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“Those who would believe that the art of fiction is moribund – let them read Yann Martel with astonishment, delight and gratitude.” Alberto Manguel
“The whole fantastic voyage carries hints of ‘The Old Man and the Sea’ and the magic realism of Amado and Marquez and the absurdity of Beckett… Yann Martel does a beautiful job.” Globe and Mail (Toronto)
“Martel writes like a more compassionate Paul Auster.” Times Literary Supplement
“Martel finds dazzling ways of expressing the hitherto unexpressed.” Mail on Sunday
“Reminiscent of Italo Calvino.” Independent on Sunday
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The blurb is somewhat misleading, suggesting that Life of Pi is only about the travails of a boy trapped on a lifeboat with a tiger: in fact there are 100 pages before this main event. But the miracle is that even when restricted to one human character and a twenty-odd foot lifeboat, Martel is never boring, and never resorts to childish anthropormism with the animals either: Pi really does have to survive with a 450-pound Bengal tiger, hungry and uncartoonish and nearby.
Speaking of miracles, the narrator's pushy insistence throughout the book that it will "make you believe in God" is the only chunk of the novel I couldn't quite swallow. There's no godliness whatsoever - unless it's moving in mysteriously subtle ways or something and I'm just too much of an atheistic blockhead to see it - unless you count the instances of Pi praising God when something good happens to interrupt the terrible attrition of life on the lifeboat. And frankly who wouldn't hedge their bets a bit in such a situation? In fact, thinking of it, one particularly memorable section of the book - the island, a staggeringly inventive set piece which put me in mind of the land of the mulefa in Philip Pullman's The Amber Spyglass - indicates, if anything, evolution at work rather than Creation, and the narrator even makes respectful mention of Darwin.
However. This small gripe does nothing to detract from the fact that Life of Pi will have you grinning like a tiger for days. Prize-winner or not, if it doesn't become a classic in the next few years, I'll eat that carton of emergency rations. Well he won't be needing it will he?
The writing style of "Life of Pi" is very simple and airy. But this style hides the author's cunning. A number of times in the story, the whole reality of what is being described is called into question. And these questions are never really resolved.
Please don't think this is some sort of "heavy" book, which is hard to read. It is as light as air, and as compelling as a breath of the same. But it has a twist that is both light, and heavy and dark. And the real twist is, I am not even sure if it was a twist! Even as I write this review, the implications of the (seeming) twist crawl deeper into me.
Put simply, this is a great read, it is great writing, it is great story-telling, and this writing is making a great, almost moral, point. When a book of such depth is so compulsive to read, then I feel I have had the best of both worlds and am totally satisfied! Or as satisfied as such a finally mysterious book can leave me feeling...
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