This collection contains not only the letters exchanged by Heloise and Abelard in later life, but also Abelard's autobiography (the 'Historia Calamitatum') in the form of a letter addressed to an anonymous friend. This is well worth reading because it is one of the earliest forms of autobiography ever written, and tells the story of Abelard's eventful and controversial life from his own point of view. It is a fascinating character study (Abelard even seems to change whilst writing it) and reveals a great deal of egomania and possibly a persecution complex. It is also amazing to see how he can be such a gifted philospher and theologian, yet fail to understand other people at all. Despite his sometimes colossal arrogance, Abelard's attitude to God is one of great humility and I find it quite moving. The narrative is centred around the disastrous event of his castration, which he accepts very humbly. On the other hand everything else that goes wrong is blamed on other people wholesale, with Abelard casting himself as the misunderstood and persecuted saint, and there is much weeping and gnashing of teeth on his part. I love his persecution complex, too - he claims that his monks tried to murder him by poisoning the chalice from which he was taking communion!
The letters in the rest of the book date from after Abelard's autobiography was published, and if you read them closely you'll see just how clever Heloise really is. They're worth reading anyhow, because of the breathtaking passion they convey, but if you look you'll notice she manages to use his own philosophical doctrines to defeat him and rewrites the Historia Calamitatum for him from her own perspective. You get the feeling he fell in love with her for her mind, and she proves that even after ten years locked away in a convent her wits are as sharp as ever. However, Abelard's replies start off quite cool and unresponsive; he is irritated rather than impressed by her ability to outwit him and seems keen to terminate their correspondence. Yet she manages to change him as it progresses, from severe misogyny into acceptance of women's role in the world and particularly in the religious life. What a woman.
And when he says "Heaven is like so many palaces..." the word he uses in Latin is 'Palatia'. It's an odd word in context, so why does he choose this particular one? 'Palatium' is also the name of his hometown, where he took Heloise to give birth to their child, and where they lived together for a short but happy time. So... he's secretly trying to say that Heaven is like the time they spent together before disaster tore them apart. This is the closest he gets to telling her he loved her.
