Firstly, I want to re-iterate a comment I've put against another review - we are very lucky to have had this released on DVD, and the distributors should indeed be thanked. The print used isn't perfect, some scenes are quite dark and the technicolor doesn't match up to the way it was used in Hollywood at the time. But we must put that into context - the film was produced immediately after the end of the war in very difficult circumstances, and with hindsight was probably just too ambitious a project to have been undertaken at all at that time.
It's lovely to see beautiful Kay Kendall in her first starring role and one can only imagine her personal devastation when the failure of London Town killed her film career in the bud, it took five years until she began to get small parts again leading to her colossal success in Genevieve. She looks great, especially in the routine at the end of the film, sexy in a low cut green gown and then resplendent in red. Her early death in 1959 robbed the world of a wonderful comedienne and beauty, just as a big Hollywood career was looming for her.
The score contains four catchy numbers, "The Hampstead Way", "My Heart goes crazy" and "You can't keep a good dreamer down" being the best. However, the staging of all of them is not that good - the choreography of "My Heart goes crazy" is among the poorest both in design and execution that I can recall in any major musical. The chorines themselves have incredibly heavy make-up which gives them quite a grotesque appearance in the close-ups. All the musical numbers are long, protracted and just not imaginatively staged.
I found Sid Field's routines totally unfunny. He was undoubtedly a big star but maybe he just couldn't translate to film. The interesting supporting cast includes Sonnie Hale and Claude Hulbert, big 1930's British film stars,Tessie O'Shea, Greta Gynt and a very young Petula Clark, who sadly doesn't sing at all.
In spite of its faults, this is well worth a view. It's a case of grab it while you can, it's very unlikely to ever be re-released. This is a very rare film and has a niche in the history of British cinema.
Thanks, ODEON!