What a festive year 2007 has been for Mahavishnu fans,with 3 brilliant and very diverse tribute albums: Mahavishnu Project, radio.string.quartet and Colin Towes/Billy Cobham. But this excellent DVD proves the wisdom of the old saying: Ain't nothing like the real thing.
Here we get two fantastic shows. The first from 1974 with MO2 showcasing what might have been John McLaughlin's best band ever and the most musically challenging compositions from his hand. Funk, Miles Davis, Indian, classical melting together in a spiritual and cosmic whole. John's opening solo in "Wings Of Karma" being worth the price of admission alone, the dynamics, the phrasing, everything just right, each note giving its own special treatment: vibrato, glissando, in a way only Jerry Garcia could rival.
The atmosphere is loose and intense at the same time, and the band tight, anchored by a young Narada Michael Walden at the drums and the unsung basshero Ralph Armstrong playing some impressive fretless (2 years before Pastorius burst on the scene). The doll-looking Gayle Moran in pink - soon to become married to Chick Corea - plays some Carla Bley-like keyboard and occasionally lifts up her slightly shrill soprano. While Jean-Luc Ponty delivers some intenese violin. And augmented with both string quartet and a two man horn section, this is unique, visionary and mind-expaniding music of the highest calliber.
The sound is not outstanding, but certainly fine enough. And the four last tracks are audio only (so you can enjou your own inner pictures).
The 1984 show is a lot more polished effort, some slightly more mundane fusion. Though actually this somewhat underrated incarnation of the band certainly also covered quite a lot of musical ground. From muscular funk to delicate ballads like the beautiful "Nostalgia". The highlight being McLaughlin's moving tribute to another musical giant Joe Zawinul "Jozy".
The talent of the band is amazing, Bill Evans on some versatile sax, Mitchell Forman, a very creative keyboard player. Danny Gottlieb grooving hard and subtle, and the star of the show: the mighty bassman Jonas Hellborg, a great artist and technician. And quite a showman too, looking like a vampire in a silent movie. While John mainly plays his synclavierguitar broadening his sonic palette, and of course playing some great solos on this generally inspired performance from the whole band.
Essential for all lovers of John McLaughlin and creative music in general.