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Part of the Herb Alpert signature series, this special edition is presented in a deluxe digi-pack, the music has been completely remastered and includes a 20 page detailed booklet containing a detailed essay with an intro by Herb Alpert.
With Lou Adler, Alpert co-wrote a number of Sam Cooke's most enduring hits, including "Wonderful World" and "Only Sixteen." Under the name Dante & the Evergreens, he and Adler also recorded a cover of the Hollywood Argyles' "Alley Oop"; additionally, Alpert produced tracks for the surf duo Jan & Dean. In 1962 he teamed with Moss to found A&M Records, scoring a Top Ten hit with the single "The Lonely Bull."
From its humble origins as a company run out of Alpert's garage, A&M grew to become the world's biggest independent label; among its greatest successes were the Carpenters, Cat Stevens, Joe Cocker, and Sergio Mendes & Brasil '66. Nevertheless, Alpert and his backing unit, the Tijuana Brass, remained the label's flagship act: on the strength of the hit "A Taste of Honey," his 1965 LP Whipped Cream and Other Delights topped the charts, popularizing his Latin-influenced style (dubbed "Ameriachi"). The follow-up, 1965's Going Places, also hit number one, launching the hit "Spanish Flea."
After 1966's What Now My Love his most popular effort, remaining at number one for nine weeks Alpert continued to dominate the charts with records including 1966's S.R.O. and the following year's Sounds Like and Herb Alpert's Ninth. In 1968, he scored his first number one single by taking a rare vocal turn on a rendition of Burt Bacharach's "This Guy's in Love With You"; the album Beat of the Brass followed the hit to the top of the charts, becoming Alpert's fifth and final number one LP.
Released in 1969, Warm was the first of Alpert's 11 albums not to crack the Top 20; by 1971's Summertime, his commercial fates had fallen to the point where he no longer reached the Top 100. As A&M continued to thrive, he moved his primary focus from music to industry, although he regularly recorded throughout the early '70s; 1974's You Smile The Song Begins was his most successful outing in several years, but subsequent releases like 1975's Coney Island and 1976's Just You and Me met with greater chart resistance.
In 1979, Alpert staged a major comeback with Rise; not only did the album reach the Top Ten, but the title track topped the singles charts and became the biggest hit of his career. The follow-up, 1980's Beyond, was a Top 40 success, but subsequent efforts like 1982's Fandango and 1985's Wild Romance fared poorly. In 1987 Alpert enjoyed another renaissance with the album Keep Your Eye On Me; the lead single "Diamonds" hit the Top Five and featured a guest vocal from Janet Jackson, one of A&M's towering successes of the late '80s.
Alpert continued recording throughout the 1990s, producing work like 1991's North on South Street, 1992's Midnight Sun, and 1997's Passion Dance. After selling A&M to PolyGram in 1990 for a sum in excess of $500 million, he and Moss founded a new label, Almo Sounds, in 1994; among the imprint's hit artists was the group Garbage. His own albums, including 1997's Passion Dance and 1999's Colors, were also released on the label. Alpert also tackled other forms of media, exhibiting his abstract expressionist paintings and co-producing a number of Broadway successes, including Angels in America and Jelly's Last Jam. He also established the Herb Alpert Foundation, a philanthropic organization dedicated to establishing educational,
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
4.0 out of 5 stars
The Good Old Days,
By
This review is from: Lonely Bull (Audio CD)
The disc brings back days of yesteryear,every track, all of which makes for good listening.The tape I have had for years, had grown old like its owner,so I went a looking and found the disc.Any one of that era, will listen from start to finish, and remember, when music WAS music. Herb Alpert has a style he made all of his own.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
In the beginning there was Herb.,
By
This review is from: The Lonely Bull (Audio CD)
This was the first LP by The Brass,the title track opens the proceedings and sounds just as if you were at a bull fight,Tijuana Sauerkraut is an uptempo number reminiscent of german OOMPAH music.Stuttin with Maria,Acapulco 1922 and Let it be me are good tracks ,this album is good but not as good asGoing PlacesSouth of the Borderthese two albums are more accessable two years in to the bands career.If you can afford it buy this series of original albums and avoid any greatest hit compilations.I've just ordered my sixth from the series(the Herb Alpert signature series).This is worth a listen.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.4 out of 5 stars (5 customer reviews) 16 of 16 people found the following review helpful:
5.0 out of 5 stars
The very first and still an excellent TJB album,
By Catherine S. Vodrey - Published on Amazon.com
This review is from: Lonely Bull (Audio CD)
Herb Alpert and the Tijuana Brass' "The Lonely Bull"--their first album, way back from 1962--confirms the astonishing amalgam of talent that made up this seminal instrumental group. Combining as it does trumpets, strong backing rhythms, and the occasional odd instrument like marimbas, vibraphones, and penny whistles, TJB puts their inimitable spin on every song on this must-have album."The Lonely Bull (El Solo Toro)" kicks off the album with a bang, showing the TJB's original strongly Mexican influences. "El Lobo" has a brooding, melancholy flavor to it, while still evincing a south-of-the-border flavor with its acoustic guitar and trumpet harmonies. "Tijuana Sauerkraut" was the first of TJB's many songs flavored with a fat and happy German-beer-drinking element. A musical friend has told me that "Desafinado" is a terrifically difficult song to play well because of its continuous switching from major to minor and because of its offbeat rhythms. It seems to have given the TJB no trouble whatever--it's done to perfection here. "Never on Sunday" is a lovely song with long, gleaming trumpet notes and a strong underpinning by the tuba. "Struttin' with Maria" has a contagious marching swagger to it, as does "Limbo Rock" which improbably has both a Mexican and a Mediterranean vibe--listen for the cracking of a whip in the background! This is a classic for good reason, and a must for any serious fan of jazz brass playing. Alpert and his beloved Tijuana Brass ensemble are masters of their craft, and we are lucky that they recorded as many albums as they did--beginning with this very fine first effort. 14 of 14 people found the following review helpful:
3.0 out of 5 stars
Great music badly rendered,
By T. J. M. Klerk - Published on Amazon.com
This review is from: Lonely Bull (Audio CD)
Either you like Herb Alpert or you don't. It's that simple. I do. Ever since I heard his "Lonely Bull" theme in the early sixties. I treasure my record albums since most of them are still not available on CD. This album was supposed to be replacing the oldest Alpert LP album in my possession. Finally without any clicks and hiss. Unfortunately not so. The clicks are gone, but a lot of tape hiss was added. A great opportunity lost. I have copied the CD tracks to my PC, removed the constant hiss and re-recorded it. Now *that*'s an improvement. But I think the CD is not near the LP original in quality.
5 of 5 people found the following review helpful:
4.0 out of 5 stars
Down Mexico Way,
By W. J. Bernardi - Published on Amazon.com
This review is from: Lonely Bull (Audio CD)
Herb Alpert's first album is an excursion into quasi-mariachi music. Trumpet lines in 3rds, mandolins, acoustic guitars, and percussion fills this record. And most of it is pretty good. It also contains a bit of jazz with "Desafinado" (where Alpert trades solos with marimba player Julius Wechter) and "Crawfish", which has Herb playing a hot muted trumpet solo. "Limbo Rock" is calypso romp. "Never On Sunday" is beautifully arranged. And the title tune is mesmerizing. A very good start for Herb and the TJB.
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