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| 1. The Living Daylights - A-Ha | |||
| 2. Necros Attacks | |||
| 3. The Sniper Was A Woman | |||
| 4. Ice Chase | |||
| 5. Kara Meets Bond | |||
| 6. Koskov Escapes | |||
| 7. Where Has Every Body Gone - The Pretenders | |||
| 8. Into Vienna | |||
| 9. Hercules Takes Off | |||
| 10. Mujahadin And Opium | |||
| 11. Inflight Flight | |||
| 12. If There Was A Man - The Pretenders | |||
| 13. Exercise At Gibraltar | |||
| 14. Approaching Kara | |||
| 15. Murder At The Fair | |||
| 16. 'Assassin' And Drugged | |||
| 17. Airbase Jailbreak | |||
| 18. Afghanistan Plan | |||
| 19. Air Bond | |||
| 20. Final Confrontation | |||
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For the first time since Bill Conti's For Your Eyes Only score, Barry used the services of not one, but two bands. Supplementary songs for this film were provided by The Pretenders ("If There Was A Man" and "Where Has Everybody Gone"). These neither got the publicity nor, thusly, the success of the title song, but they go down as Bond "standards", in tune with the time of the film's production.
The Rykodisc release of the soundtrack, the version I possess, contains not only the originally released themes, but also nine additional tracks. These include "Exercise At Gibraltar" (which starts with the James Bond Theme played over the "gunbarrel sequence") and "Air Bond" (covering Bond's control of the Hercules). Both are very good tunes, with the latter containing an action theme which would be replicated in other tracks of the soundtrack - a similar fashion to the soundtrack of A View To A Kill. Other "belting" orchestral themes include "Inflight Fight" and "Ice Chase", which incorporates the "James Bond Theme" - an everlasting link with past films.
Not only are there strong, louder themes, but there are also more slower, gentle pieces for the scenes which need it - Barry's forté.
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