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On the change of setting: I'm British, and do occasionally get irritated with Americanisation, but in this film the changed setting really didn't annoy me (partly, I suppose, because I knew from experience what a dog's dinner American productions make of English settings). The plot was changed, and it can be seen as a sanitising - the ending is happier in the film than in the book. Ordinarily this would have irritated me, but I found the ending handled so well that I didn't care. It may verge on the sentimental, but the moment when Sarah and her father are reunited is genuinely moving.
Other things have clearly changed since the original in line with changing times. The Indian characters are looked at completely differently; Becky, the serving-girl, is black. These things do not interfere - in fact, I really liked the Indian themes throughout the film.
I also preferred Sarah's relationship with Becky in the film. While in the book the author insists the girls are on the same level, and as good as each other, that doesn't seem half so true as in the film.
The film is well structured and paced, nicely shot and has satisfying dialogue and human characters (Sarah's saintliness and Miss. Minchin's wickedness are toned down a bit) I think the thing that sets this film apart from me is the beautifully handled juxtaposition of the exotic and the dreary - the sumptuous Indian colours of Sarah's former life among the New York streets.
Some scenes border on magical, all is well-photographed. The story is a trifle over-sentimental, but that's Burnett for you. It's also a little over-dramatized - but that's Hollywood for you ...
All in all, a refreshing change from Disney's childhood.
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