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14 of 15 people found the following review helpful
Format:DVD
I watched Look Back in Anger last night for the first time in many years. It is a brilliant play but rather difficult to watch due to the uncomfortable scenes of verbal abuse involving Richard Burton's character and his down-trodden, upper-middle-class wife who seems to spend all her time ironing and looking beautiful but down-trodden. Apparently John Osborne wrote this play based on his own unhappy marriage to Pamela Lane and their life in a dingy flat in Derby during the fifties.
It takes a lot of effort to see beyond the contemptuous, bullying veneer of Burton's portrayal of Jimmy and it would be easy to dismiss him as nothing more than a villain. But glimpses beneath his odious exterior include his obvious devotion to his old landlady and his support of an Indian market-stall owner who is ostracised for being a foreigner. By the end of the film it becomes obvious that Jimmy is severely `damaged' psychologically but we, the viewers, are left to draw our own conclusions as to why he is selling sweets on a market stall and living in such squalid conditions when he is university educated.
To my mind Claire Bloom's character, Helena, is the real villain of the play. The scene where Jimmy launches a vitriolic tirade against Helena, calling her an `evil-minded little virgin' she slaps him and there is a suspended moment of emotion as Jimmy clutches his stinging cheek. It is probably the most obvious point in the film and made me cringe a little but somehow they manage to get away with it.
The film was made in 1959 and the play opened in 1956 so it is now well over fifty years old. In today's age of psychotherapy and anti-depressants would Jimmy be a better person (a happier person) or was he better-off being angry and frustrated i.e. himself? It certainly wouldn't have made such a marvelous play. In many respects this play has similarities to A Streetcar Named Desire where the character of Stanley Kowalski could almost be interchangeable with that of Burton's Jimmy. Both are powerful plays/films and make for disturbing, thought-provoking viewing but they are far from uplifting: Testament to an era when abortion was illegal, two double Scotches cost ten bob and Angry Young Men could sell Jelly Babies by day and play the trumpet in a jazz club at night.
It takes a lot of effort to see beyond the contemptuous, bullying veneer of Burton's portrayal of Jimmy and it would be easy to dismiss him as nothing more than a villain. But glimpses beneath his odious exterior include his obvious devotion to his old landlady and his support of an Indian market-stall owner who is ostracised for being a foreigner. By the end of the film it becomes obvious that Jimmy is severely `damaged' psychologically but we, the viewers, are left to draw our own conclusions as to why he is selling sweets on a market stall and living in such squalid conditions when he is university educated.
To my mind Claire Bloom's character, Helena, is the real villain of the play. The scene where Jimmy launches a vitriolic tirade against Helena, calling her an `evil-minded little virgin' she slaps him and there is a suspended moment of emotion as Jimmy clutches his stinging cheek. It is probably the most obvious point in the film and made me cringe a little but somehow they manage to get away with it.
The film was made in 1959 and the play opened in 1956 so it is now well over fifty years old. In today's age of psychotherapy and anti-depressants would Jimmy be a better person (a happier person) or was he better-off being angry and frustrated i.e. himself? It certainly wouldn't have made such a marvelous play. In many respects this play has similarities to A Streetcar Named Desire where the character of Stanley Kowalski could almost be interchangeable with that of Burton's Jimmy. Both are powerful plays/films and make for disturbing, thought-provoking viewing but they are far from uplifting: Testament to an era when abortion was illegal, two double Scotches cost ten bob and Angry Young Men could sell Jelly Babies by day and play the trumpet in a jazz club at night.
12 of 14 people found the following review helpful
Format:VHS Tape
Have long since lost the video I had of this film. Does deserve a DVD release in this country, most definitely, it does. It is British through and through, it made the Royal Court Theatre famous for putting on daring contemporary work, it made its young author famous, it certainly didn't hinder the careers of its actors, and it coined two new terms used by the media, 'Angry Young Man' and 'Kitchen Sink Drama'. And the only place you can watch this version of landmark British theatre on DVD is...America. Sounding like a familiar story, isnt it!
22 of 26 people found the following review helpful
Format:DVD
It is rare that I find myself moved to display my fondness for a film or book through an online review, but i cannot help but feel as though some of the other reviewers (cough, the only other reviewer, cough) have been...well, silly. First of all, this is a FILM ADAPTATION of the classic John Osbourne play. A film adaptation is an adaption of a play for a film - this is why it is called a film adaptation of a play. Indeed, the original character of Jimmy Porter is 25, and perhaps Richard Burton looks a few years too old to suitably entice the viewer into this belief, but come along now! - he is a brilliant actor; a truly brilliant actor particularly in this production! Such anger! Such Fury! Such...well, Jimmy Porterism! To describe such a style of performance as 'wooden' is overly opiniative to say the least. To say the most, it is downright wrong. Please forgive me for being overly opinionative, but forgive yourself, mr. 1-star reviewer, for forgetting the subjectivity of such a matter! This film is brilliant - a well directed, beautifully shot and stunningly acted piece. Bravo! Pip Pip! Tally Ho! Oh, i'm 20 years old by the way.
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Most Recent Customer Reviews
"Invariably impassioned acting performances..."
British New Wave film and theater director and producer Tony Richardson`s feature film debut which was written by English screenwriter Nigel Kneale (1922-2006) and John Osborne... Read more
Published 3 months ago by Sindri
Look Back in Anger
Richard Burton at his gritty best.My wife found it too gritty and not for her but while I can understand this you cannot get away from the powerful performances by all in the film.
Published 4 months ago by J. M. Cumberlidge
A lot of noise about nothing?
In the most recent review, a two-star review, an Amazon user complains that in this film there is a "lot of noise about nothing", yet is this not exactly what was meant to be shown... Read more
Published 21 months ago by Tha Fsta
Look Back in Anger
This is a lot of noise about nothing and exalts betrayal by people who pretend to be socially and morally superior. I wish I had not bought it.
Published 24 months ago by Mrs. Suzanne R. O'shea
Milestone movie-making.
I originally watched this film, purely because of my love of black and white films and the 1950s as an era. Read more
Published on 30 May 2010 by Guitar Heroine
Interesting but dated
Look Back in Anger created a sensation when it first saw the light of day in 1956 because it wasn't the sort of thing that West End theatre audiences had become used to. Read more
Published on 22 May 2010 by Triestino
Terrible
Richard Burton was far too old to play 25-year-old Jimmy Porter. He was 33 but looked almost a decade older than his real age, due to his chain smoking and chronic alcoholism. Read more
Published on 25 Oct 2009 by M. Harrison
BURTON BLOWS A TRUMPET AS A BRITISH BEAR
The play uses the metaphor of describing english working classes as bears for men and squirrels for women ,it even shows them as fluffy toys and mary ure and burton enact the 2... Read more
Published on 7 Oct 2008 by usman
A true 1950s classic!
One of the most dramatic of the critically acclaimed kitchen sink dramas where it always seems to be raining. Read more
Published on 7 Aug 2008 by FAMOUS NAME
This is one hell of a good film
In this masterful movie from 1958, director Tony Richardson shows precisely why he became to be regarded as such a brilliant film director. Read more
Published on 6 Dec 2003
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