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A Long Way From Verona
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Product Description
'I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine' Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her- a confining world of Order Marks, wartime restrictions, viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica she has been told that she is 'beyond all possible doubt', a born writer. With her inability to conform, her absolute compulsion to tell the truth and her dedication to accurately noting her experiences, she knows this anyway. But what she doesn't know is that the experiences that sustain and enrich her burgeoning talent will one day lead to a new- and entirely unexpected- reality.
About the Author
Jane Gardam has been awarded the Heywood Hill Literary Prize for a lifetime's contribution to the enjoyment of literature; has twice won a Whitbread Award and has been shortlisted for the Booker Prize. She was awarded an OBE in January 2009.
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Most Helpful Customer Reviews
20 of 20 people found the following review helpful
Format:Paperback
A long way from Verona indeed. Jane Gardam's novel is set not in the Italian city but in the North Riding of Yorkshire. Verona is, in fact, never mentioned in the book, although there are a couple of references to "Romeo and Juliet", and an Italian prisoner-of-war plays a minor role. The story takes place in 1940/41, during the early days of the Second World War. The narrator and central character is Jessica Vye, the thirteen-year-old daughter of a local clergyman. There may be autobiographical elements in the book; Ms Gardam would have been thirteen in 1941, and the seaside town in which it is set is clearly based on her own home town of Redcar. Jessica herself has ambitions to become a writer.
There is no central, strongly-defined plot line; the book is episodic in structure, recounting the main occurrences in Jessica's life over a period of several months. Despite the historical period in which it is set, this is not so much a war story as a coming-of-age story with a wartime setting. Only in one, crucial, episode do the hostilities play a significant role. Jessica has become friendly with Christian Fanshawe-Smythe, the fifteen-year-old son of one of her father's clerical colleagues, and he suggests that they should together visit a neighbouring industrial town to see how its working-class inhabitants live. When they do, they are caught up in an air raid.
The theme of social class is an important one in the book. Although the fathers of both families are clergymen, there is a strong contrast between the wealthy Fanshaw-Smythes and the lower-middle-class Vyes, a contrast brought out when Jessica is invited to spend an uncomfortable weekend as a guest of the Fanshawe-Smythes, and is dismissed as "gharsley" (ghastly) by their daughters. Christian, an ardent Communist, regards the working-class neighbourhood as a hellish slum, whereas Jessica cannot see what is so bad about it. Christian's friendship with Jessica has less to do with any romantic interest in her than with his (probably incorrect) belief that her mildly left-wing father, a former schoolmaster who has left that profession to follow his religious vocation as a curate, shares his Communist convictions.
There is more to the novel, however, than a guide to the British class system as it existed in the early forties. Ms Gardam's main concern was not to explore social issues but to create a portrait of a sensitive girl in her early teens. As one might imagine, the most important element in Jessica's world, apart from her family, is her school, and many of the incidents describe concern her relationships with her classmates and her teachers. One point that comes through is that the British educational system at this period seems to have been in many ways a stiflingly conservative one, more concerned with turning out well-scrubbed, well-behaved little conformists than with encouraging children to think for themselves. (A similar point is made in Muriel Spark's "The Prime of Miss Jean Brodie"). The system is quite ill-suited to the needs of a sensitive, intelligent child like Jessica, whose class teacher Miss Dobbs nurtures a strong dislike for her.
Despite some serious themes, the book is essentially a witty one, even at times a comic one. Jessica has a quite original, idiosyncratic way of looking at the world, as she readily admits; the opening words are "I ought to tell you at the beginning that I am not quite normal, having had a violent experience at the age of nine". Jane Gardam encourages us to see the world through Jessica's eyes and to smile with her at its oddities. A very enjoyable novel.
There is no central, strongly-defined plot line; the book is episodic in structure, recounting the main occurrences in Jessica's life over a period of several months. Despite the historical period in which it is set, this is not so much a war story as a coming-of-age story with a wartime setting. Only in one, crucial, episode do the hostilities play a significant role. Jessica has become friendly with Christian Fanshawe-Smythe, the fifteen-year-old son of one of her father's clerical colleagues, and he suggests that they should together visit a neighbouring industrial town to see how its working-class inhabitants live. When they do, they are caught up in an air raid.
The theme of social class is an important one in the book. Although the fathers of both families are clergymen, there is a strong contrast between the wealthy Fanshaw-Smythes and the lower-middle-class Vyes, a contrast brought out when Jessica is invited to spend an uncomfortable weekend as a guest of the Fanshawe-Smythes, and is dismissed as "gharsley" (ghastly) by their daughters. Christian, an ardent Communist, regards the working-class neighbourhood as a hellish slum, whereas Jessica cannot see what is so bad about it. Christian's friendship with Jessica has less to do with any romantic interest in her than with his (probably incorrect) belief that her mildly left-wing father, a former schoolmaster who has left that profession to follow his religious vocation as a curate, shares his Communist convictions.
There is more to the novel, however, than a guide to the British class system as it existed in the early forties. Ms Gardam's main concern was not to explore social issues but to create a portrait of a sensitive girl in her early teens. As one might imagine, the most important element in Jessica's world, apart from her family, is her school, and many of the incidents describe concern her relationships with her classmates and her teachers. One point that comes through is that the British educational system at this period seems to have been in many ways a stiflingly conservative one, more concerned with turning out well-scrubbed, well-behaved little conformists than with encouraging children to think for themselves. (A similar point is made in Muriel Spark's "The Prime of Miss Jean Brodie"). The system is quite ill-suited to the needs of a sensitive, intelligent child like Jessica, whose class teacher Miss Dobbs nurtures a strong dislike for her.
Despite some serious themes, the book is essentially a witty one, even at times a comic one. Jessica has a quite original, idiosyncratic way of looking at the world, as she readily admits; the opening words are "I ought to tell you at the beginning that I am not quite normal, having had a violent experience at the age of nine". Jane Gardam encourages us to see the world through Jessica's eyes and to smile with her at its oddities. A very enjoyable novel.
5 of 5 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
Jessica Vye is 13 and lives on the north east coast of Yorkshire - just like Jane Gardam herself, in fact, who was 13 in 1941, in the early years of the war. That fact alone does not make this an autobiography, of course, but much rings true about the political and social mores, not to mention the wartime privations of the time. This is a lovely book - teenaged girl has ambitions to be a writer, receives a lot of bad advice (mostly from her schoolteachers) and some good advice (a lone teacher who seems to understand), wins a poetry competition and experiences at first hand the English social strata's cruelties at the hands of a family a few steps higher up the ladder.
A certain literary flavour permeates Gardam's work. Her protagonists are always lower or upper middle-class, and we modern readers have been so relentlessly taught to despise the middle-classes, that we cannot but see how deeply unfashionable this beautifully gentle and witty book will appear to the current cultural milieu. Well, bugger the lot of them, this is gorgeously appealing and funny. It knocks most coming of age novels into a cocked hat for the deeply sympathetic and realistic way it handles the agonies of adolescence. It is short (190pp), trenchant, tolerant, delightful. I loved it.
A certain literary flavour permeates Gardam's work. Her protagonists are always lower or upper middle-class, and we modern readers have been so relentlessly taught to despise the middle-classes, that we cannot but see how deeply unfashionable this beautifully gentle and witty book will appear to the current cultural milieu. Well, bugger the lot of them, this is gorgeously appealing and funny. It knocks most coming of age novels into a cocked hat for the deeply sympathetic and realistic way it handles the agonies of adolescence. It is short (190pp), trenchant, tolerant, delightful. I loved it.
13 of 14 people found the following review helpful
Format:Paperback
I discovered this book quite a few years ago in a library, and wasn't able to purchase a copy until I found it on amazon. It is brilliant, funny and moving- Gardam is able to capture the perception and voice of an intelligent, sometimes pretentious, sometimes foolish thirteen year old girl perfectly, and like most of her work the time period doesn't jar. I'm not an huge fan of world war II fiction, mostly because it tends to be over written, but here the bombings and the war merely compose part of Jessica's world. Read the first chapter and you won't want to stop reading it.
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Most Recent Customer Reviews
Funny and Touching
A funny and poignant novel about a young girl growing up in a seaside town in North East England during World War II. Read more
Published 2 months ago by Kate Hopkins
My favourite book
I first read this in the mid-1970s and have read it probably every year since then. Words and phrases from it have affected the way I write and think, I am certain. Read more
Published 14 months ago by Mrs. H. Murray Hill
Delightful Read
There is something eccentric about the narrator Jessica Vye who tells you from the beginning "I am not quite normal." But which 13 year old does feel comfortable in her own skin? Read more
Published on 31 Mar 2010 by Sabina
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