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London: A History in Verse [Hardcover]

Mark Ford
4.5 out of 5 stars  See all reviews (6 customer reviews)
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Book Description

28 May 2012 0674065689 978-0674065680
Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature.

Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history - the beheading of Charles I, the Great Fire, the Blitz - but the majority reflect the quieter routines and anxieties of everyday life through the centuries.

Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself.


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Product details

  • Hardcover: 940 pages
  • Publisher: Harvard University Press (28 May 2012)
  • Language: English
  • ISBN-10: 0674065689
  • ISBN-13: 978-0674065680
  • Product Dimensions: 16.2 x 1.5 x 23.5 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 50,632 in Books (See Top 100 in Books)

Product Description

Review

“This marvelous anthology ranging over six centuries about one of the great cities of the world is not only a delight to read, but also a revelation: Who would have suspected that there were so many memorable poems written about London by poets one tends to identify with other interests? Starting with Mark Ford’s informative and thoroughly enjoyable introduction, we go from surprise to surprise turning the pages of this book, very much like someone taking in the sights of a city he was not familiar with, or has long known, and is now discovering to his astonishment, as if for the first time.”—Charles Simic

A volume that holds a poetic mirror up to London—and how does she look? Sublime and squalid, high-born and street-smart, worthy of a sonnet and fit only for doggerel. This irresistible collection captures 600 years of the city’s vibrant many-voiced chorus. A gem.—Zadie Smith

This vivid, vibrant and vital anthology takes us into the heart and history of Eliot’s ‘unreal city’, poem by poem. Mark Ford has gathered together poems born of London, in conversation with London, in combat with London, in awe of London, most of which were first published in London, centre of print and power. Covering six and a half centuries of wandering, whoring, watching, drinking, dancing, praying, building, courting, and cursing, here can be found Wordsworth’s ‘endless stream of men and moving things’, even when, as Fleur Adcock puts it, ‘the traffic’s as abominable as ever’. Packed as the Underground, this is as essential a guide to London as the A–Z.—Frances Wilson

"...the boy Ford done good, has done us proud, has played a blinder. I have never come across a London anthology... as rich, as bold, as multifarious as this... Olympic visitors should lug this brick back home for a pungent souvenir of the original "maximum city" in all it grot and grandeur..." Boyd Tonkin, The independent, Saturday 21 July 2012 "...a magnificent collection revealing the capital in all its splendour and squalor." The Sunday Telegraph, Sunday 17 June 2012 "[A] quite wonderful and ceaselessly evocative anthology of London verse... a guide to the city's authentically enduring soul.... this is a fantastically easy volume to dip in and out of." Sinclair McKay, The Daily Telegraph, Saturday 30 June 2012

About the Author

Mark Ford is a poet and Professor of English at University College London. Like many of the poets whose work he collects in London, Ford brings an outsider's perspective. A native of Nairobi, Kenya, he first came to London for schooling. He holds a B.A. and a D.Phil. from the University of Oxford and has studied at Harvard University and has taught at the University of Kyoto.

Ford has published widely on nineteenth-, twentieth- and twenty-first century British, American, and French literature. He is particularly interested in the idea of "The City"-that is, aspects of the cultural and literary history of the metropolis-and he is active in UCL's City Centre series.

A regular contributor to the New York Review of Books and the London Review of Books, Ford has written on Ted Hughes, Gerard Manley Hopkins, Walt Whitman, W.H. Auden, Wallace Stevens, T.S. Eliot, Nicholas Moore, Elizabeth Bishop, Marilynne Robinson, Flannery O'Connor, Randall Jarrell, Ralph Waldo Emerson, Henry David Thoreau, James Fenimore Cooper, Georges Perec, and Javier Marìas. Selected reviews and essays have been published in A Driftwood Altar (2005) and Mr and Mrs Stevens and Other Essays (2011).


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Most Helpful Customer Reviews
5 of 5 people found the following review helpful
4.0 out of 5 stars London: A History In Verse 28 Jun 2012
By M. J. Hunter VINE™ VOICE
Format:Hardcover|Amazon Vine™ Review (What's this?)
With all the hype surrounding the Olympics London would appear to be the centre of the universe at the moment and we are being bombarded by a plethora of products connected with the capital. The timing of the publication of this book to coincide with the Olympic fever may have been by design or by accident but the editor, Mark Ford, sets out to provide us with a look at the history of London through the writings of our poets.
The verses are set out in chronological order, starting around the year 1400 and continuing up to the present day. All aspects of London and London life are covered in the verses presented and many of our countries finest writers are included alongside a number of anonymous pieces.
The book is an impressive tome, not only for the works contained within it, but also by its physical size. Running to 745 pages, with over 350 verses and weighing in at more than few kilograms, it is not a volume to slip in your pocket and read on your daily commute. This is a volume to sit for a good many years on your library shelf and to be dipped into in small, delicious doses. I expect my copy to be with me a long time.
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4 of 4 people found the following review helpful
5.0 out of 5 stars The Squalid and The Sublime 24 Jun 2012
By Donald Lush VINE™ VOICE
Format:Hardcover|Amazon Vine™ Review (What's this?)
It's said that if Dublin were to be destroyed it could be recreated from the works of James Joyce and I think this book could provide a similar service for London, capturing the poetic voices of the many cities that have existed by the Thames since the 14th century, in a way that brings the full diversity of the London experience vividly to life.

That said,this book is almost impossible to review in a small space. It's tremendously long, generous with its selections and choice of writers; almost as complex and varied as the city it praises (and damns - this is not hagiography). All I can do is suggest that you get it for yourself and make it a companion to your adventures in the city, always bearing in mind that it will take you both to the gutter and the stars, which, to my mind, is its greatest strength.

I can't tell you how much delight I have already found here, in both the squalid and the sublime. But if you want to start where I did, read the introduction and particularly the part that quotes Rochester's "A Ramble in Saint James's Park", comparing it to a more decorous contemporary poem also describing the same space. Here we have the happy coincidence of scholarship and unfettered delight in ribald fun. I certainly shan't view the park in quite the same way from now on, and I'm sure my appreciation of other London places will be equally deepened as I work my way through all the poems.

I can see this book is going to be essential reading and treasure for my bookshelf for some time to come.
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2 of 2 people found the following review helpful
4.0 out of 5 stars A scholarly, chronological treasure-trove 12 July 2012
By M. Harrison VINE™ VOICE
Format:Hardcover|Amazon Vine™ Review (What's this?)
Given that the jacket copy opens 'Called "The flour of Cities all...' I was surprised not to find William Dunbar's 'In Honour of the City of London', from which that quote is taken, in this otherwise extremely comprehensive anthology.

The 'flower' metaphor is an interesting one, too, as it crops up again and again in verse about London; here is D.H. Lawrence, in 'Bombardment': 'The Town has opened to the sun/Like a flat red lily with a million petals...' and here is MacNeice nodding to Dunbar four and a half centuries later in 'Goodbye to London': 'Nevertheless let the petals fall/Fast from the flower of cities all.'

And it's that wonderful concertina-ing of time that chronological anthologies like this are so good at: picking up the themes and motifs that crop up again and again and letting you look at something familiar anew. The best pieces here are the poems written directly about London, rather than simply in it; poems by poets who have taken the city as their subject rather than simply moving there for fame, or for the court, or publication, or advancement.

Women poets are passably well represented, with some good historical rarities like Isabella Whitney's locquacious and imaginative sixteenth-century will and testament, and I very much enjoyed Heather Phillipson's 'German Phenomenology Makes Me Want To Strip And Run Through North London', too. However, satires like Pope's 'The Dunciad' and John Oldham's 'Satire in Imitation of the Third of Juvenal' just haven't aged well. Perhaps their time will come again, who knows.

In contrast there are some lovely, accessible pieces, such as Seamus Heaney's haunting 'The Underground' and T.E. Hulme's lovely 'The Embankment' with its heartbreaking and tender plea:

'Oh, God, make small
The old star-eaten blanket of the sky,
That I may fold it round me and in comfort lie.'
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