"Live to Tell: A Detective D.D. Warren Novel," is another in the D.D. Warren series of thrillers, that includes
The Neighbor,
Hide, and
Alone, by New York Times bestselling American mystery/thriller writer Lisa Gardner. In it, Boston police detective D. D. Warren is assigned the case of a family that has been murdered, apparently by the father, who, it seems, nearly failed to take his own life after killing his wife and young children. And, shockingly enough, there is another local family annihilation (as they are apparently known), also apparently by the father, barely two days later. In neither case is it clear why, without obvious reason, the father would slaughter his family. So D.D. wonders if another member of each family might have been the perpetrator, and soon discovers that there was a psychotic child in each family. In succeeding chapters narrated by secondary characters, Victoria, a mother almost defeated by her psychotic son; and Danielle, a nurse who works with psychotic children, and is also a survivor of family annihilation, the author introduces us to children like Evan, Victoria's eight-year-old, who are capable of frightening violence, and have been known even to plot the killing of their parents.
Several ensuing chapters are set in the pediatric facility where Danielle works, apparently based on a similar real-life facility, the Child Assessment Unit in Cambridge, Massachusetts. I would guess that at least a quarter, possibly a third of the book is set in this unit, or taken up with pleas for these children, and do consider it a worthwhile message. But it was much more information than I wanted to know on the subject, and I doubt that it belongs in a thriller. I was, in fact, reminded of the famous dictum of Sam Goldwyn, American movie-maker: when I want to send a message, I call Western Union. In the solution of the mystery she has set herself, Gardner also veers off into the supernatural: somehow the solution is found on the `interplanes' between the living and the dead. Folks, come to a mystery, I am a meat and potatoes kind of girl, and, while I quite enjoyed the opening of the book, was looking forward to a taut thriller, I really don't want special pleading for any group, or the supernatural, to get between me and my mystery.
I've been known to tell friends, not really jokingly, that if a mystery doesn't throw up a body in the first few pages, I'm not likely to finish it, and "Live to Tell" was satisfactory in that regard. Now, I've previously read, enjoyed, and reviewed the author's
Gone, set in the Pacific Northwest; I've not read any of her other works, and so don't know if they follow the model of the clean and taut "Gone," or the stretched out with special pleading and the supernatural "Live to Tell." Is the entire D.D. Warren series like this?