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Lights CD

114 customer reviews

Price: £2.95 & FREE Delivery in the UK on orders over £20. Details
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Amazon's Ellie Goulding Store

Music

Image of album by Ellie Goulding

Photos

Image of Ellie Goulding

Biography

Never likely to be one of those singers who is content just to turn up, lay down a main vocal part and leave, Ellie’s approach to writing and recording is, she admits, borderline obsessive – but then, anything less, she says, would be a waste of time.

As her debut album, Lights, made so thrillingly clear, Ellie Goulding uses her voice as a texture in much the same way that a ... Read more in Amazon's Ellie Goulding Store

Visit Amazon's Ellie Goulding Store
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Product details

  • Audio CD (1 Mar. 2010)
  • Number of Discs: 1
  • Format: CD
  • Label: Polydor
  • ASIN: B0034AAGIY
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (114 customer reviews)
  • Amazon Bestsellers Rank: 2,213 in Music (See Top 100 in Music)


Product Description

Product Description

2010 debut album from the new sweetheart of British Pop. With her unique blend of Folk influences and Electronica she is already a firm favorite amongst tastemakers and bloggers alike. Lights features 10 tracks, including the singles 'Under the Sheets' and 'Starry Eyed'. Her chief collaborator is Fin Dow-Smith, AKA the Electro-don Star smith, who produced the majority of the songs on the album and co-wrote four of them. Ellie's songs are built around big proper tunes that lift you up and spin you round, yet there's something off-center about them, something sparkly, filmic, haunting, odd. She mixes heartfelt emotion with other-worldly atmospherics, spins cool Electronica into dreamy warmth. Her insistence on putting her guitar in every song, whether an acoustic cover or a gorgeous song about new love gives her soaring Electro-Folk an earthed rootedness.

BBC Review

That Ellie Goulding topped the BBC’s Sound of 2010 poll and won the Critics’ award at the Brits counts for precisely nothing as of now. Her debut album signals the next chapter in the career of an artist who, with only a pair of singles reaching the world beyond the music industry, seems to have been handed success on a plate. But the past is just that, the page has turned; here is where Goulding truly lays down the foundations for either a 15-minute stand or, she’d hope, a lengthy tenure in our hearts.

Good news: Lights is an expectations-passing collection that should see fans of the singer’s material to date elevating her to superstar status – perhaps not Gaga league, but certainly the equal of the current solo female du jour, Florence Welch. Both possess vocals that can rub a listener the wrong way, but Goulding’s lyricism surpasses Welch’s exacerbating I’m-so-wacky-me artifice, connecting on a commendably affecting level with no little frequency.

She’s not a bad vocalist, but there are moments when an endearing cuteness crosses into uncomfortable irritation, a purr peaking to a piercing squeal. With words cut-and-pasted across compositions that dance with contemporary class – the presence of Starsmith (Marina and the Diamonds, Paloma Faith) and Fraser T Smith (Tinchy Stryder, N-Dubz) ensures an up-to-the-moment production modernity shines through – there are parallels with Frankmusik’s enjoyably breathless patter throughout. The polish, laid thick but even, keeps the consistency controlled – ballads like The Writer and I’ll Hold My Breath retain the glossy attraction of singles Under the Sheets and Starry Eyed. Wish I Stayed is the album’s skilfully sound-scaped highlight, percussively brutish but comely of light keys.   

What really sells Goulding as a hyped artist with substance enough to qualify the acclaim, though, is her way with words. She’s not showy, but cuts to the core of each matter with the accomplished efficiency of an artist twice her age. Considering she only signed her deal in the autumn of 2009, Lights represents a superb achievement in this respect – hackneyed heart-on-sleeve emoting is conspicuous by its absence, deliberately curt posers dominating proceedings. “Who am I to say I’m always yours?” she asks, and in one line addresses more romantic uncertainty than entire albums from her would-be peers.

Who, if you’d not already guessed, she spectacularly surpasses. 2010’s poll-winners’ party has only just begun, but expect Goulding to be the last one standing. --Mike Diver

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Customer Reviews

4.4 out of 5 stars

Most Helpful Customer Reviews

12 of 12 people found the following review helpful By ShadowFox on 20 Aug. 2010
Format: Audio CD
I've had this album for a few months now and love it!!! Have been listening to it non-stop and it never gets boring.

It's one of those albums where you don't have to wind any songs on because they're all amazing. I recommend Ellie's album to everyone I know.

Stunning debut album, can't wait for the next one!!!
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4 of 4 people found the following review helpful By Rebecca Jones on 12 Dec. 2012
Format: Audio CD Verified Purchase
I first want to say this album was by far the best album of 2010 and it deserved so much more recognition than it got. Although I loved Rihanna's Loud album that was released the same year it got so much recognition, high chart positions and strong ticket sales because of the club songs and her sexual outfits, performances and music videos. Lights didn't get that much, maybe because radio stations would rather play What's My Name instead of Starry Eyed.
I really love Lights, it is so different to any other album that was released that year and the songs are so calming and relaxing. I really recommend this album to everyone, there isn't one song I hate, there are no fillers and once you have listened to it you will love Ellie Goulding and you will be buying all her other albums.
***Top 5 Tracks***
This Love (Will Be Your Downfall)
Under The Sheets
The Writer
Wish I Stayed
Salt Skin
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3 of 3 people found the following review helpful By Peter TOP 500 REVIEWERVINE VOICE on 8 May 2010
Format: MP3 Download Verified Purchase
Like several other reviewers, I'm a little disappointed that this first album is so smooth, slick and tending towards bland. It's a bit like the dance remix of an album that was never released, that's the album I'd really like to hear.

Lights is not a bad album by any means. The ballad tracks towards the end - particularly Wish I Stayed and I'll Hold my Breath - are the best. Ellie Goulding has talent, and she has the potential to carve out a niche that is all her own. The album's producers clearly know how to make music that sells well. I hope that the next album will feature a bit more of what makes Ellie Goulding special.
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22 of 25 people found the following review helpful By Young Offender on 3 Mar. 2010
Format: Audio CD Verified Purchase
After the Sound of 2010 win and the absurd pre-emptive Brit award, Ellie Goulding has seemed rather embarrassed by all the fuss - you get the sense of a beleaguered music industry willing an instant star out of someone who'd rather have built a career more organically. So it's not entirely her fault that this debut album doesn't live up to the hype. But with writing credits on all of the songs, she has to shoulder some of it.

Lights is a perfectly listenable soufflé of a record, and at just 35 minutes it hardly outstays its welcome, but there's none of the brio and personality that you get on Marina's *The Family Jewels* - an album superior in every department. And you might forgive a woman in her early twenties for having nothing very interesting to say, were it not for the even younger Laura Marling making people twice her age sound immature. Her faux-naif diction winds me up, too! This just isn't the knockout it needed to be.
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1 of 1 people found the following review helpful By Red on Black TOP 50 REVIEWERVINE VOICE on 12 April 2010
Format: Audio CD
On my I Pod I have a copy of Ellie Goulding doing an acoustic cover on video of Midlake's "Roscoe" it is genuinely wonderful and touched by a raw innocence. A further decent cover of Bon Iver's "Wolves" suggested that something interesting was stirring over the Herefordshire border with real potential until of course the release of this debut album.

Its hard not to start a review of "Lights" without the temptation to compile a complete list of the things that are wrong with it starting with the tacky gold album cover to the poor songs based in some cases on a template of the worse of Euro pop. "I'll hold my breath" is the primary culprit in this regard and if this is indeed her vision in terms of melding folk and pop then someone needs to go back to the design stage and perhaps buy a copy of Beth Ortons "Pass in time" on the way, or at least download the "Sweetest Decline". It begs the question in turn of who the real culprit is behind this album, since you sense interference or svengali style "guidance" of Simon Cowell proportions. One wonders whether Ms Goulding was in the driving seat or whether Polydor hearing the loud tinkling of cash registers, got caught up in the BBC hype and headed this star vehicle straight for the middle of the road. This unfortunately is where "Lights" core values are to be found and with the notable exception of the "Writer" its all a little too pleasant and underwhelming.

We clearly do not need two Laura Marling's (contrast "Lights" with the stunning "I speak because I can") but neither do we need two Diana Vickers. Ellie Goulding is 23 and clearly selling shed loads of albums, so job done then? Not quite since you suspect that endearing cuteness and lightweight songs may not be the basis for a sustained career.
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13 of 15 people found the following review helpful By Mr. K. A. Smith on 5 Mar. 2010
Format: Audio CD
Having seen Ellie twice support Little Boots on tour it annoys me that Frankmusik and Fin Dow-Smith (Starsmith) seem to have somewhat s**t on their friend Ms Goulding by overproducing the songs on this album to make themselves look good.

The demo versions of *Wish I'd Stayed* and *Guns and Horses* were better than these album versions - though G&H has suffered less at the hands of Starsmith than WIS at the hands of Frankmusik! Having said that *The Writer* and *I'll Hold My Breath* are much improved and the new track (I say new having followed Ellie's work for a good 6 months already) *Your Biggest Mistake* is great.

Overall I still rate the album highly - but will look forward to the live performances of more stripped down efforts in April. BTW I can't seen the reasoning of championing Marina's work much more than Lights. I have both albums and am struggling to get into *The Family Jewels*.
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