A Life Apart
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A Life Apart is an elegant and accomplished debut, a novel of many shades. It blends the poignancy of a coming-of-age story with the rawer excitements of an urban thriller laced with sex and violence. --David Robson, Sunday Telegraph
The writing ... has a sculptured clarity. Assured and fearless. ... This is subtle, precise writing that penetrates character and motive with astringent humour. --Helen Dunmore, The Times
Mukherjee writes wryly and wonderfully ... Deeply engaging and brilliantly observed. --Mark Turner, Independent
The writing ... has a sculptured clarity. Assured and fearless. ... This is subtle, precise writing that penetrates character and motive with astringent humour. --Helen Dunmore, The Times
Mukherjee writes wryly and wonderfully ... Deeply engaging and brilliantly observed. --Mark Turner, Independent
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WINNER OF THE VODAFONE-CROSSWORD AWARD, INDIA'S MOST PRESTIGIOUS LITERARY PRIZE. 'Incisive and poetic, sensual and intelligent. A book with great breadth, heart and courage.' ALI SMITH. 'One of the most intense and disturbing first novels I have read in many years.' PANKAJ MISHRA. 'A Life Apart' tells two stories. The first is of Ritwik's; a story of a young man's escape from a blighted childhood of squalor and abuse in Calcutta to the edge of what he considers to be a new world, full of possibilities, in England, where he has a chance to rebuild his life and start all over again. But his past, especially the scarred, all-consuming relationship with his recently-dead mother, is a minefield: will Ritwik find the salvation he's looking for? Could it arrive in the form of the second story that comprises the novel, the one he is writing himself, the story of Miss Gilby, a marginal character from a Tagore novel? Or could it be in the figure of eighty-six-year-old Anne Cameron, fragile and damaged, who gives shelter to Ritwik in London in exchange of the care that she needs? As present and past of several lives collide, Ritwik's own goes into free fall. Critically acclaimed when it was first published in India in 2008, this award-winning debut redefines the enigma of arrival for what has been called the multicultural society and is equally powerful in its depiction of India as in its portrayal of England. Written with unrelenting honesty, the ambitious narrative confronts the larger questions of human frailty and the strange manifestations of love. Unsentimental yet full of compassion, and written in prose of spare, lyrical beauty, 'A Life Apart' is a scorching novel that marks a new turning point in writing from and of the Subcontinent. Complete review coverage: 'Mukherjee has a big heart and an unflinching gaze and the result is shockingly good.' Rose Tremain, Daily Telegraph. 'The writing ... has a sculptured clarity. Assured and fearless. ... This is subtle, precise writing that penetrates character and motive with astringent humour.' Helen Dunmore, The Times. 'There are a lot of subtle cultural ironies in Neel Mukherjee s debut novel, which is what makes the book such a delight. ... A Life Apart is an elegant and accomplished debut, a novel of many shades. It blends the poignancy of a coming-of-age story with the rawer excitements of an urban thriller laced with sex and violence.' David Robson, Sunday Telegraph. 'Mukherjee deftly interweaves the worlds of the arms trade, sex workers, fruit pickers and the Daily Mail, while also casting a light on the economic policies of the Raj, communal violence and the fragility of relationships conducted under the glare of history. But he never loses sight of his characters and their emotional upheaval. The growing tension is expertly handled; the ending unsurprising yet completely devastating.' Kamila Shamsie, Guardian. 'Impressive. ... Mukherjee writes wryly and wonderfully. ... Not since Alan Hollinghurst's The Swimming Pool Library have I been as engaged by an imagining of gay twilight. ... Deeply engaging and brilliantly observed.' Mark Turner, Independent. Rich and nuanced. Mukherjee is excellent on what motivates people to act the way they do.' Daily Telegraph
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Most Helpful Customer Reviews
22 of 23 people found the following review helpful:
5.0 out of 5 stars
Debut of the Year,
By
This review is from: A Life Apart (Hardcover)
Sensual, beautiful, and gut-wrenchingly sad, this is the story of Ritwik, a boy who moves from the slums of Calcutta to Oxford on scholarship. In his attempts to stay in the country after graduation, he falls down a rabbit hole into a world of danger and exploitation: picking strawberries in the fields of Kent and hustling at King's Cross, all the while serving as a live-in nurse for a demented woman in her nineties, Anne Cameron. Ritwik's relationship with Anne gives rise to some of the most tender and genuinely moving scenes I've read in recent years. Interspersed with Ritwik's story are sections of the novel he's writing about an English governess in India in at the turn of the century. This "book-within-a-book ," fascinating in its own right, contrasts with and illuminates the main story.
I read A LIFE APART a while ago, after it won India's Vodafone Crossword Award, but I still get a chill when I think back on it.
5 of 5 people found the following review helpful:
4.0 out of 5 stars
An English woman in Bengal; a Bengali in England,
By
This review is from: A Life Apart (Hardcover)
The book appears to be two stories, told in alternate chapters and set in different type.
One is the story of Ritwik Ghosh, a young man born in Calcutta around 1970. It begins with his childhood in an extended family. (No need to remember the many names and relationships - they soon disappear.) Ritwik's mother is an unbelievable sadistic disciplinarian; but both his parents die when he is 21. At the age of 23, he wins a scholarship to Oxford, and determines never to return to India. He regularly cottages in the public lavatories in Oxford; the descriptions of this activity are graphic and prolonged. When his student visa runs out, he stays in England illegally. He becomes the lodger and carer of an 86 year-old widow, Anne Cameron, who had once lived in India but was now living in Brixton. The descriptions of this lady - her mind often wandering, but at other times suddenly very lucid - are superb, as is the tender way in which Ritwick looks after her. But at times he also earns some money by doing back-breaking work during the day on fruit farms, exploited alongside other illegal immigrants, while on some evenings he rents himself out by cruising, dangerously, in the King's Cross area. The other story is set in Bengal, mainly during the turbulent period between 1903 and 1905 when the British Raj was dividing the country between Western (mainly Hindu) and Eastern (mainly Muslim) Bengal, to the fury of the Hindus. The central character here is Maud Gilby, who is employed as "governess" (tutor) and companion to the wife of a Hindu landowner presiding over a largely Muslim village. We are well into the second half of the book, on page 201, before we get a hint of what the link between these two stories might be - but that first suggestion is misleading; only later we gather from a couple of throwaway lines what the real link is. But at least I found here a possible explanation why the style of the second story is at times rather stodgy and lacks the brilliance of the first story. There are occasional touches of surrealism in the novel - such as the appearance of brilliant oriental birds perched on a tree in a Brixton garden. Mukherjee packs a lot of different stories into this his first novel, and though each of them is interesting in itself, I think they do not properly cohere. Many critics obviously think otherwise: the book was the winner of India's premier literary prize in 2009.
4 of 4 people found the following review helpful:
3.0 out of 5 stars
Unusual,
By
This review is from: A Life Apart (Paperback)
This was an unusual read. There is the central character of Ritwik and he is writing a book which we also read, about life in India at the turn of the century. Miss Gilby is the central character of his book and a rather eccentric lady of the times, pushing against convention, and so too is Ritwik. He is a deeply sensitive young man, who carries the scars of a very difficult childhood and who finally escapes to England on a scholarship. At this point you really want him to turn everything around, but he never can escape an emptiness deep inside him which is deeply destructive. He is a walking contradiction. Totally caring of Anne Cameron, the elderly lady he ends up living in the house of, and yet totally reckless for his own welfare. The whole book seems to be about division. Division in India at the beginning of the last century, division between Ritwik from where he wants to be and where he is, wanting desperately to fit in, and yet living a life apart. Division in his regard for others, and regard for himself. He is noble, and yet he moves in a world that is far from any cultural aspirations. He walks a line of potential, yet is drawn to the seedy sides of life, where desperation and hopelessness thrive and exploitation is the only name of the game. I would have liked to give it 3 and a half stars. It was more than ok, but I don't know if I could really say I liked it.
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