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Life Class Paperback – 7 Aug 2008


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Product details

  • Paperback: 256 pages
  • Publisher: Penguin; Re-issue edition (7 Aug. 2008)
  • Language: English
  • ISBN-10: 0141019476
  • ISBN-13: 978-0141019475
  • Product Dimensions: 13 x 1.5 x 19.8 cm
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (64 customer reviews)
  • Amazon Bestsellers Rank: 27,169 in Books (See Top 100 in Books)

More About the Author

Pat Barker's books include Union Street (1982), winner of the 1983 Fawcett Prize, which has been filmed as "Stanley and Iris"; Blow Your House Down (1984); Liza's England (1986), formerly The Century's Daughter; The Man Who Wasn't There (1989); Another World; Border Crossing; and the highly acclaimed Regeneration trilogy, comprising Regeneration, The Eye in The Door, winner of the 1993 Guardian Fiction Prize, and The Ghost Road, winner of the 1995 Booker Prize for Fiction. Her latest novel is Life Class.

Barker's powerful early novels Union Street (Virago) and Blow Your House Down (Virago) memorable books celebrating the individuality of the lives of 'ordinary' women. After this the focus of her writing shifted slightly and her Regeneration trilogy was widely praised for its astute and unflinching portrayal of issues of violence, sexuality and class against the backdrop of World War One. The violence of the First World War also coloured the backdrop of Pat Barker's next novel, Another World, which looked at its effects on following generations and this theme is picked up again in Border Crossing.

Pat Barker was born in Thornaby-on-Tees in 1943. She was educated at the London School of Economics and has been a teacher of history and politics. She lives in Durham.


Product Description

Review

Sharply written and elegantly constructed...breathtaking (Guardian)

A compelling read (Literary Review)

Thoughtful, ambiguous and powerful (Sunday Telegraph)

About the Author

Pat Barker was born in 1943. Her books include the highly acclaimed Regeneration trilogy, comprising Regeneration (1991), which was made into a film of the same name, The Eye in the Door (1993), which won the Guardian Fiction Prize, and The Ghost Road (1995), which won the Booker Prize, as well as the more recent novels Another World, Border Crossing and Double Vision. She lives in Durham.

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Customer Reviews

3.6 out of 5 stars

Most Helpful Customer Reviews

15 of 16 people found the following review helpful By P. G. Harris TOP 1000 REVIEWERVINE VOICE on 15 Feb. 2009
Format: Paperback
Paul Tarrant is a student at art college in London. Struggling to impress his tutors he is wracked by self doubt. He falls in with the seemingly more talented Kit and Elinor. Through them he meets and starts an affair with the myserious Theresa, but is increasingly drawn to Elinor who is in turn resisting the attentions of Kit.

This complex but essentially shallow menage a quatre is blown apart by the first world war, as both Kit and Paul go to the front while Elinor fights to avoid any involvement in hostilities despite the impact on her family.

Paul and Elinor's relationship was deepening as war begun, and is consumated as she visits him in Belgium. However even as they are joined, their relationship is cracking apart as his horrific experiences as a medical orderly and ambulance driver and her detrmination to shut herslf away from the conflict drive them in different directions.

As ever with Pat Barker, Life Class is supremely readable. Her descriptions of place are as evocative as ever and her ability to create sexual tension remains strong.

The book also has some interesting things to say about the place of art in the world, especially at times of great turmoil. It is a valid exploration of differing experiences and circumstances can destroy relationships.

However at the end I just felt a bit disatisfied at the thinness of the story, the essential unpleasant shallowness of some of the main characters (Elinor in particular) and the rather threadbare narrative.

Its a good book, and well worth reading, but not in the same class as the Regeneration trilogy.
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10 of 11 people found the following review helpful By I Bought This on 10 Jun. 2008
Format: Hardcover
I was excited to learn of a new Pat Barker novel set during World War One, a subject she writes about so movingly. Unfortunately, I found "Life Class" only half-great, and the main problem was that I simply didn't care enough about the characters. Barker's extraordinary protrayal of both fictional and real-life characters in the "Regeneration" trilogy was one of the series' undoubted high-points, but it is sadly not replicated in this novel, where the characters just seem too shallow to warrant the reader's empathy. Most of the time they seem, quite frankly, rather annoying.

On the plus side, "Life Class" contains some astonishingly good writing - Barker's wonderful command of language and her ability to paint vivid scenes with a few words remain undiminished. As I read the book, I suspected that the best work would come in the scenes at the Front, and this proved to be the case. Barker's stark conjuring of a hellish world where violence and death are the norm is handled with great elan. It is in these chapters where she comes closest to the whole point of the novel, which is ordinary young people thrust into extraordinary historical circumstances.

So, I found the opening and closing episodes of this novel not as gripping as they might have been, but it is still worth reading if just for Barker's marvellous writing style and her evergreen respect and compassion for that sad, haunting "Lost Generation".
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2 of 2 people found the following review helpful By Emily - London on 7 Oct. 2012
Format: Paperback
Can another novel be written about the First World War? Could Pat Barker write another one? Twelve years on from her Regeneration trilogy (conveniently republished and advertised on the back of the new novel), Pat Barker returned to her theme.

This time, it is worth reading for the pictures. It is the kind of novel that could be written ninety years after the event - describing two or three people whose response to Armageddon is to paint - because what we have left now is the pictures. They also drive ambulances, nurse the unnursable wounded, simply bear witness. Pat Barker is drawing too. The plot seems lightweight. We are not even sure we like the characters. But is simply enough to bear dramatic cinematography, shot after shot, a film script in waiting. It is a series of intense, closely shot short moments of emotion, colour, wounded human beings, the shelling of Ypres, London cafes, basement flats, gangrene, Vorticism, attacks on Anglo- Germans, the inside of a trench ambulance. The connection between suffering and painting was a real one too - and the characters here were taught by Tonks - the surgeon who became an artist who became a pioneering plastic surgeon.
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21 of 24 people found the following review helpful By Mary Whipple HALL OF FAMETOP 100 REVIEWER on 22 Mar. 2008
Format: Paperback
Pat Barker's sensitive exploration of the devastating effects of The Great War on a group of artists from the Slade School of Art complements her similar exploration of the Great War from the point of view of the poets Wilfred Owen and Siegfried Sassoon in her Regeneration Trilogy, for which she won the 1995 Booker Prize. Examining the lives of art students Paul Tarrant, Elinor Brooke, and Kit Neville as they learn their craft, celebrate life by partying in the days leading up to the war, and eventually make life-altering decisions when war breaks out, Barker creates three worlds, the Before, During, and After of the war.

The superficiality of life Before, the horrors of During, and the disillusionment of After develop here through the interactions of these three characters with each other as the world around them changes--war as a Life Class. When Germany invades Russia and advances on France, Neville and Paul volunteer to drive ambulances for the Belgian Red Cross, and when Richard Lewis, a Quaker recruit becomes Paul's unexpected roommate in Ypres, Paul finds a studio in town where he can draw, and gain a little privacy. Lewis is as appalled as Paul is by the fact that there is no hospital, just a series of huts built around a goods yard, where doctors and nurses have no anesthetics, medications, or disinfectant, and where men lie on straw mats.

When Elinor naively decides to visit Paul, she arrives in Ypres only to have a sudden bombardment send her scurrying back home. In her first letter to Paul after her return home, she urges Paul to take a leave and return to England. "It would be lovely...to go for a meal or [have] toasted crumpets by the fire.
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