While I certainly think I understand the reasons for the initial disappointment of some listeners here (some might even have expected a La Llorona follow-up?), I really must disagree with those who discredits this album.
It might seem a bit.. quiet and static at first (low-level) listen, however, prolonged listening shows that it's truly full of great songs imo. How could one otherwise describe songs like "I'm going in", "Love came here", "A fish on land" and all the other gems on this album? Beautiful!
The tunes are simple but effective, and the band is well-judged quiet but agile. The soundscape is simple and almost understated; I can easily imagine that the songs won't blossom through a kitchen radio, low-fi system or suchlike; but through a high quality audiophile-level music system, the musical and emotional energy of Lhasa and her band shines through with full power. And what energy and qualities Lhasa posesses! In that sense, one might say that this is almost an audiophile's album, as its musical qualities seems to need a good playback system to reveal themselves fully; but it's also a lovely collection of tender and beautiful songs. Her voice is captured beautifully by the sound engineers, and the album has a closeup sound that suits it.
It's nothing like the youthful and high-voltage La Llorona from 10 years ago, which was a truly great and legendary album bristeling with latino energy and great songs; now we meet a far more introspective and intimate Lhasa, one might say more adult; and I'm happy to report that this is a great new expression from a great artist, not a second rate try-to-follow-up of her opus magnum La Llorona.