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Track Listings
| 1. Message, The |
| 2. Steppin' Up |
| 3. XXXO |
| 4. Teqkilla |
| 5. Lovalot |
| 6. Story To Be Told |
| 7. It Takes A Muscle |
| 8. It Iz What It Iz |
| 9. Born Free |
| 10. Meds And Feds |
| 11. Tell Me Why |
| 12. Space |
| 13. Internet Connection |
| 14. Illygirl |
| 15. Believer - MIA & Blaqstarr |
| 16. Caps Lock |
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Most Helpful Customer Reviews
8 of 9 people found the following review helpful:
4.0 out of 5 stars
M.I.A. goes industrial...,
This review is from: /\/\ /\ Y /\ - Limited CD (Audio CD)
I've read a few articles recently criticising M.I.A. for contradictory and naive lyrics. Whether true or not, this doesn't spoil my enjoyment of /\/\/\Y/\ as I subscribe to the Simon Reynolds school of thought that pop music isn't poetry and that lyrics shouldn't be dissected too much. Does anyone think The Clash's debut album would have been better if Joe and Mick has sat around reading the Conservative party manifesto in detail instead of learning another chord and shouting "Repression!"? I deliberately draw the comparison with punk, as although /\/\/\Y/\ contains a couple of slices of pure pop in the catchy `XXXO' and `It Takes A Muscle', for the most part the album is abrasive and intense. `Born Free' samples Suicide and has an intro reminiscent of `Mr Self Destruct' by Nine Inch Nails. In fact there are a quite few industrial moments, Rusko producing 5 of the most atonal and bass heavy tracks, including `Steppin Up' which is sprinkled with the sounds of drills. So as should be expected from M.I.A. by now the album is a thrilling pick `n' mix of hip hop, dancehall, dubstep, dance and punk. Although I didn't expect to discover Maya is a fan of the brothers Gallagher - sample lyrics: "Standing at the station, in need of education" and "I would drink alcohol with the words to Wonderwall"!
7 of 8 people found the following review helpful:
3.0 out of 5 stars
Diversion Ahead!,
By Rohan Diego "Riego" (London, UK) - See all my reviews
This review is from: /\/\ /\ Y /\ - Limited CD (Audio CD)
Her mixtapes were fantastic, ARULA was impeccable and KALA was a treat - MAYA on the otherhand seems a lil out of place. Think cosy Christams scene with the weirdo family member banished to the snowy outdoors, forced to watch the family through a fogged window.
"let me in, i'm awesome too!" "don't u dare look at it! continue to eat your turkey - now!... Kala?! did you hear what i just SAID!?!" Put simply, there's something missing on this here MAYA, it's as if the magic has been replaced with something much less inspiring, namely fear or even loss of passion. Hear me out... ARULA was brimming with beautiful madness, with lyrics that collided with bass to create a truly stunning piece of art. Her political sway was never lost in the drums and her personality was never overshadowed by the expectations of the industry. She made her stance and marked her territory with refreshing defiance, she had arrived! KALA was a triumph with energy levels and inspiration dripping all over robotic circuitry with ridiculously deep story lines and symbolism that simply left you open mouthed with their pitch perfect delivery. The album was fun. You heard it on BOYZ you heard it on HUSTLE and most definitely heard it on MANGO PICKLE. The album gave a nod to its predecessor, took the baton and ran, making waves as it did so. now this brings us to MAYA... don't get me wrong, the album is good - but MIA is a whole other level above merely 'good'. The album packs a punch (but then again, so does my granny) but unlike my granny MAYAs impact seems to have been swallowed in self doubt and subsequently doesn't make as much of an impact as it should have or could have done. MIA has always been on the outskirts but when Paper Planes came out, suddenly the nay-sayers became fans and MIA was embraced into the inner circle of wide spread musical acceptance. *shudder* To me, this is why MAYA opts for shin kicks instead of dropkicks and flesh wounds instead of a down-right massacre. MAYA appears to take everything MIA stands for and sprinkles a lil sugar on it to make it an eeny weeny bit more palatable to the new comers. I like the album but i really did struggle to listen to it from start to finish. It is painful to listen to because it's as if MIA is holding back, and biting her tongue to save herself from offending the very industry that she once stuck two fingers to. Disappointed fans may say "don't be harsh, she's in control and is going in a new direction", this may be true but when you no longer recognise the person driving this 'new' direction, then we kinda have a /\/\ajor problem, don't we? 3 stars ***
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Difficult, discordant ...,
By
This review is from: /\/\ /\ Y /\ (Audio CD)
When I first listened to 'Maya', M.I.A.'s third LP, I was disappointed. Too much of it sounded deliberately difficult, atonal, discordant. It seemed like a willfully backward step after the excellent 'Kala'. The only immediate tracks are the wonderful, sleek, robotic pop of 'XXXO' and the blissful closer 'Space', and in a way I wish M.I.A.'d filled the album with more commercial music, because she's very good at it. A few weeks ago I'd've given this record three stars and left it at that.
I've played 'Maya' a lot recently, though, and it definitely repays repeated listening. Tunes have emerged from amid the industrial noises and bleeps and it's worked its charms on me. There are still a few tracks which pass by without making an impact, but 'Maya' is a worthy successor to 'Kala', very different, not quite as good, but not significantly inferior. I can't wait to hear what she does next.
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