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Black Sabbath, one of the most prominent and influential faces of the 70’s rock topography were, by the decade’s end, a band in disarray. Once the masters of their own reality, the Birmingham four-piece of Tony Iommi (Guitar), Geezer Butler (Bass), Bill Ward (Drums) and Ozzy Osbourne (Vocals), were now battle weary veterans, wearing the deep scars of a near ten year album-tour-album cycle that had left them bereft of any real sense of direction and motivation. The pace of the heavy metal and hard rock scene was now being set by the younger new wave of British heavy metal bands and young upstarts, such as Van Halen invading from the U.S.
Black Sabbath’s previous album, the ironically titled, Never Say Die!, released in September 1978, did little to reclaim lost ground and would transpire to be their final studio recording with their much-loved front-man, who in less than a year, would be unceremoniously sacked for narcotic and alcoholic induced lethargy. To many, the odds on the band continuing in the absence of Osbourne seemed like a wager that no-one in their right mind would take. However, elsewhere in the world another hard rock behemoth was undergoing dramatic changes of equal tumult, the results of which would have a ripple effect upon the world of Black Sabbath with quite dramatic consequences. Ex-Deep Purple guitar maestro Ritchie Blackmore--now impulsive leader of Rainbow--was preparing to re-brand his Anglo-American myth makers into a sleek, chart-troubling troupe of AOR heroes. Ronnie James Dio, Rainbow’s founding lead vocalist whose lion’s roar had taken the band to gold and platinum status soon realised there was to be no place for his Arthurian-lyrical style in this new operation and, like Sabbath’s Ozzy Osbourne, eventually found himself one band short of a gig. Several phone calls later and a chance meeting in, of all places, the Rainbow Bar & Grill on Sunset Boulevard, West Hollywood, Iommi invited Dio to join the remaining members of Black Sabbath for an impromptu rehearsal. Within fifteen minutes and one brand new song later (that’s "Children Of The Sea", trivia fans), Black Sabbath had their new lead vocalist in situ, Dio had a new gig and all were once more, ready to roll. The resultant album releases over the next few years elevated Black Sabbath once more to a place of highest regard within elite rock circles.
1982’s Live Evil, presented here in a remastered deluxe edition, caught a band at the height of their powers. The classic lineup of Ronnie James Dio, Tony Iommi, Geezer Butler and Vinnie Appice giving a flawless performance.
Black Sabbath’s previous album, the ironically titled, Never Say Die!, released in September 1978, did little to reclaim lost ground and would transpire to be their final studio recording with their much-loved front-man, who in less than a year, would be unceremoniously sacked for narcotic and alcoholic induced lethargy. To many, the odds on the band continuing in the absence of Osbourne seemed like a wager that no-one in their right mind would take. However, elsewhere in the world another hard rock behemoth was undergoing dramatic changes of equal tumult, the results of which would have a ripple effect upon the world of Black Sabbath with quite dramatic consequences. Ex-Deep Purple guitar maestro Ritchie Blackmore--now impulsive leader of Rainbow--was preparing to re-brand his Anglo-American myth makers into a sleek, chart-troubling troupe of AOR heroes. Ronnie James Dio, Rainbow’s founding lead vocalist whose lion’s roar had taken the band to gold and platinum status soon realised there was to be no place for his Arthurian-lyrical style in this new operation and, like Sabbath’s Ozzy Osbourne, eventually found himself one band short of a gig. Several phone calls later and a chance meeting in, of all places, the Rainbow Bar & Grill on Sunset Boulevard, West Hollywood, Iommi invited Dio to join the remaining members of Black Sabbath for an impromptu rehearsal. Within fifteen minutes and one brand new song later (that’s "Children Of The Sea", trivia fans), Black Sabbath had their new lead vocalist in situ, Dio had a new gig and all were once more, ready to roll. The resultant album releases over the next few years elevated Black Sabbath once more to a place of highest regard within elite rock circles.
1982’s Live Evil, presented here in a remastered deluxe edition, caught a band at the height of their powers. The classic lineup of Ronnie James Dio, Tony Iommi, Geezer Butler and Vinnie Appice giving a flawless performance.
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Customer Reviews
Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Audio CD
The production on this is pretty terrible, but considering the circumstances it isn't surprising. The performances may be all right, but it's difficult to tell when they're covered up by all this sludge. There were four concerts, one in Dallas, one in San Antonio and two in Seattle, all during the spring of 1982. After the tapes were made, the band retired to the studio with various other personnel with an eye toward mixing the album. The actual circumstances are not NEARLY as sinister as we have all been led to believe. You know how folks really love to blow things way out of proportion and make things seem much worse than they really are; I'm never sure why, possibly because it's fun to get a big reaction when being the bearer of really bad/interesting news. Anyway, you know the type. Apparently, Dio and Appice were supposed to show up at 2:00 in the afternoon and they did so. Iommi and Geezer apparently thought the time had been agreed upon as being some hours later. The fact that the two 'camps' weren't speaking at the time did not help matters and made sure this issue did not get resolved. When Iommi and Butler didn't show, what could Dio and Appice do but go to work? Then after working and waiting for the other two, they left. Some time later, Iommi and Butler would show up and when Dio and Appice didn't show (having already been there that day) they quit waiting and got to work. Therefore it appeared they were intentionally working at (pardon the pun) 'cross purposes'. Which was not the case. It was a simple matter of miscommunication compounded by the fact that they were not speaking to each other. Finally, Iommi and Butler got sick of what appeared to be going on and gave pink slips to Dio and Appice and that was that. Iommi and Butler finished 'mixing' the album the way they wanted it and out it came the way it is. The 'new' 'Live At Hammersmith' from January 1982 sounds one hundred times better than 'Live Evil', having been newly mixed with a pair of objective ears just a couple of years ago. There are many of the same songs on it and a couple that really ought to have been on 'Live Evil'. What really ought to happen in a few years is that Warner Brothers should get the same guy that mixed the Hammersmith project to do a nice re-mix on all four of the spring 1982 shows and release a boxed set for comparison purposes, somewhat like Deep Purple's 'Live In Japan' triple from (my god...) almost twenty years ago now. Failing that, a nice re-mix of the album proper would be nice. There is always the possibility that the tapes were poorly RECORDED, a problem which NO amount of remixing can solve. Sometimes it's the recording, not the mixing that's the problem. Sometimes it's both. Some day we'll be able to customize the actual mixes on our own home machines, that'll be a fine day.
6 of 6 people found the following review helpful
Format:Audio CD
This album is the best ever Sabbath Live but in this edition there is nothing different with original album there is no bonus track or anything else but it's still the best .
booklet is excellent . nice price .
booklet is excellent . nice price .
1 of 1 people found the following review helpful
Format:Audio CD
Most casual Black Sabbath listeners seem to think that Black Sabbath is Ozzy Osbourne, and Black Sabbath without Ozzy never existed. They never look into the 80s, when metal legend Ronnie James Dio joined the band. I love the Ozzy era of Black Sabbath, but Dio is up there. I can't decide which one I like best, since they're both very different.
This is the perfect album for "converting" Ozzy fans into Dio fans. It has Dio singing Ozzy's classic songs, like Paranoid, War Pigs, Iron Man, and more, and singing songs from the albums he's featured on (at the time), Heaven and Hell and Mob Rules.
Dio is much different from Ozzy. Dio has a way better voice, and Ozzy is more fit for their "doom" era. Both are amazing for the music that was played when they were vocalists. Dio somehow pulls off Ozzy's vocals flawlessly, despite the extreme difference of the two vocalists. He doesn't try to copy Ozzy, but he tries to make the songs his own... and it works.
The recording quality on this album is good. Typical live album production, with the crowd still audible. Some small chat between each song, and some parts where Dio has the audience sing along (such as Heaven and Hell). There is one medley in here, with Heaven and Hell split with Sign of the Southern Cross in between the two parts of Heaven and Hell. There is a small part with some improvisation by Tony Iommi, and it's great. Definitely sounds like old Sabbath.
The performance is great. The band nailed all their parts (naturally, it is Black Sabbath after all). Dio stole the show, as I described earlier.
The best thing about this CD is the track list. Probably the best setlist Black Sabbath could have come up with at the time of this recording.
Any Black Sabbath fan should check this out. Even if you're only into 70s Sabbath. Hear the songs sung by a different vocalist that isn't the local cover band at the bar. It is worth your money, I assure you.
And this so called "Deluxe" edition just puts the track listing in order as the old record was all mixed up and on this version you get the songs played in the date order.
This is the perfect album for "converting" Ozzy fans into Dio fans. It has Dio singing Ozzy's classic songs, like Paranoid, War Pigs, Iron Man, and more, and singing songs from the albums he's featured on (at the time), Heaven and Hell and Mob Rules.
Dio is much different from Ozzy. Dio has a way better voice, and Ozzy is more fit for their "doom" era. Both are amazing for the music that was played when they were vocalists. Dio somehow pulls off Ozzy's vocals flawlessly, despite the extreme difference of the two vocalists. He doesn't try to copy Ozzy, but he tries to make the songs his own... and it works.
The recording quality on this album is good. Typical live album production, with the crowd still audible. Some small chat between each song, and some parts where Dio has the audience sing along (such as Heaven and Hell). There is one medley in here, with Heaven and Hell split with Sign of the Southern Cross in between the two parts of Heaven and Hell. There is a small part with some improvisation by Tony Iommi, and it's great. Definitely sounds like old Sabbath.
The performance is great. The band nailed all their parts (naturally, it is Black Sabbath after all). Dio stole the show, as I described earlier.
The best thing about this CD is the track list. Probably the best setlist Black Sabbath could have come up with at the time of this recording.
Any Black Sabbath fan should check this out. Even if you're only into 70s Sabbath. Hear the songs sung by a different vocalist that isn't the local cover band at the bar. It is worth your money, I assure you.
And this so called "Deluxe" edition just puts the track listing in order as the old record was all mixed up and on this version you get the songs played in the date order.
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