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"The book is exceptionally well–organized: Lawrence has done a remarkable job of isolating the salient issues and examining them systematically, one by one, chapter by chapter, in a colloquial, witty style that enhances the accessibility of his method." The Boston Phoenix, Friday September 24, 2004
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For a start it covers the whole trilogy (and references the videogame too) which is a good thing given the broader meaning that comes from the aesthetic intentions behind the 3 movies rather than just 1. Several books have covered the (multi-disciplinary) ideas/meanings behind the 1st Matrix movie, but some jumped the gun and didn't wait to see what issues the sequels brought up (assuming that 'sequels are always bad' and 'just more of the same'). Some seemed to get a volume out before/in time for 'Reloaded merely to try cashing in on the interest generated by part 1 in case interest lessened with parts 2 and 3.
The Wachowskis played on our flawed 'take things at face value' nature, with most people, before the sequels came out, settling back into that comfortable way of thinking about the 1st movie's meaning, even though the very message of the 1st one was for us not to do that. Part 1 doesn't mean what it did, now that 2 and 3 have, for one thing, put an end to our assumption that 'the machines are evil and the matrix program must be destroyed'. Well done to writers like Mr. Lawrence - simply for waiting.
I've noticed how some matrix works, eg. essays, risk losing the audience from the start by having the titles be some long-winded, overly-academic sentence that doesn't seem to mean anything! It may seem trivial/obvious, but from the beginning the author here drew me in by not doing that. Just looking at his chapter headings made me (as a big matrix fan who, since the movies and my reading up on their related subjects, is now a philosophy enthusiast and aspiring 'matrix-meaning' writer myself) want to get reading particular sections straight away (I found myself spoilt for choice as to which chapter to dive into first.).
Sections on expected philosophy areas like choice & free will, and morality for example, didn't disappoint, but I also surprisingly found eg. a section on taoism to be a gem, in explaining about the necessity of balancing forces, and how Smith is overcome by Neo at the end of 'Revolutions. (As Bruce Lee said in 'Enter The Dragon', 'The art of fighting, without fighting'.)
The author even thanks his own philosophy students for their assistance, which was a nice little touch. If the way he writes is anything like how he teaches the subject, then it's easy to see that he must be valued as a teacher. Again - accessibility is the key. Make potentially stuffy academic subjects approachable and accessible, and relevant to today's (pop.) culture, and you can draw people in rather than have them tune out. And this book does that very well.
The book also includes helpful 'cast of characters' and 'cast of philosophers' sections. A fine addition to the various works on matrix-meaning already out there.
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