X2
  • Other Editions: Audio CD
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Bestsellers Rank: 133,549 in Music (See Top 100 in Music)

1. Looking On
2. Turkish Tram Conductor Blues
3. What?
4. When Alice Comes Back To The Farm
5. Open Up Said The World At The Door
6. Brontosaurus
7. Feel Too GoodBonus Tracks:
8. Lightnin' Never Strikes Twice (rare B-side)
9. Looking On Part 1 (take 3; rough mix - previously unreleased version)
10. Looking On Part 2 (take 12; rough mix - previously unreleased version)
11. Turkish Tram Conductor Blues (take 5; rough mix - previously unreleased version)
12. Open Up Said The World At The Door (take 4; rough mix - previously unreleased version)
13. Feel Too Good (take 11 extract; rough mix - previously unreleased version)
14. The Duke Of Edinburgh's Lettuce (take 2; rough mix - previously unreleased version)

Product Description

Originally released in December 1970, `LOOKING ON' was the third album by The Move and the first to feature ex-Idle Race frontman and future ELO-leader Jeff Lynne. It saw the band at the peak of their musical imagination, embracing the era's hard rock and progressive inclinations to deliver the most challenging and satisfying Move album of them all.

Superbly remastered and brought to you by Salvo in partnership with Fly Records, `LOOKING ON' has been expanded to 67 minutes with seven bonus tracks, including rare and previously unreleased material, plus the Roy Wood-penned hard rock 45s `Brontosaurus' and `When Alice Comes Back To The Farm'.

Often regarded as the "joker in the pack" in The Move's catalogue with several awe-inspiring progressive rock epics, `LOOKING ON' can also be seen as the most relaxed and confident expression of Move-leader and maverick Roy Wood, re-energised by a new creative foil. Both Lynne and Wood revelled in the musical freedoms `LOOKING ON' gave them, employing a wide array of instrumentation and production ideas to create a progressive rock-era classic. And while doing so, both songwriters were already planning the end of The Move and the beginning of their next project, the Electric Light Orchestra.

Preceding the release of `LOOKING ON' by nine months, the single `Brontosaurus' burned its way up the UK charts to reach no.7 during April 1970. The single paved the way for a minor chart invasion of hard rock singles that year, Jimi Hendrix's `Voodoo Chile', Black Sabbath's `Paranoid' and Deep Purple's `Black Night' among them.

Further `LOOKING ON' highlights include the proto-glam rock `Turkish Tram Conductor Blues', `Open Up Said The World At The Door' with soaring harmonies that foreshadow ELO and the muscular `Feel Too Good', complete with booming drum breaks and P.P Arnold and Doris Troy on backing vocals. The seven bonus cuts are no less interesting, with rare B-side `Lightnin' Never Strikes Twice' leading into a number of high-class outtakes from recently discovered session multitrack tape reels.

Customer Reviews

4.2 out of 5 stars
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful By Iain on 24 April 2008
Format: Audio CD Verified Purchase
This is The Move's 3rd album originally released by the group in 1970 and introduces Jeff Lyne to the line up after the departure of Trevor Burton and Carl Wayne.

What makes this newly released reissue stand out is that it is superbly remastered and expanded. The sound quality is simply mind blowing and multi instrumentalists Roy Wood and Jeff Lynne's talents are shown off to maximum effect. Full credit must go to all of those involved in producing this cd from the old master tapes.

The material on this album is much heavier than on the group's previous albums and singles and several of the tracks are over 6 minutes in length. The two most well known tracks are "Brontosaurus" and "When Alice Comes Back to the Farm".

The cd is presented in a neat digipak and there is a 16 page booklet full of notes and photographs of the group.

This album is not for those who prefer to remember The Move for their better known singles as the band had moved on a long way from those days.
However this cd is worth buying just for the wonderful sound quality and is a must for fans of Roy Wood and Jeff Lynne. Not long after this album was completed the duo formed The Electric Light Orchestra (ELO) before Wood finally split and went off to form Wizzard.
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8 of 9 people found the following review helpful By Greville Rob on 27 April 2008
Format: Audio CD
Their 'Flowers in The Rain' launching Britain's BBC Radio 1 back in '67, paisley popsters The Move tipped the toys out of the pram in 1970 when they made their most compelling and original album in 'Looking On'. Key changes at play were the swing to more serious 'progressive' sounds and the arrival in Jeff Lynne of a writing partner Roy Wood could really spar with. Left to their own devices in the studio by new label Fly - distracted by ingenue signing Marc Bolan - the two got to work fusing hard rock with doo-wop, bar room boogie and chamber, crossing amplified sawing cello, piping oboes, sitar and squalls of lead guitar, the multi-textured melange driven solidly by the hod-carrying backline of bassist Rick Price and drummer, Bev Bevan while over it all piped the trademark megaphone vocal. The result: dense, melodic, melodramatic - contrived to be both raw and sophisticated. The singles 'Brontosaurus' and 'When Alice Comes Back To The Farm' are respectively lumbering and manic, while the lengthier 'What?' and 'Open up Said The World At The Door' indicate the door marked 'Electric Light Orchestra', a vehicle Lynne would have fired up right away but for contractual obligations. Cheaply-packaged, 'Looking On' limped out and was left. But this top notch reissue more than makes up for the injustice: beautifully re-mastered, lusterous gatefold digi-pack, plenty of period imagery, highly-informed and entertaining notes from Mark Paytress, expanded with studio out-takes and the 'Brontosaurus' B-side. Good-bye 'Blackberry Way' and Hallo 'Mr Blue Sky' by way of 'Paranoid', the Cinderella in The Move catalogue finally goes to the ball.
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11 of 13 people found the following review helpful By Adriano on 18 Sept. 2005
Format: Audio CD
Four hairy, bearded Brummies walk into a studio in 1970, wearing shades (probably).

Bev Bevan (drums & percussion), Rick Price (Bass), Jeff Lynne (piano, guitar, etc.) and Roy Wood (any and every instrument he had at his disposal).

I remember buying this album on vinyl back in the early 1970s. The two singles ('Brontosaurus' and 'Alice') were the heaviest and loudest the Move ever released. I loved the way Roy Wood gave the vocals everything - this before the days vocalists experimented with megaphones. He continued to adopt this style of delivery later on with Until Your Momma's Gone and Wizzard's debut 45, 'Ball Park Incident' amongst other classic Wood compositions.

On first listening, 'Looking On' left me dazed. The only hint that these hit single-makers may head in a darker direction was the blistering 'Hello Suzie' - the opening track on the previous 'Shazam' album.

The opening title track (very Sabbath) and the closing 'Feel Too Good' are epic monsters - both long multi-instrumental songs dominated with heavy guitar riffs and drums. These, and Bev Bevan's 'Turkish Tram Conductor Blues' - again, vocals by Roy Wood along with the two singles are not the whole story, monumental though they are.

This was the first time Jeff Lynne worked in the studio with The Move after Wood finally persuaded him to replace original front man Carl Wayne.

On subsequent plays, I found that the brace of Lynne songs: 'What?' and 'Open Up, Said The World At The Door' balance the whole album with their experimental effects and Jeff's now-familiar voice. A very definite nod to the future ELO.
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5 of 6 people found the following review helpful By The evil hippy on 26 Sept. 2007
Format: Audio CD
amount of tracks (not including bonus tacks) :7
excellent :4
v.good :1
good :2
fair :0
poor :0

if you wanna know where queen 'borrowed' their style from look no further than this album. the move were a quite fantastic pop act, and of roy wood there can be no praise high enough - surely THE most under-rated british songwriter of them all. the moves pop hits during the late 60's were easily as good, if not better, than anything the beatles or the stones were turning out (especially 'blackberry way' surely one of the greatest singles ever released) by 1970 the band were close to imploding, theyd released the patchy 'shazam' which, however, contained one track 'cherry blossom clinic', which was a staggeringly good song and was kind of a pointer for where they were going next.

which was here! in 'looking on' the band straddled the heavy rock sound which peaked in 1970 (even genesis were heavy in 1970!!), and came up with a real masterpeice. the album is very heavy, but with a very unusual and completely original sound. listen to the track 'open up said the world at the door' and then tell me that queen didnt base their entire sound on the move! right down to the multi-tracked harmonies

this is quite simply an incredible, indispensible slice of pop/rock/heavy rock/metal/prog/folk history which defies categorization! (as you can tell!)overlooked for too long, the move were one of the greatest bands of all time , and as for roy wood, well, the man was a musical genius. buy this album and i promise your chin will be on the floor in amazement at its brilliance! class with a capital C
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