- Paperback: 304 pages
- Publisher: Faber and Faber; New edition edition (17 Mar 2003)
- Language English
- ISBN-10: 0571214665
- ISBN-13: 978-0571214662
- Product Dimensions: 19.4 x 12.6 x 2.2 cm
- Average Customer Review: 3.0 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: 699,852 in Books (See Top 100 in Books)
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More About the Author
Product Description
Amazon.co.uk Review
Gaby Woods' Living Dolls is a playful exploration of the history of artificial creatures and their inventors, which starts in 17th-century France and ends in the robotics laboratories of Tokyo and Massachusetts. Ultimately the book is concerned to provide a Freudian account of "what troubles us when we are faced with certain versions of ourselves--bionic men, speaking robots, intelligent machines or even just a doll that moves". The dolls, robots and androids that Woods explores all create anxieties that offer "a fundamental challenge to our perception of what makes us human".
Woods' fascination with artificial intelligence begins in the 17th century, with Descartes' formulation of man as a machine, and Jacques de Vaucanson's flute-playing android, accompanied by an artificial duck that digested its own food, first exhibited to popular amazement in Paris in 1738. The book then tells the bizarre stories of other examples of artificial bodies, including Wolfgang von Kempelen's Automaton Chess Player, attired in the manner of a Turk, Edison's Talking Doll and John Nevill Maskelyne's 19th-century automaton, Psycho. Living Dolls is an amusing and well written story of the "uncanny" nature of artificial life, although some readers might feel that it is higher on entertainment than serious philosophical reflection, in dealing with a subject that many postmodern scholars have explored in greater depth. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
Review
Living Dolls tells the remarkable true history of how ingenious inventors and magicians laboured for centuries to simulate life mechanically.
--This text refers to an out of print or unavailable edition of this title.
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Customer Reviews
Most Helpful Customer Reviews
4 of 5 people found the following review helpful
Format:Hardcover
This is a wonderfully eloquent series of stories around the whole idea of artificial life - or rather I should say 'mechanical' life, as what most interests Wood is the weird and uncanny things that happen when robots or androids take on the appearance of humankind. There are great tales of mad inventors and their brilliant inventions, like the 18th century excreting duck or Edison's doomed attempt to construct a talking doll, and there's a fascinating interview with one of the Munchkins from the Wizard of Oz. The connections made are both persuasive and unexpected, so for example the link with the early days of the cinema came as a pleasing surprise to me. It's the kind of book that helps explain our obsessions of the present moment (Japan, Blade Runner, Terminator), and at the same time makes the past seem stranger than one has ever imagined. I'd adored Gaby Wood's last book, THE SMALLEST OF ALL PERSONS MENTIONED IN THE RECORDS OF LITTLENESS, but it seems to me that this is even more suggestive, and even more beautifully crafted. I'm not surprised that the press reviews have been so positive.
3 of 4 people found the following review helpful
Format:Paperback
Ostensibly about automata, Living Dolls tells a number of fascinating stories about mechanical ducks, chess-playing Turks and flute-playing statues. But as the book goes on, the focus shifts to more tenuously linked stories.
The stuff about Vaucanson is excellent, making some excellent points about how the search for machine-men turned men into machines. The second chapter is a little less interesting, as the chess-playing Turk turns out to be something of a fraud. And from then onwards it's downhill. Edison's dolls (chap3), for instance, were never intended to 'imitate life' in the same way as automata; and people on film (chap4) are not 'robots repeating the same action'; finally, the Doll Family (chap5) were human - the link to robots is non-existent.
That said, these are great stories. Just don't approach this book expecting more than one chapter on its stated subject, or you'll end up disappointed.
10 of 19 people found the following review helpful
Format:Hardcover
After reading some good reviews of this title in the London newspapers, I bought a copy with high expectations. The initial impression was positive, as the book is nicely produced and attractively priced. Some of the stories, like that of the mechanical duck, are amusing although somewhat shopworn, and Wood adds very little to them. In fact, the research is so shallow and derivative, and the writing so turgid and 'wooden', that it is hard to believe the author is a professional writer. As for the silly generalizations about 18th century automata and modern cybertechnology, they seem better suited to a school project. Avoid at all costs.
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