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The Life and Death of Colonel Blimp / A Matter of Life and Death [DVD]

 Universal, suitable for all   DVD
5.0 out of 5 stars  See all reviews (8 customer reviews)
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Product details

  • Format: PAL
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 2
  • Classification: U
  • Studio: ITV Studios Home Entertainment
  • DVD Release Date: 17 Mar 2003
  • Run Time: 237 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (8 customer reviews)
  • ASIN: B00008DI59
  • Amazon Bestsellers Rank: 16,594 in Film & TV (See Top 100 in Film & TV)

Reviews

From Amazon.co.uk

Two masterpieces of British cinema are paired here--Powell and Pressburger's first Technicolor triumph, The Life and Death of Colonel Blimp (1943) and their even more ambitious A Matter of Life and Death (1946). Both pictures are transcendent examples of the filmmakers' craft, and remain models of great cinema long after their original wartime propaganda brief has expired.

Based on a famously satirical cartoon strip that mocked outmoded attitudes of fair play at a time of "total war", Blimp subsequently became notorious as the film Churchill tried to have banned. Because the War Office objected to the screenplay, they refused to allow P&P's first choice for the role, Laurence Olivier, and the duo cast unknown stage actor Roger Livesey in his place. It is Livesey's sympathetic performance that transforms Clive "Sugar" Candy from an object of satire to one of warm affection, effectively reversing the film's intended message about old-fashioned decency versus wartime pragmatism. Anton Walbrook is a profound presence in a role that mirrored the actor's own plight as a German in Britain, while Deborah Kerr is a living leitmotif in the film, playing no fewer than three distinct but deliberately related roles.

Briefed by the Ministry of Information to make a film that would foster Anglo-American relations in the post-war period, the duo, known as "the Archers", came up with A Matter of Life and Death, an extravagant and extraordinary fantasy in which David Niven's downed pilot must justify his continuing existence to a heavenly panel because he has made the mistake of falling in love with an American girl (Kim Hunter) when he really should have been dead. National stereotypes are lampooned as the angelic judges squabble over his fate. In a neat reversal of expectations, the heaven sequences are black and white, while earth is seen in Technicolor. Daring cinematography mixes monochrome and colour, incorporates time-lapse images, and even toys with background "time freezes" 50 years before The Matrix. Roger Livesey and Raymond Massey lead the fine supporting cast.

On the DVD: The Life and Death of Colonel Blimp and A Matter of Life and Death are presented in reasonably sharp 4:3 ratio with good mono sound. Blimp comes with a 25-minute documentary feature that tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included. Life and Death has no extras. --Mark Walker

Product Description

A double bill of Powell/Pressburger productions set in World War Two Britain. In 'The Life and Death of Colonel Blimp' stuffy ex-soldier Clive Candy (Roger Livesey) recalls his career which began as a dashing officer in the Boer War. As a young man he lost the woman he loved (Deborah Kerr, who plays three roles) to a Prussian officer (Anton Walbrook), whom he fought in a duel only to become lifelong friends with. Candy cannot help but feel that his notions of honour and chivalry are out of place in modern warfare. The film's title comes from 'Evening Standard' cartoonist David Low's satirical comic creation, Colonel Blimp. 'A Matter of Life and Death' was commissioned by the Ministry of Information, but turned into a fantastical allegory by the Archers, aka Powell and Pressburger. David Niven plays an RAF pilot who is ready to be picked up by the angels after bailing out of his plane. But an administrative error in Heaven leads to a temporary reprieve, during which he must prove his right to stay on Earth. A tribunal in heaven ensues to decide the case.


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9 of 9 people found the following review helpful
5.0 out of 5 stars Why Britain won the war 30 Dec 2006
Shot in colour in the middle of WW2 this film tells the allegorical story of Clive Candy, a fat old buffer lounging in a Turkish bath who's roused by a young buck in uniform telling him he's under arrest. 'But war starts at midnight, yer silly fool' says Clive. The film swings back 40 years to show us why Clive has a large handlebar moustache and why he never married. Clive is a symbol for what mid-war Britain was trying to steer away from: the notion that war has rules. War doesn't start at midnight. It starts when it starts and you must do what you have to do to win it. Produced during a period when Britain was running low on funds and only America was propping it up, you can see the desperation between each 35mm frame and the tale is very moving and one of the best Powell/Pressburger films ever made. It is a classic: do not be put off by its length (well over 2 hours). It is a beautiful film to watch if you love 20th C history and especially if you happen to be British. As you can tell, I love it, and I do hope that's come through in my review although sometimes when you like something so much you get a bit carried away...
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8 of 8 people found the following review helpful
5.0 out of 5 stars Life & Death 22 Sep 2006
By A fan
The life story of a fictional gentleman-soldier who endures disappointment in both love and war - and yet survives with his warmth and humanity intact. Certainly one of the best films of this period in UK cinema - humane, complex with stunning cinematography, and sensitive, emotive performances. A must-see.
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4 of 4 people found the following review helpful
5.0 out of 5 stars Extremely good buy 6 Sep 2007
Amazon Verified Purchase
I'm not sure which film is better, more touching or more in tune with Britain in the 1942-6 period than these two absolute gems.

'A Matter of Life and Death' pits the dashing David Niven against death: he falls to earth in his warplane during WW2, his plane wrecked beyond repair, and the girl on the radio tells him not to worry...he falls in love only to find he's dead. Someone up in heaven has made an error, and only with the help of an angel (reminiscent of 'It's Wonderful Life') can he sort out whether or not love will prevail...it's called 'Stairway to Heaven' in the USA, which gives you a clue as to one of the more mmeorable sequences, accompanied by suitably unnerving music...

'Blimp' is an absolute masterpiece, with Roger livesey's best performance against the dazzling Deborah Kerr, both of them pulled through forty years of Empire and the realisation that the war against Hitler is life or death - it could almost have been given the same title as the Niven film.

A DVD in which both films display why Michael Powell and emeric Pressburger are two of the most enduring British film-makers of all time.
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