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Product Description
Product Description
Locke & Key tells of Keyhouse, an unlikely New England mansion, with fantastic doors that transform all who dare to walk through them, and home to a hate-filled and relentless creature that will not rest until it forces open the most terrible door of them all! Acclaimed suspense novelist and New York Times best-selling author Joe Hill (Heart-Shaped Box) creates an all-new story of dark fantasy and wonder, with astounding artwork from Gabriel Rodriguez.
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Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
Okay, that may be a *little* sensationalist. I bought a special edition paperback first chapter of Locke and Key after a friend recommended it to me - my usual reads are Y: The Last Man Vol. 1: Unmanned, The Walking Dead Compendium Volume 1 and more recently Shade, the Changing Man: The American Scream v. 1. Locke and Key didn't disappoint. The artwork is crisp, good-looking and suited to the storyline. The characters have actual depth, and the storyline is genuinely intriguing, unlike a lot of the dross that seems to be floating around at the moment. If you're a fan of horror fiction in any format, get this.
Put it this way - I liked it so much I bought the hardcover edition, then wishlisted volumes 2, 3 and 4 in hardcover for my next payday.
Put it this way - I liked it so much I bought the hardcover edition, then wishlisted volumes 2, 3 and 4 in hardcover for my next payday.
1 of 1 people found the following review helpful
Format:Hardcover
The story begins.... hmmm, see that's the thing with this comic - I'm three words into this review and I've already lied to you. I'll try again.
So bad things happen to the Locke family and the survivors move out to a creepy house on an island. Some of the issues focus on one of the kids in particular. They're all traumatised or changed in some way. I think I liked Bode the best. He's the youngest kid.
The opening panel of this book shows a door. There's going to be a lot of doors in this book - it's one of the recurring archetypal symbols. So get used to the doors, and the locks, and the keys, and the reflections.
Sometimes you get a comic where either the art or the script is carried by the other. That isn't the case here. Both are great. Joe Hill tells a twisty dark story with well formed characters, good pacing and plenty of mystery and suspense. And Gabriel Rodriguez is just brilliant. I love his use of perspective on this book. Forget limited focal range - there's often stuff going on in the foreground and the background and degrees in-between. I think his brain is hooked up to one of those swoopy camera boom things, trying to get the angle that is best for the shot. Take the opening panels for instance. We can see the two guys at the door are hiding knives and a gun but the panel from Nina Locke's perspective just shows two goofy guys standing half in the doorway. Nina is looking past them at their truck. Full page panel showing Nina's cottage in the background and the truck in the foreground. In the back of the truck is a blood stained tarp covering two bodies. We can see all that - Nina can't. Genius. Ok some of it is directed by Joe Hill (I've seen his original script) but Rodriguez really does a great job of turning his directions into vibrant visuals. You have to read these slow just to make sure you don't miss any of the little details. That butterfly worried me. I still haven't figured out what the hell it signifies.
Tip for reading this book: Don't read it in one sitting. Like a lot of comic book series it wasn't designed to be read all at once. I'm not saying read it one issue a month like it's initial publication but at least make it one issue per day. It's a good rule for any serialised comic book. Take the conclusion to the first issue. It really creeped me out. I was thinking about what had happened to Bode when he went through the doorway all night - I think I even dreamed about it. Live with the characters for a while, puzzle out the mysteries and prolong the suspense.
So bad things happen to the Locke family and the survivors move out to a creepy house on an island. Some of the issues focus on one of the kids in particular. They're all traumatised or changed in some way. I think I liked Bode the best. He's the youngest kid.
The opening panel of this book shows a door. There's going to be a lot of doors in this book - it's one of the recurring archetypal symbols. So get used to the doors, and the locks, and the keys, and the reflections.
Sometimes you get a comic where either the art or the script is carried by the other. That isn't the case here. Both are great. Joe Hill tells a twisty dark story with well formed characters, good pacing and plenty of mystery and suspense. And Gabriel Rodriguez is just brilliant. I love his use of perspective on this book. Forget limited focal range - there's often stuff going on in the foreground and the background and degrees in-between. I think his brain is hooked up to one of those swoopy camera boom things, trying to get the angle that is best for the shot. Take the opening panels for instance. We can see the two guys at the door are hiding knives and a gun but the panel from Nina Locke's perspective just shows two goofy guys standing half in the doorway. Nina is looking past them at their truck. Full page panel showing Nina's cottage in the background and the truck in the foreground. In the back of the truck is a blood stained tarp covering two bodies. We can see all that - Nina can't. Genius. Ok some of it is directed by Joe Hill (I've seen his original script) but Rodriguez really does a great job of turning his directions into vibrant visuals. You have to read these slow just to make sure you don't miss any of the little details. That butterfly worried me. I still haven't figured out what the hell it signifies.
Tip for reading this book: Don't read it in one sitting. Like a lot of comic book series it wasn't designed to be read all at once. I'm not saying read it one issue a month like it's initial publication but at least make it one issue per day. It's a good rule for any serialised comic book. Take the conclusion to the first issue. It really creeped me out. I was thinking about what had happened to Bode when he went through the doorway all night - I think I even dreamed about it. Live with the characters for a while, puzzle out the mysteries and prolong the suspense.
4 of 5 people found the following review helpful
Format:Hardcover
I really enjoyed Joe Hill's Heart Shaped Box, and was recommended this - and it was worth it. There's not a major heap of exciting stuff going on in graphic novels right now - but this is definitely at the top of the best stuff out there. Smart, complex, detailed and accessible... and hopefully more to come.
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Most Recent Customer Reviews
Locke & Key Vol 1 HC
After a fairly uninspiring start, the story rapidly picks up pace and gets more and more interesting. Read more
Published 11 days ago by Owen Hughes
An Arresting House
I've been wary of picking up any of Joe Hill's stuff. I felt that had he not been Stephen King's son, I would probably have never heard of him. Read more
Published 2 months ago by Quicksilver
Comic
This is a great comic to read. Get the whole series and read the rest, you wont regret it, but if you do just send them to me.
Published 5 months ago by mcc
League of it's own.
Out of all my monthly comic subscriptions this has been my favourite by far. I have read Heart Shaped Box and Horn's and enjoyed both but wasn't blown away. Read more
Published 12 months ago by Benny
Really excellent
Beautiful book, great story, fantastic artwork, I thoroughly enjoyed reading this and I can't wait for part 2!
Published on 9 Sep 2009 by Angel of Nine
Simply excellent
This is the first comic book series that I read in my return to comics after a 15 year absence and it is proof of how far they have come. Read more
Published on 10 Oct 2008 by A. Cowell
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