Well, first of all, the 1985 Montreux show is very good. The fact that several of the '85 cuts were released back in '86 on the "Live Alive" album is a bit of a drawback, but the performance itself is flawless. Stevie Ray Vaughan and his band perform superbly throughout the set, resulting in magnificent renditions of "Tin Pan Alley", "Ain't Gone 'N' Give Up On Love" and several more.
But the 1982 show is the real revelation here. I have heard all the official live albums by Stevie Ray Vaughan and Double Trouble, and this magnificent performance outdoes them all.
It is somewhat unpleasant to hear the crowd's reaction (unlike the 1985 show, Vaughan was met with indifference and even hostility when he first performed in Montreux), but the music is white-hot.
Opening with two instrumentals, Freddie King's "Hide Away" and his own "Rude Mood", Stevie Ray Vaughan plays some of the very best and bluesist guitar you'll ever hear, particularly on a smouldering ten-minute version of "Texas Flood".
He was sometimes accused of playing ten notes when three would have done the job, but that accusation certainly doesn't hold up on these fabulous recordings.
Also, his vocal performance is superb. He rocks on "Give Me Back My Wig" and growls menacingly on "Dirty Pool", and the production is excellent. Sometimes a live album will suffer from the vocals being too low in the mix, but here the mixing is perfect. And Vaughan's playing on "Pride And Joy" and "Love Struck Baby" makes it hard to believe there was only one guitar player present.
This is by far one of the very best live blues and blues-rock albums I have ever heard, and if you like the genre you can't go wrong with "Live in Montreux".Well, first of all, the 1985 Montreux show is very good. The fact that several of the '85 cuts were released back in '86 on the "Live Alive" album is a bit of a drawback, but the music is excellent. Stevie Ray Vaughan and his band perform superbly throughout the set, resulting in magnificent renditions of "Texas Flood", "Ain't Gone 'N' Give Up On Love" and several more.
Shemekia's dad, guitarist Johnny Copeland, lends a hand on the awesome 12-minute "Tin Pan Alley", and there is some amazing guitar playing on this 76-minute set. Copeland actually appeared on two more songs, including a great rendition of "Cold Shot", but those have been cut in order to keep the 1985 concert on one disc. You can hear it, and "Look At Little Sister", on the 2004 DVD issue of these two shows.
The 1985 show is great, but the 1982 show is the real revelation here. I have heard all the official live albums by Stevie Ray Vaughan and Double Trouble, and this magnificent performance outdoes them all.
It is somewhat unpleasant to hear the crowd's reaction (unlike the 1985 show, Vaughan - or possibly the sound system - was met with indifference and even hostility when he and Double Trouble first performed in Montreux), but the music is white-hot.
Opening with two instrumentals, Freddie King's "Hide Away" and his own "Rude Mood", Stevie Ray Vaughan plays some of the very best and bluesist guitar you'll ever hear, particularly on a smouldering ten-minute version of "Texas Flood".
He was sometimes accused of playing ten notes when three would have done the job, but that accusation certainly doesn't hold up on these fabulous recordings.
Also, his vocal performance is superb. He rocks on "Give Me Back My Wig" and growls menacingly on "Dirty Pool", and the production is excellent. Sometimes a live album will suffer from the vocals being too low in the mix, but here the mixing is perfect. And Vaughan's playing on "Pride And Joy" and "Love Struck Baby" makes it hard to believe there was only one guitar player present.
This is one of the very best live blues and blues-rock albums I have ever heard, and if you like the genre you can't go wrong with "Live in Montreux".