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Literary Theory: An Anthology (Blackwell Anthologies) Paperback – 11 Jun 2004


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Product details

  • Paperback: 1336 pages
  • Publisher: Wiley-Blackwell; 2nd Edition edition (11 Jun. 2004)
  • Language: English
  • ISBN-10: 1405106964
  • ISBN-13: 978-1405106962
  • Product Dimensions: 17.3 x 5.1 x 24.6 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Bestsellers Rank: 96,058 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Product Description

From the Back Cover

Literary Theory: An Anthology is a definitive collection ofclassic and contemporary statements in the field of literary theoryand criticism. It is an invaluable resource for students who wishto familiarize themselves with the most recent developments inliterary theory and with the traditions from which these newtheories are derived.

The anthology represents all the major schools and methods thatmake up the dynamic field of literary theory. It contains classictexts from a range of movements, including Formalism,Structuralism, Marxism, Psychoanalysis, Deconstruction,Historicism, and Feminism, and incorporates cutting–edge work byleading theoreticians in the fields of Postmodernism, CulturalStudies, Post–colonialism, Gay and Lesbian studies, and EthnicStudies. For the second edition, the content has been updated toinclude the most recent influential texts, particularly in theareas of Ethnic Studies, Transnational Studies, and CulturalStudies.

About the Author

Julie Rivkin is Professor at Connecticut College, where sheteaches courses in American Literature, Contemporary Women Writers,and Literary Theory. She is the author of False Positions: TheRepresentational Logics of Henry James′s Fiction (1996).

Michael Ryan is Professor of English at NortheasternUniversity, where he teaches courses in American Literature andCulture, American Film, and Literary Theory.


Inside This Book (Learn More)
First Sentence
It has become a commonplace of literary study that to study literature is to study language, yet prior to the formalist movements of the early twentieth century - Russian Formalism and American New Criticism - the study of literature was concerned with everything about literature except language, from the historical context of a literary work to the biography of its author. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most Helpful Customer Reviews

25 of 25 people found the following review helpful By PinkBookWorm on 16 April 2005
Format: Paperback
This book was a set text for a Lit Theory module during my degree. Initially I was just annoyed at having to carry it to and from my lectures, but I soon came to realise that in fact, this book was going to become the corner stone of my work from then on.
My tutor told me that the reason she set this text is so that we could become involved in the original writing that forms what we know as theory today. Instead of reading other academics interpretations and explanations of what a theory is, we were able to go back to the roots, and start to understand the theory ourselves.
What this book has enabled me to do is to become acquainted with these theorists, and use what they wrote in every aspect of my academic work. My grades have jumped the last hurdle into consistent A's because of this book. I can use theorist's original ideas and create my own interpretations of the texts, instead of having to rely solely on other academics theoretical translations
I absolutely believe that this text is essential to any serious literature under- and post- graduate. I say serious student, because there is no hiding the fact that these essays are tough going, and take a lot of time to assimilate into your own understanding. It is however worth all the effort.
(There is also a book called Literary Theory- An Introduction which accompanies this anthology. Personally, I believe that it is frankly, a useless book that offers nothing more than a confused and often over simplified notion of the theories. Thus taking the magic of the anthology away)
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7 of 7 people found the following review helpful By SJSmith TOP 1000 REVIEWER on 21 Sept. 2003
Format: Paperback
This is an excellent collection of texts that can be used for anyone studying or interested in a range of subjects from Psychoanalysis, Cultural Studies, Marxism, Feminism, Post-Modernism, Gender Studies and Ethnic Studies amongst a few others. I used it for 3 years during an English/Cultural Studies degree and even if it had not been a recommended reader it is a book I would have bought anyway. Well worth purchasing.
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4 of 4 people found the following review helpful By Ms. J. Coleman on 6 May 2009
Format: Paperback
This book is an absolute must for anyone studying literature at university. The book gives an indepth study of all the literary theories from psychoanalysis, gender, feminism, postmodernism, structuralism etc. It uses the orginal papers written by theorists such as Freud, Derrida, Saussare as well as more modern writers such as Toni Morrison.
While some of the language is heavy going it will give you a firm grasp of literary theories, so its brilliant when you're trying to write essays. Definitely worth the money!
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3 of 3 people found the following review helpful By Dagny Carolina Opsal on 9 Oct. 2009
Format: Paperback
I have been looking for an extensive collection of literary criticism and theory, and this anthology definitely satisfied my needs as a college lecturer in British and American literature. There is a wide selection of different theorists and their work, as well as thorough introduction to the different strands of literary theory. Also, there are many different contributions here, which is of great value to me. I'm tired of shorter works with too few examples and contributions, failing to provide the whole picture. That may not always be the point, but this anthology also provides not only extracts from important works, but they also include a good deal of the selected texts.
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By Delia on 31 May 2012
Format: Paperback
This anthology is a must have for any English literature student. I bought is as part of my degree and found it very useful.

Rivkin and Ryan have created a great selection, structured into sections which is very given that the book is over a thousand pages. Each sections contains material by several influential authors, such as Foucault, Roland Barthes, Kant, Nietzsche, Heidegger, Derrida, Hélène Cixous, Lyotard, Baudrillard, Freud, Lacan, Hegel, Marx, Bakhtin, Althusser, Judith Butler, Gilbert and Gubar, Edward Said, Bhabha. These are only some of the well-known critics - both historical and contemporary - whose names are familiar to many.

Each essay (taken often from larger works) have been provided with a very helpful introduction to provide the necessary vocabulary and arguments needed to understand the relevant essay.

Another reviewer said that the book is only useful as an introduction and I have to say I agree. The scope of the book does not allow for a large scope on one section in particular. But anthologies often provide texts only partially. If you're interested in Post-modernism or feminism, find a Post-modernist or feminist anthology. As a student, not knowing what topic I'd end up researching in more detail, I found this a good starting point for seminars. And when I found I wanted to continue reading more, I'd look for the author's complete work in the university library. It is still better than spending a lot of money on all these authors' work separately.

Some authors are hard to read, others have theories that are hard to get your head around, but they are one thing: they are all extremely important for any given literary student and I plan on holding on to my copy even after graduation.
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Format: Paperback
Literary criticism has been around for hundreds of years. In the 20th century however separate schools, ideologies, doctrines and groupings of critics emerged and the critic became more self-conscious of what he was writing, why he was writing and what ideology he was advocating.

In 'Literary theory: an anthology,' Rivkin and Ryan concentrate nearly solely on the main 20th century critical movements: Formalism, Structuralism, Deconstruction, Feminism, Post-colonial theories and others. Each chapter follows has an introductory essay by the editors and then collects together excerpts from key texts from each movement.

There are two main faults to this text: some critics (Adorno and Genette are not included, Benjamin and Jakobson only offer short pieces) are overlooked and there is no criticism from authors writing about other authors (Sartre on Baudelaire/Flaubert, Nabokov on fellow Pushkin and Flaubert, Brodsky's important essays on European literature).

Despite this, the text does bring together major works by major critics of the previous century as well as giving ample space to lesser known critics and movements. Furthermore, the editors include essays by philosophers who directly influenced many of these critics such Hegel, Nietzsche, Marx and Heidegger.

This book is an excellent textbook for teachers and students of literary criticism and will definitely make the reader a more self-conscious, critical analyser of texts.
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