This is an absorbing book. I had heard of Lizzie Siddal, and I like the Pre-Raphaelite painting style but I have no specialist knowledge of art history or nineteenth-century society. I decided to read this on the basis of good reviews and an interest in the lives of women at the time. It didn't disappoint. Like the other reviwer, I read it in a single sitting. Although the writing isn't faultless it is easy to read and to follow, and the author's good use of sources ensures that the context of 19th Century London and the cast of well-known characters (including William Morris, Ford Madox Brown and Christina Rosetti) come vividly to life. Most engaging of all is the central character of Lizzie herself. She appears as a flawed, needy and highly sensitive being, pushed into hysteria and manipulation by the reticence of her partner, Dante Gabriel Rosetti. As the story emerges, it is clear that the relationship between them and its tragic consequences could just as easily unfold in modern society as in 1850s and 1860s London. The sensitive young woman craving love and emotional security (despite her independent income)and the commitment-phobic, egocentric bachelor who wants to have his cake and eat it, are, unfortunately, thoroughly recognisable, modern characters.