The Lonely Londoners (Penguin Modern Classics) [Paperback]

First published in 1956, Trinidadian born, Sam Selvon, began his London based fictions with a short novel called The Lonely Londoners. It's set during a time when many West Indians were emigrating from a life of sunshine to the British Isles, believing, like many emigrants, that the streets were paved with gold. Of course, this is London we're talking about; there's no gold.

The book, for the most part follows the fortunes of Moses Aloetta, a Trinidadian who has lived in London for years, as his life meets tangentially with others. His time is spent between his job, in which he is paid a meagre wage, and heading on down to Waterloo to meet the latest influx of West Indians.

There all manner of characters coming to London, and not only from the West Indies. Shiftless ladies' man Cap, for example, is Nigerian. But the majority are coming from Trinidad and Jamaica. Local prejudice tends to label all the black immigrants as being Jamaican, which rankles Moses. Other characters include Henry Oliver (nicknamed Sir Galahad), a young kid looking to start over in London; Tolroy, who on writing home to say he gets paid five pounds a week, wasn't intending the letter to be an invitation for his whole family to join him; Five Past Twelve, an ex-soldier always on the scrounge; Big City, who has always been captivated by urban living yet can't quite integrate; and Harris, a man who has found himself in London yet is still tied to the burgeoning black community.

The novel follows their fortunes as they come to Moses for help, as they crash in on each others' lives, and flirt with the white women who see them as a novelty; all the time wondering if they will ever return home. Through all this, though, there's a sense of unease. For the native Londoners there are too many black people coming for work; the immigrants also share this resentment, in that the other immigrants are seen as competition for what little jobs are available. Most jobs, when the person is discovered to be black, tend to offer lower wages too.

What makes The Lonely Londoners special is the narrative. Rather than a straightforward English narrative, Selvon has opted for the third person narrator to tell the tale in creolised English, which give the effect of bringing the reader into the immigrant community:

"When he get to Waterloo he hop off and went in the station, and right away in that big station he had a feeling of homesickness that he never felt in the nine-ten years he in this country. For the old Waterloo is a place of arrival and departure, is a place where you see people crying goodbye and kissing welcome, and he hardly have time to sit down on a bench before this feeling of nostalgia hit him and he was surprise."

Selvon's characterisation works well with this creolised style but it's more than a tragi-comedy of the life in fifties London as immigrants try to find work and settle. Life is hard, the people reduced to living in small rooms. Jobs are scarce. And there is much racism coming from the local people and businesses, which Galahad struggles to understand when, still hoping for a job, he says:

"'The Pole who have that restaurant, he ain't have no more right in this country than we. In fact we is British subjects, and he is a foreigner.'"

Galahad takes this further when he addresses the colour Black itself:

"Why the hell you can't be blue, or red or gren, if you can't be white? You know is you that cause a lot of misery in the world. Is not me, you know, is you! I ain't do anything to infuriate the people and them, is you! Look at you, you so black and innocent, and this time you causing misery all over the world."

The Loneley Londoners doesn't follow a conventional storyline, opting instead to collect a bundle of stories about its characters adapting to life in London, using Moses as their backbone. This method actually gives the story more direction than one would expect and also blesses it, for its size, with an epic feel.

For all its sense of community, The Lonely Londoners, as you would expect from title, isn't a bunch of laughs. Sure, there's much comedy to be had, but an undercurrent of sadness runs throughout. Employment, racism, immigration, relationships, personal ambition, and nationality all come under Selvon's spotlight in a book that is anything but black and white.

As `The Lonely Londoners' opens we meet Moses Aloetta who is on his way to meeting a group of people who have newly arrived in the city from the West Indies. Moses having lived in London for quite some time is an initially rather begrudging welcoming committee. This is the 1950s a period after the war when many people from many countries came to the UK to find their fortune. While a small amount of them did (and these were very few and far between) most people however ended up working for anything they could get and Moses in his heart of heart is homesick. He is there to meet Henry `Sir Galahad' Oliver and through these two characters and people they know we get snippets of peoples lives.

Selvon does something for me with this book which I both loved and found rather difficult all at once and I am not talking about the fact its written in a creolized voice, that actually helped the book come more alive for me. No, the difficult things is there is no exact narrative be it first person, second or third. It flits from scene to scene and person to person which whilst creating an incredible sense of London and its atmosphere at the time is actually rather confusing and disorientating. I couldn't get a grip on the characters emotionally even though characters such as the gutsy Tanty (who is one of the only women in the book and doesn't get mentioned much, the book to me really lost something on not having one main female voice or outlook) and Moses himself made the book really interesting in parts. I never became attached to any of them though and so, and this might make me sound callous, I ended up not caring. I also hated the misogynistic attitude of some of the characters like Cap, who seemed to somehow sleep with every woman be they black or white and treat them like garbage.

However I don't believe characters you don't like should put you off a book and it was more the alienating movement from person to person. I do have to reiterate that I have read few books that evoke London and hardly any which give such a sense of time and place so simply - no over description at all. This I think really saved the book for me. Selvon builds the city at that time in such a way that it makes the book worth the read for that alone. He also writes a marvellous section of summertime London when the smog lifts in a stream of conscious one sentence long over five pages which isn't hard to read which he should be highly commended for. There is no question he is a great writer I just wish I had felt a little more involved rather than at a distance in a whirl of people and thoughts. Maybe that's the intention though?

His books are written with a love for his motherland and describe the struggle it took for the boat trains of newcomers to adapt to their new lives in London where the sun never shines, the natives are rude and the Buckingham Palace style house he was hoping for wasn't exactly the ticket. They wonder why they ever left their colourful country for the city that was supposed to be paved in gold and that promised a beautiful future.

His writing style is lively and his descriptions could only come from a Caribbean tongue. His stories send you up and down in belly fits and other times raw notes of total despair. The character descriptions he builds are so completely original and fill you with a warm heartedness for your fellow beings.

He's up there in my top ten favourite writers! Read it!