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Live At Montreux 1974/84 [DVD] [2008]
 
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Live At Montreux 1974/84 [DVD] [2008]

 Exempt   DVD
3.8 out of 5 stars  See all reviews (5 customer reviews)
Price: £12.57 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Frequently Bought Together

Customers buy this item with The Gateway to Rhythm [2007] [DVD] £16.99

Live At Montreux 1974/84 [DVD] [2008] + The Gateway to Rhythm [2007] [DVD]
Price For Both: £29.56

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Product details

  • Format: PAL
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: Exempt
  • Studio: Eagle Rock
  • DVD Release Date: 1 Dec 2008
  • Run Time: 220 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • ASIN: B000SFYZTO
  • Amazon Bestsellers Rank: 64,952 in Film & TV (See Top 100 in Film & TV)

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Most Helpful Customer Reviews
21 of 21 people found the following review helpful
By Bodhi Heeren TOP 500 REVIEWER
Amazon Verified Purchase
What a festive year 2007 has been for Mahavishnu fans,with 3 brilliant and very diverse tribute albums: Mahavishnu Project, radio.string.quartet and Colin Towes/Billy Cobham. But this excellent DVD proves the wisdom of the old saying: Ain't nothing like the real thing.

Here we get two fantastic shows. The first from 1974 with MO2 showcasing what might have been John McLaughlin's best band ever and the most musically challenging compositions from his hand. Funk, Miles Davis, Indian, classical melting together in a spiritual and cosmic whole. John's opening solo in "Wings Of Karma" being worth the price of admission alone, the dynamics, the phrasing, everything just right, each note giving its own special treatment: vibrato, glissando, in a way only Jerry Garcia could rival.

The atmosphere is loose and intense at the same time, and the band tight, anchored by a young Narada Michael Walden at the drums and the unsung basshero Ralph Armstrong playing some impressive fretless (2 years before Pastorius burst on the scene). The doll-looking Gayle Moran in pink - soon to become married to Chick Corea - plays some Carla Bley-like keyboard and occasionally lifts up her slightly shrill soprano. While Jean-Luc Ponty delivers some intenese violin. And augmented with both string quartet and a two man horn section, this is unique, visionary and mind-expaniding music of the highest calliber.

The sound is not outstanding, but certainly fine enough. And the four last tracks are audio only (so you can enjou your own inner pictures).

The 1984 show is a lot more polished effort, some slightly more mundane fusion. Though actually this somewhat underrated incarnation of the band certainly also covered quite a lot of musical ground. From muscular funk to delicate ballads like the beautiful "Nostalgia". The highlight being McLaughlin's moving tribute to another musical giant Joe Zawinul "Jozy".

The talent of the band is amazing, Bill Evans on some versatile sax, Mitchell Forman, a very creative keyboard player. Danny Gottlieb grooving hard and subtle, and the star of the show: the mighty bassman Jonas Hellborg, a great artist and technician. And quite a showman too, looking like a vampire in a silent movie. While John mainly plays his synclavierguitar broadening his sonic palette, and of course playing some great solos on this generally inspired performance from the whole band.

Essential for all lovers of John McLaughlin and creative music in general.
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14 of 14 people found the following review helpful
Apocalyptic treats 15 Oct 2007
By Mr. I. Stephen VINE™ VOICE
You'll soon get over the frustration of there only being 50 minutes of 'visuals' from the 1974 performance, I think. To have anything at all in the way of decently-shot footage of Mr Mclaughlin from this period is a treat indeed. These are measured, thoughtful, extended workouts of material from the 'Apocalypse' album, which I seem to recall got a general thumbs-down at the time, which I could never ever understand ( 'running headlong over a spiritual cliff' I think one review said ! ). Whilst this version of the band maybe sidestepped the sheer pyrotechnic thrills of it's work with Jan Hammer and Billy Cobham, that's not to say that this isn't some of the best work that John McLaughlin ever produced.

With regard to this actual performance, Jean-Luc Ponty's playing is every bit of a match for McLaughlin's, and his then-new and incredibly fresh-faced rhythm section are a joy to behold. With music that relies more on structured scores, the string and horn sections do sound a bit off in places, but then that just serves to remind you of the kind of 'pushing at the envelope' risks that bands like this took in these times on stage. I miss that now, I really do.

As for Brother John himself, no doubt critics will still trot out the usual guff about how playing with that kind of felicity and speed doth not make for sincere expression. I pity these people - all I get watching the man performing is the communication of pure, distilled emotion.

The whole '74 performance makes for almost two hours together with the 'audio-only' tracks - well worth the laying out of a brown one in my book.
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5 of 7 people found the following review helpful
I was very disappointed by the 1974 DVD, which shows only 50 minutes of the filmed concert (the rest is available as "audio only").
This is a shame, since the rest of the footage actually exists and a very good quality version of the concert is available on a DVD from the "Silver Stallion" label (unofficial), with about 2 hours of the concert (114 minutes):
- Power of Love
- Wings of Karma
- Smile of the Beyond
- Narada drum solo
- band intro
- Vision is a Naked Sword
- Hymn to Him
- Bass solo

Why did they decide to cut more than one hour of these priceless archives for the official DVD?...
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