Sissy, as a sophisticated, mature woman, in a tender and touching screenplay, by John Cork, that revolves around the 1955 bus boycott in Montgomery, Alabama. As Miriam Thompson, Sissy is the well-to-do wife of a city official whose busy life ("I'll be at the beauty parlor this morning, then there's a club luncheon, then I have this Junior League thing this afternoon...") is inconveniently affected by the fact that her maid, Odessa (Goldberg), has chosen to support the boycott, and is sometimes late for work. Goldberg, a deeply talented actress who plays *herself* a little too often to be taken seriously, is superb in a role that has very few lines. She lets her expressions (or lack thereof) do the work for her, and she is wholly believable as the maid who takes care of Miriam's family, and then must make the long walk home to take care of her own. The character studies of Miriam and Odessa are overlooked gems in both actresses careers, and it becomes apparent that the struggle is not just that of racism, but of feminism, as well. We are treated to a classic performance by Sissy, again expanding her own consciousness and rising above her milieu. The art direction is also one of the stars of this film, with amazing attention to period details. Supporting roles are extremely well cast. Sissy's daughter, Schuyler, who is already a veteran actress at 18, can be briefly glimpsed in her first film appearance, as the daughter's friend in the park scene. *Long Walk Home* is always elegant, but not always pretty, and it commands the viewers attention - like a picture postcard from another era arriving decades too late