"Little Voice" is a strange little film. It is based on the play "The Rise and Fall of Little Voice" which was written by Jim Cartwright specifically and most deservedly for the talented voice of actress Jane Horrocks. However, given what I have seen in this movie there must be some significant changes with the last act of the story from what appeared on stage. The story basically falls into three stages, which can aptly be described as the discovery, rise, and fall of Little Voice. This is the nickname of LV (Horrocks), the painfully shy daughter of human hurricane Mari (Brenda Blethyn), who takes refuge in her room upstairs listening to her father's record albums. On the few occasions when she actually utters words it is indeed in the littlest of voices and we are genuinely surprised when she actually makes eye contact with another human being. Trying to do more than that is young Billy (Ewan McGregor), who is smitten with the shy young woman. Meanwhile, Ray Say (Michael Caine), a seedy third-rate manager of fourth rate talent in the entertainment biz blows into town to have some good times with Mari and he proves to be more than her equal in terms of having a very good time.
Then, in one of those scenes that delightfully catches us by surprise, both Ray and the audience learn that LV might not talk, but she can sing. More to the point, she can sing like the singers on the records she listens to, which means we are talking Judy Garland, Shirley Bassey, Billie Holiday, and other music icons. Ray has dollar signs in his eyes that blind him to the obvious amorous affections of Mari as the big question becomes how to get the timid LV upon on the stage at the club of Mr. Boo (Jim Broadhurst).
The rise part of the story is the most enjoyable as our anticipation builds for the moment when LV is going to let loose with all those voices she keeps bottled up inside. Of course, once that happens there is nowhere to go but down. Ray coaxes LV into the big moment through dishonest means, which is a portent of what is to come. Caine's performance is marvelous from start until the final act of this film, at which point his character throws away all of the good grace he has developed over the course of the film. Our sympathy is totally with LV, who is always singing in her mind's eye to her long departed father (special mention to Graham Turner for the perfectly wonderful smile on his face), although young Billy's earnestness wins our admiration as well. By the end of the film LV's career and a whole lot of other things are in ashes. The ending of "Little Voice" is rather unsatisfying, but to paraphrase the Bard, I am not sure what satisfaction it could provide us from where it begins.
Blethyn got a supporting actress nomination for her performance in this film and Caine's performance is what of his better efforts, but the reason to watch this film is Horrocks. In the end your biggest complaint with this film is going to be that Horrocks does not do a lot more singing. I understand the importance of the key line that LV finally gets to delivery to her mother, but I cannot help but feel that there should have been an equally important moment from the musical perspective. "Little Voice" is worth the watching, but if you find yourself only rewatching the middle section, do not be tremendously surprised.