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Liquidambar
 
 

Liquidambar [Kindle Edition]

Chris Bell , Elisa Bowman
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Product Description

Product Description

“Liquidambar: It’s as if Philip Marlowe has stumbled down the 'Lost Highway' into 'Gormenghast', hunting for 'The Girl With The Pearl Earring'.” Jonas Wheeler, 'CitySidewalk'

Typo Blod, a reluctant investigator, is dragged into the world of Edward Hopper’s paintings where he’s compelled to solve the disappearance of beautiful Ellen Bogen.

When journalist Typo Blod encounters a stranger on public transport, he becomes absorbed by Edward Hopper’s paintings like a fly in amber.

Time halts at the instant depicted in Hopper’s most famous works and Blod’s world is thrown out of kilter. In a city tantalisingly part historical, part fantastical, Blod falls in love with Ellen Bogen, subject of Hopper’s Summertime.

As Blod struggles to persuade a magazine editor to commission some articles from him, he encounters the homeless C.O. Jones begging on a commuter train. Jones claims to be trapped in a “vicious circle” and shows Blod a book that causes Blod to slip through a crack in reality and find himself driving along a road nothing to do with the city in which he lives.

A gas station attendant fills his car’s tank with “liquid amber”, and directs him towards Fulcrum. Here, Jones re-appears to provoke Blod with questions about distant memories.

Blod’s answers propel him along a bizarre storyline. By its culmination, Blod realises his experiences have taught him to better appreciate the “liquid amber” of the present moment.

Liquidambar combines the atmosphere of Philip Marlowe’s adventures with Hopper’s characters and imagery in a surprisingly fresh detective mystery.

From the Inside Flap

On a commuter train, luckless journalist Typo Blod encounters C. O. Jones, a homeless beggar. Jones claims to be trapped in a "vicious circle" and shows him a mysterious book that has a dramatic and physical effect on Blod, who slips through a crack in reality and finds himself in the driving seat of a lake placid blue Indomitable Afterglow Streetcruiser. Arriving in Fulcrum, a city tantalisingly part historical, part fantastical, he becomes obsessed with Ellen Bogen, the subject of Hopper’s painting Summertime. But there can only be so many characters in this new world (after all there’s only so much paint) and as soon as someone new appears, someone else must go. Everything is skewed — not least, the cast of femme fatales, evil Pierrots, cross-dressers, matrons of death, petty villains and hapless extortionists — but with Jones’s help, Blod learns to appreciate the 'liquid amber' of the present moment and realises he has a choice; and one that he will have to make, if ever he is to get out of Fulcrum.

Product details

  • Format: Kindle Edition
  • File Size: 433 KB
  • Print Length: 236 pages
  • Publisher: wordsSHIFTminds; 2 edition (1 Dec 2004)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B004LGRZ52
  • Text-to-Speech: Enabled
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: #269,561 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Chris Bell
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Customer Reviews

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Most Helpful Customer Reviews
3 of 3 people found the following review helpful
Format:Paperback
You may not have heard of Chris Bell, but take my word for it, his first novel is well worth risking a tenner on. On the face of it, Liquidambar is a "gumshoe" novel in the finest tradition of Farewell, My Lovely and The Big Sleep, but the hero's sharp suit and classic car and the molls and heavies he follows (and who follow him) are where its resemblance to any detective novel you've ever read before ends.

Liquidambar is an imaginative tour-de-force, plunging a going-nowhere modern-day journalist into a surreal parallel universe of Edward Hopper's paintings. The town of Fulcrum, frozen in smalltown 1930s America, may itself be going nowhere, but Typo finds more action there than he ever did back in the "real" world, falling in love with the redhead from Summertime, being beaten up by hoods from Nighthawks and finding himself drawn into the lonesome life of the woman drinking coffee alone in the late-night Automat.

If you like Hopper and Raymond Chandler - and, really, who doesn't? - this novel will be an enjoyable and absorbing experience. It's original, certainly unpredictable, beautifully written and cleverly structured. With its several creepy and rather pervy characters (including, notably, a cross-dressing mob boss), it's got all the makings of a cult novel, and would make a superb film along the lines of Blue Velvet and Repo Man.

British author Chris Bell stays true to his concept (and, most importantly, to Edward Hopper) throughout the novel as well as to his many other artistic, literary, cinematic and musical influences - nods are made along the way to artists as diverse as Steely Dan, David Lynch and Russell Hoban.

The book is littered with nice lines. Some of the many I noted down while reading include:

"He's in my face quicker than you can say blackhead."

"You close your head, you boob, or I might just play you some chin music!"

"She looks about twenty and is as delicately put together as a fine watch."

I did find a couple of sections overlong, but other scenes, such as one in which Typo finally tracks down his elusive dream woman on a train and they drink each other under the table while trying to find out the truth about each other, and another chapter in which her estranged husband Reagan meets an icy end at the hands of the mob, were so gripping and absorbing I didn't notice the pages turning.

As a first novel this is an excellent piece of work, and I really hope it's the first of many from Chris Bell.

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1 of 1 people found the following review helpful
Format:Paperback
This is an excellent first novel. The narrator undersells himself with self-deprecating humour that does make those first few chapters less inviting, more nihilistic. But, you must stick with it. There are strong echoes of "The Singing Detective" here, but also authors like Murakami and Hoban spring to mind.

In many ways, this work is an homage to American painter Edward Hopper, so some knowledge of his work is an advantage, but not essential -- again, you didn't need to know much about old-time musicals to grasp Potter's "The Singing Detective", did you?

Bell has a great command of language. There's not a page that doesn't present some (usually discomforting) wit. A work of this sort sits as neatly as a critique of modern fakery and "reality TV", as it does as a comic assessment of an equally emotionally bankrupt generation, those walking dead of the 1950s.

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Format:Paperback
Chris Bell's award-winning novel Liquidambar is a striking literary experiment that takes us on a metafictional journey through the film-noir inner life of its protagonist, the very marginal freelance journalist Typo Blod. Liquidambar begins with a witty framing device that skewers the world of alternative weekly newspapers - anyone who's ever written for, or spent much time reading, the kind of local free papers that devote lots of excited ink to topics like "The City's Best Cup of Coffee!" will chuckle at Bell's on-target parody.

We're introduced to the story by Typo Blod's editor, who describes Blod's increasing financial desperation, followed by his mysterious disappearance. The only clues as to what happened to Blod, we're told, are in the mysterious manuscript Blod left behind, which forms the body of the book.

In that manuscript, Blod - who finds the notion of time "elusive" - describes how an eccentric stranger he meets on the train sends him on a surreal journey into a vintage smalltown landscape of drugstore soda fountains and private detective adventures. Before we're very far into this tale, the reader may find that some of the story's settings - and the names of the chapters - begin to ring a certain set of bells. That's because Bell has chosen to use a series of memorable and evocative Edward Hopper paintings as reference points for Blod's story. Each chapter of Blod's manuscript invokes a specific Hopper painting (such as the iconic Nighthawks), from which it borrows atmosphere, characters, set decorations and even mood lighting.

For this reason, readers may find it helpful to view the relevant paintings as a visual accompaniment to each stage of the story – either by consulting a Hopper book or tracking the images down online.

By means of this device, we accompany Blod on his journey through a series of painted scenes that gradually form themselves into a larger narrative arc, as Blod attempts to solve a kidnapping case, pursue the elusive woman he's become obsessed with, and perhaps even unravel the larger mystery of his own paralysis. If you've ever strolled through a museum gallery wondering what kind of stories the people in the paintings might tell if they could speak aloud, Liquidambar just might give you a clue.

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