No Line On The Horizon (Ltd Edition Book CD+DVD) [Box set, Limited Edition]

If you don’t already know what to expect from U2’s twelfth studio album then you’re either a goldfish with Alzheimer’s or newborn, and if that’s the case then there are probably much better places for you to start than No Line On The Horizon. However, for the rest of us this is everything it should be, even if it’s nothing you wouldn’t expect. The lead in single "Get On Your Boots" might have forgotten to pack a chorus and instead crammed in a bewildering mash of Nancy Sinatra, Cameo’s "Word Up" and Led Zeppelin in an effort to reignite the pop art dervishes in them that time washed down the creek, but it does actually get more singularly feisty with every listen. "Stand Up Comedy" is equally absurd ("Stand" by REM/"Love Spreads" by The Stone Roses/generic Red Hot Chilli Peppers in a light funk sandwich), but the album’s not all about them trying to prove their creative audacity. The title track vibrates with the mild threat of modernity and a chest-beating, loud-hailer bravado, "Moment Of Surrender" allows Bono to shed some passion over the measured, subdued backdrop and the triple of "Unknown Caller", "I’ll Go Crazy If I Don’t Go Crazy Tonight" and "Magnificent" make no bones about being classic U2, ringing chimes reverberating from The Edge’s guitar like endlessly reproducing embryos under the microscope; the kind of stuff that professional obsessives The Killers would, you know, kill for.--James Berry

Like all of U2's best work there's a schism at the heart of their 12th studio album. It's the polarity between the hedonistic and the profound; the thin line between the general and the particular: rock and a very hard place. Their very lucrative humanitarianism may stick in the craw of many, but this skill allows them to make important points about all our lives while never forgetting to move our collective booties.

Much of No Line On the Horizon examines the state of the planet from the viewpoint of victims and witnesses. White As Snow sets a traditional air beneath a tale of an Afghanistan where, ''only poppies laugh under a crescent moon''. World citizenry is reflected in uber-cool, William Gibson-style lyrics on Breathe (''16th of June, Chinese Stocks are going up, And I'm coming down with some new Asian virus''). Only in Unknown Caller's dreadful ''Force quit and move to trash'' lines does the hi-tech metaphor card get overplayed.

There's plenty to rejoice about here. Not only is old mucker Steve Lillywhite back at the desk on several tracks, resurrecting the days of War, but the Edge's guitar also returns to the glory days on the title track as well as the hilariously titled I'll Go Crazy If I Don't Go Crazy Tonight; with the echo pedal set to 11. Add to these the massed ''oh, ohs'', and this at least feels like a classic; even if a lack of obviously hummable tunes makes it more of a grower than an instant hit.

The symbiotic relationship with Brian Eno (and Daniel Lanois) seems to have reached the point of imperceptibility. From the musical box sprinkles on the chugging title track to the midway palate cleanser FEZ-Being Born's cut-up first half, the touch may be light but it's now as much a part of their sound as Larry's rattling toms or Adam's one-note runs.

Get On Your Boots sounds unnervingly like U2 doing a Muse impersonation. Not necessarily a bad thing but, as on Pop, it sounds odd when U2 sound like followers rather than leaders. But it would be unrealistic to expect a band at the wrong end of a 30-year career to be as lithe as they once were.

There are at least two classics here. The closing Cedars Of Lebanon is a beautifully weary tale told by a journalist in the Middle East; while conversely Stand Up Comedy is a rowdy, grand gesture urging you to ''stand up for love'' as only U2 can. It also contains one of Bono's greatest lines in "stop helping God across the road like an little old lady''.

It seems that faith is what still drives these men: the faith in music to convey an important message and faith in the power of faith itself. But overall No Line On The Horizon proves that U2 really still have faith in themselves. --Chris Jones

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No Line On The Horizon is U2's twelfth studio album, and follows the massive success of 2004's How To Dismantle An Atomic Bomb. The first single from the album, "Get On Your Boots", may be an all-out rocker akin to previous successes like "Vertigo", but the remainder of the album sees the band diversifying in ways similar to their Zooropa days. It is inescapably a U2 album, though, so Bono's vocals still speak of injustices personal and global, and The Edge's guitar work continues to be both feathery and metallic in equal dose. As far as continuing the band's lengthy career goes, No Line On The Horizon is simultaneously a crowd-pleaser and musical step forward.

This box set version includes the digipak format of No Line On The Horizon, DVD of Anton Corbijn's exclusive companion film Linear, 64 page hardback book, plus a fold out poster.

U2 No Line On The Horizon (2009 UK Deluxe Box Edition 11-track CD album - Produced by Brian Eno Danny Lanois and Steve Lillywhite sessions for No Line On The Horizon began in Fez Morocco and continued at the bands Dublin studio New Yorks Platinum Sound Recording Studios and Londons Olympic Studios. This bespoke boxset comprises of the limited edition 11-track enhanced CD album featuring the single Get On Your Boots [presented in a digipak picture sleeve]; a Bonus DVD containing Anton Corbijns exclusive film Linear; a 64-page hardback book and a Fold-Out Poster!)