In this project, ol' time Jazz Cat & Ethnomusicologist Lloyd Miller collaborates with the UK musical collective, the Heliocentrics. The result of this partnership is a beautiful blending of Jazz with traditional Asian sounds. Given Miller's background, it shouldn't be surprising that Persian folk music is a strong influence. Any introduction to "Lloyd Miller & the Heliocentrics" should make it clear that there is nothing kitschy about this project. Instead of sounding like Martin Denny style Exotica, this Jazz is often straight and serious but with tones of psychedelia and the avant-garde. For example, 'Nava' sounds like a tribute to John Coltrane's 'Love Supreme, Pt. 1: Acknowledgement.' Aside from the overall feel of the piece, the piano work even recalls McCoy Tyner. As a work of trance, it is as exotic as it is compelling. 'Mandala' sounds like an acoustically performed techno piece. This composition incorporates sounds from classical India. 'Bali Bronze' pays respect to the Balinese Gamelan. Like much of the Asian infused album, this song is dark and hypnotic. 'Fantasia, Pt. 1' is punctuated by doumbeks and what sounds like a Zurna. 'Pari Ru' features a zither, perhaps the Santur. It is whimsical and poetic how the zither dances with the piano. 'Lloyd's Diatribe' is the oddest track; it is a stream of consciousness spoken word piece. 'Charhargah' plays one of those iconoclastic Middle Eastern melodies. Most songs are enhanced by exotic sounding aerophones, chordophones and atmospheric percussion. The melodies are sweet and as a result, this project is as listenable as it is interesting. Compared to the vintage sound of "A Lifetime in Oriental Jazz," this Miller release sounds modern. Lloyd Miller and the Heliocentrics pulled this off with brains and groove.