I am very new to Ani's music and am very happy that I didn't wait a minute longer.
I introduced myself to Ani's huge catalogue via her latest album "Knuckle Down", a record which combines sublime lyricism with beautiful acoustics. Little Plastic Castle - whilst a very different record - again contains these two qualities in abundance.
My biggest difficulty with this album is that it's sometimes hard to get to the end of it...because you keep wanting to listen to the opening tracks time and time again. The simply fabulous title track is quickly followed by a pair of perfectly juxtaposed songs. "Gravel" and "As Is" belong together, the former with its driving acoustics, the latter a beautifully performed ballad and the moment when I can honestly say that I had fallen for the DiFranco voice. "Two Little Girls", is a tale of impending tragedy paradoxically wrapped up in a seriously catchy tune.
If you can get beyond these amazing tracks, there are still untold treats in store, possibly the biggest of which is "Swandive". On first listen, I'd just enjoyed "Loom" and "Pixie" but I was totally blown away by "Swandive", possibly the most beautiful performance I'd heard in years. By the time Ani had related her "vision of blue sky and dry land", the last thing I expected was the vocal power of "Glass House". From the confident person striding out in the title track, Ani has suddenly become frightened, besieged and insecure. She tries to convince herself and her attacker(s) that "for the purposes of this song, let's just say I'm doing fine" and the soaring vocals that conclude the song leave you feeling that she will most definitely prevail.
By the time of the penultimate song, "Independence Day", Ani is pleading for some stability, that "you can't leave me here, now that you're back you'd better stay this time", a theme continued ("keep holding, let's just stay here") in the fourteen minute minute mesmerising chill-out of "Pulse".
The album comes with a flyer of Ani's previous 13 albums headed "and just in case one wasn't enough..." If this album is any kind of marker, it most certainly isn't.