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Little Face [Paperback]

Sophie Hannah
3.6 out of 5 stars  See all reviews (166 customer reviews)
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Book Description

24 Aug 2006
She's only been gone two hours.

Her husband David was meant to be looking after their two-week-old daughter. But when Alice Fancourt walks into the nursery, her terrifying ordeal begins, for Alice insists the baby in the cot is a stranger she's never seen before.

With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

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Product details

  • Paperback: 368 pages
  • Publisher: Hodder Paperbacks; New Ed edition (24 Aug 2006)
  • Language: English
  • ISBN-10: 0340840323
  • ISBN-13: 978-0340840320
  • Product Dimensions: 13 x 2.3 x 19.8 cm
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (166 customer reviews)
  • Amazon Bestsellers Rank: 5,379 in Books (See Top 100 in Books)

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Review

Sophie Hannah is a real star. (P J Kavanagh in the Daily Telegraph)

'The language and atmosphere are high-quality stuff, and the portrait of a woman in the throes of post-natal depression will be a revelation to some, to others a reminder.' (Literary Review)

'This taut psychological thriller is full of heart-thumping suspense.' (Sainsbury's Magazine)

Sophie Hannah's comic fiction produces reams of entertaining moral sophistry. Her novels sparkle. (Independent)

'Sophie Hannah is nothing if not flexible. An awardwinning poet, she has also published short stories and can now add accomplished "thriller writer" to her list of achievements. On first impression, however, the plot of Little Face may appear borrowed: an unhinged mother gives birth to a darling child only to find, after the initial bonding, that someone has switched babies. That's the nightmare of Alice Fancourt, who returns home after her first outing in two weeks to find the door open, her husband David napping and someone else's child in the nursery. When a controlling mother-in-law and a suspicious policeman enter the plot, readers will realise something is afoot. Adding to the tension are fears surrounding the death of David's first wife, and the discovery of a family "tradition" of estranged children. But just when readers think the plot offers no surprises, Hannah wrong-foots them and works her way, at a heart-thumping pace, to a delicious ending. Unless she wants to try her (South China Morning Post)

Hannah has a keen ear for her characters' foibles, snobberies and hypocrisies, and the observation remains acute throughout. (Observer)

'This may well turn out to be the detective novel of the year . . . So develops a terrifying mystery of manipulation, counter-manipulation and, finally, astounding revelation - it's a haunting story told with bewitching skill' (Scotsman)

'This may well turn out to be the detective novel of the year . . . A terrifying mystery of manipulation, counter-manipulation and, finally, astounding revelation - it's a haunting story told with bewitching skill' (Scotsman)

'The author is a poet by trade and she brings a wealth of psychological and literary subtlety to bear in this impressive novel. Smart and disarmingly unnerving.' (Daily Mail)

'Hannah adapts to crime fiction with arresting aplomb: her characters are vivid, the novel's challenging double narrative is handled with flair, and its denouement is ingenious' (The Sunday Times)

'Sophie Hannah has written a riveting thriller that will keep you turning the pages in one sitting if possible. Her observations about what lies beneath the surface of other people's lives are intelligently made and beautifully written.' (Irish Independent)

'LITTLE FACE is that most fascinating and intelligent of modern crime novels: rather than a whodunit, it escalates from a how-and-whydunit to a point where the reader is unsure if a crime has been committed at all . . . Hannah never deviates from her intention: to deliver a gripping crime story of the first order, loaded with subtext and meaning.' (Leeds Guide)

'Hannah's whodunit milks a classic formula with subversive results. This missing-baby tale chimes with very modern anxieties. Custody issues lie at the heart of the resolution, and the increasingly perverse relationship between Alice and David is grounded in recognisable reality that serves only to make our flesh crawl more.' (Emma Hagestadt, Independent)

'I do not really want to discuss this thriller. I do not want to give away any of the quite brilliant twists to those who may not have read LITTLE FACE or have not yet finished it. So, you will just have to take my word, and that of those who mailed the Books group, that Sophie Hannah delivers as good a finale as any crime writer. I was extremely impressed.' (Alyson Rudd, The Times)

'A suspensful and psychological thriller, the plot twists and turns right up until the very last.' (Heat)

'Hannah keeps a keen eye on the pace and suspense which makes for a riveting if uncomfortable read.' (Londonpaper)

'Intriguing. Hannah's depiction of releationships tested to the limit by domestic tragedy is impressive.' (Simon Shaw, Mail on Sunday)

'A gripping psychological thriller' (Independent on Sunday)

'It's chilling and completely gripping - I stayed up all night to finish it.' (Emily Barr, bestselling author of Cuban Heels and Plan B)

'As the situation spirals out of control and past events find a foothold in the present, Hannah's suspenseful tale will keep you gripped until the truth is revealed.' (Lincolnshire Echo)

'A roller coaster of a read and a real page turner. Find a couple of days when you don't need to be anywhere. Disconnect the doorbell and turn off the phone. I can guarantee you will not want to be disturbed while reading this. Intriguing, thrilling and worrying: where is Florence? What happened to Alice and Little Face? are just two of the questions you will find yourself asking. Along with the age-old is it nature or nurture that makes people into what they are? Sophie Hannah keeps us guessing till the end and then hits us between the eyes with a thrilling climax. Not to be missed.' (NewBooks Magazine)

'Women in peril flit through the pages of traditional Gothic fiction, murmuring 'Had I but known!' as they fall for the wrong man, open the wrong door or apply for the wrong job. Sophie Hannah takes the trusty formula in both hands, gives it a vigorous shake and uses it to produce something fascinating and original in her novel. Beautifully written the novel is outstandingly chilling - terror lurks in the half understood and in anticipation. Little Face is a hugely promising debut. Sophie Hannah is an author to watch.' (Andrew Taylor, Spectator)

'...this is a compelling tale of manipulation, malice, murder and child abduction.' (Daily Express)

'This is a chilling psychological thriller that will definitely have you holding your breath as the plot unfolds. It is a fascinating read and will send chills down the spine of any parent as you constantly ask the question: ''Could this happen to me?''' (Luton News)

'If you want a nail-biter, look no further than Little Face... This will have readers guessing right to the very end.' (Colchester Evening Gazette)

'Sophie Hannah is an award-winning poet and short story writer, and for this, her first novel, she has come up with a chilling thriller... I was left thinking about the book for days' (Gaurdian)

'Little Face is an accomplished thriller that will appeal to anyone who enjoys a rattling good read but will send especially shiver-some chills down the spine of any parent.' (Bradford Telegraph & Argus)

'Sophie Hannah's novels define originality...gripping and unputdownable! She has put "You must read this" back into books and we love her for it.' (B Magazine)

'This is one of the most gripping psychological mysteries I have read in a long time . . . I found some of the incidents profoundly disturbing and outside my comprehension, but all too frighteningly possible. One of the best books I have read in a long time. Truly gripping' (Mystery Women Magazine)

'She ranks among the best recent practitioners of light verse, sharing with Ewart fluency and a good ear, emulating Wendy Cope in her sly wit and blending an eye for the absurdities in human behaviour with compassion.' (Alan Brownjohn The Sunday Times)

'Hannah has a keen ear for her characters' foibles, snobberies and hypocrisies, and the observation remains acute throughout.' (Observer)

'This is a terrific debut from Hannah. Creepy, scary domestic drama done as psychological thriller' (The New Zealand Herald)

'I have been devouring poet and novelist Sophie Hannah's psychological thriller LITTLE FACE. I can't remember when I was more intrigued by the premise of a book... I read this book greedily, longing to know why anyone would swap a baby. Steal a baby yes, swap an adult yes, but swap a baby? It is almost impossible to unravel. The tension ratchets up throughout the book; the scenes of David's increasingly vile psychological torture of Alice are particularly gripping. And, like all good thrillers, the resolution began to make sense just pages before the final revelation of whodunnit and why. A toothsome read; I'm eager to get my hands on the next one.' (Naomi Alderman in the Bookseller)

'Not quite Hitchcock, but a tautly claustrophobic spiral of a story delivered with self-belief' (Kirkus Reviews)

'LITTLE FACE by Sophie Hannah. It's chilling and completely gripping - I stayed up half the night to finish it.' (Marie Claire)

From the Author

I wrote 'Little Face' shortly after my first child was born. I was in hospital for four days trying to persuade her to come out, so when she finally emerged I was absolutely exhausted! The midwife offered to take my daughter and look after her overnight so that I could get some rest - an offer I quickly agreed to, but then I found I couldn't sleep, so I tiptoed out on to the dark, quiet, night-time ward to get my daughter back. But when I tried to take the baby the midwife was holding, a baby who, like my daughter, was wrapped in a standard green hospital blanket, the midwife said, 'What are you doing? That's not your daughter!' She then pointed to a glass cot by her side that contained another baby, and of course I recognised my daughter at once. But it started me thinking about how odd it is that you can be someone's closest relative and yet not be entirely familiar with their face, that it's possible to be uncertain, even for a few seconds, about whether a baby is or isn't yours. This was how the idea for 'Little Face' was born. The book is a psychological suspense novel - which has always been my favourite kind of crime fiction - about a woman who goes out for the first time without her child, and when she comes home, she insists that the baby she finds in the care of her husband is not their daughter. Her husband swears that it is, and accuses her of lying, or of having gone mad, and the police are summoned. And shortly afterwards, she and the baby go missing...
I love mystery novels in which the reader cannot even begin to work out what might have happened, what the explanation might be. I think they're much more interesting than novels in which you know from the start exactly what crime has been committed and it's just a question of working out which of the suspect-motive-opportunity combinations is the correct one. I also love novels that force you to stay up until two in the morning because you're so desperate to finish them, and I hope that I've succeeded in making 'Little Face' as gripping as possible. I believe grippingness (for want of a better word!) is the single most important quality a novel should have.

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Customer Reviews

Most Helpful Customer Reviews
8 of 8 people found the following review helpful
3.0 out of 5 stars Very similar to other Hannah books 7 Nov 2009
By Roman Clodia TOP 50 REVIEWER
Format:Paperback
I recently read Hannah's The Other Half Lives and found it literally unputdownable and was a little surprised at some of the less positive reviews. Having now read Little Face, her first book, I wonder if that's less to do with the books themselves and more about the way each of her books seems to duplicate itself in terms of story, structure and writing style. So maybe the first of her books you read is great, and then there are diminishing returns with the second, third etc?

Little Face has an intriguing beginning: Alice has just had a traumatic birth and she comes home from her first outing to claim that the baby in her house is not hers, that Florence has been swapped for a strange child while her husband has been asleep. No-one believes her: not her husband or his controlling mother with whom they live, or the police. Then, a week later, Alice and the baby go missing and the police are forced to confront her story, uncovering an earlier crime associated with the same family.

Hannah makes good use of elements from classic gothic: what goes on in the privacy of houses (e.g. Wuthering Heights, Thornfield Grange), the difference between the public and private faces of people (e.g.The Tenant of Wildfell Hall), and twists ideas of motherhood and the bonds of love. However her style is a little pedestrian, and the structure of both books I've read very similar: a first-person narrative interspersed with a third-person narrative from the police persepective. This does serve to increase the tension as bits of the story are with-held from us, but becomes quite contrived.

I also found the relationship between the police officers and the character of especially Charlie to be unnecessary and distracting. I was unconvinced that Charlie, who came over as petty, spiteful and vindictive, could also be as brilliant at her job as we're told she is. Perhaps this relationship was spoilt by the fact I'd read a later book and knew where it was heading.

So, in summary, this is an intriguing book which doesn't quite deliver: the dénouement, especially, was pretty limp, and lots of issues were started and never really followed up (e.g. Alice's husband's behaviour). A good read but not brilliant and, if you've read any other Hannah, fairly predictable.
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69 of 74 people found the following review helpful
4.0 out of 5 stars Well written psychological thriller 4 Feb 2007
By joc66 TOP 100 REVIEWER VINE™ VOICE
Format:Paperback
It must be a nightmare to come home after leaving your baby for the first time, to find that the infant you return to is not the one you left. Even more so when you cannot convince those around you, who put your story down to post-natal depression. This is the starting point for this well-written psychological thriller. It is written in two voices, that of the mother, and of one of the detectives who is sent to investigate the mystery at "The Elms", (the home of Alice's mother-in-law, and devoted grandmother of 'little face'). This 'dual voice' actually works well and the pages turn swiftly. This is a gripping read.

The ultimate resolution is perhaps slightly predictable, although it is always easier to set up mysteries than to resolve them satisfactorily. However, the characters are sufficiently believable, and the steps towards reaching the conclusion are sufficiently intricate to make this an enjoyable, if slightly disturbing read. The scenes played out between Alice and her husband are particularly chilling. I will certainly look out for Sophie Hannah's next novel. I wonder, incidentally, if she will give the detectives in this novel a second outing, as there is certainly scope to develop their characters further!
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6 of 6 people found the following review helpful
3.0 out of 5 stars Psychological thriller with flawed psychology 4 Jun 2009
By purpleheart TOP 500 REVIEWER VINE™ VOICE
Format:Paperback
'I am outside'

The first line of Little Face introduces us to the mind of Alice, a first time mother about to leave the house on her own for the first time after giving birth two weeks previously. On her return everything will change when she insists the baby in the moses basket is not hers. Her husband insists it is.

Sophie Hannah is a talented poet and this novel shows that she has real promise in writing psychological thrillers. The book gripped me very quickly. Hannah has said that she went for a mix of psychological thriller and police procedural and I liked the move between first person, present tense Alice (psychology) and third person, past tense Simon (police procedural).

But....if you're going to have psychology then it has to work and I have two big problems with this which are hard to describe without giving lots away:

1) the ending - like others I had a real problem with this and it just didn't chime with:

2) when she is treated so abusively by her husband she doesn't rebel, walk out, phone for help...because of a threat from her husband that she would lose access to Florence

I suppose it's the thinking back over what was rational and what irrational behaviour just doesn't work for me. Yes we do have a few hints that she is an unreliable narrator...but..

And then a few minor problems re the consistent characterisation of the others - minor characters are ciphers - and the very clunky explanatory dialogue towards the end.

But it's promising enough to send me straight to her other novels and I think I'm judging her more harshly than I would a Lee Childs, for example, simply because so much of the writing is so intelligent that expectations are raised.
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Most Recent Customer Reviews
5.0 out of 5 stars Little Face
Sophie Hannah really is the best! As always, I was totally engrossed until the final page. Odd bits of plot didn't quite add up but I forgive Sophie because there was such a great... Read more
Published 10 days ago by Avid Reader
3.0 out of 5 stars disappointing
This started off well - drew me in quickly, but I was left feeling disappointed. I was so disappointed that I threw it into the recycling bin. Read more
Published 17 days ago by Rouge
5.0 out of 5 stars Gripping
I'd read one other Sophie Hannah book before Little Face and remember finding it's plot weak but the description of Little Face persuaded me to try this book despite my previous... Read more
Published 29 days ago by Mrs. L. A. Smith
4.0 out of 5 stars Gripping thriller - weak ending
A mother, Alice, who has recently given birth comes home from a short outing and insists to her family that the baby in the cradle is not hers, but a replacement. Read more
Published 1 month ago by joyfrankie
4.0 out of 5 stars A good book
This was another 'good' book. I felt there was A little something missing at the end but it certainly had me interested enough to keep picking it up and I read it within 48hours. Read more
Published 1 month ago by Miss H F Hill
3.0 out of 5 stars Confused in east Lothian
Read this book recently but wouldn't really say I was that impressed with it. It's very confusing at times and didn't really get anywhere. Read more
Published 1 month ago by Laura Wallace
5.0 out of 5 stars One of her best
This was great. Couldn't put it down. In fact don't till I had finished it. You needed to know the answer. Full of intrigue and page turning at its best
Published 1 month ago by J. Weeks
4.0 out of 5 stars Good read
Good read , never read a book by this author but I will keep reading her next books Toni Anderson
Published 2 months ago by tonihxx
3.0 out of 5 stars A good read but poor ending
Alice the main character in the book comes home after leaving her baby for the first time to find her baby has been exchanged for another while her husband was asleep. Read more
Published 2 months ago by Pete
3.0 out of 5 stars My first Sophie Hannah read
I enjoyed this book, it reminded me of Virginia Andrews books with the manipulating and controlling mother-in-law and husband in the big unfeeling house. Read more
Published 3 months ago by Mrs S Fairless
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