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Product Description
Product Description
The clasic that became the prototype of the modern nonfiction novel. A watershed literary event at its first publication in 1941, LET US NOW PRAISE FAMOUS MEN is an "unsparing record of the harsh existence of three Alabama families, and a poetic meditation on the terrible beauty of their lives," recognized by the New York Public Library as one of the most influential books of the century.
--This text refers to an out of print or unavailable edition of this title.
About the Author
JAMES AGEE (1909-1955), a poet, screenwriter, and journalist, won the Pulitzer Prize for his novel A Death in the Family. His other books include a volume of poems, Permit me Voyage, the novel The Morning Watch, and several collections of correspondence, reviews and film scripts.
WALKER EVANS (1903-1975) is best known for his striking Depression-era photographs. He served as an editor for both Fortune and Time and was a professor of graphic arts at Yale.
Blake Morrison was born in Skipton, Yorkshire, in 1950.His non-fiction books include And When Did You Last See Your Father? (1993), As If (1997), Too True (1998), Things My Mother Never Told Me (2002). His first novel, The Justification of Johann Gutenberg was published in 2000. Blake Morrison lives in London.
--This text refers to an alternate Paperback edition.
Inside This Book
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First Sentence
It is late in a summer night, in a room of a house set deep and solitary in the country; all in this house save myself are sleeping; I sit at a table, facing a partition wall; and I am looking at a lighted coal-oil lamp which stands on the table close to the wall, and just beyond the sleeping of my relaxed left hand; with my right hand I am from time to time writing, with a soft pencil, into a school-child's composition book; but just now, I am entirely focused on the lamp, and light. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
It is late in a summer night, in a room of a house set deep and solitary in the country; all in this house save myself are sleeping; I sit at a table, facing a partition wall; and I am looking at a lighted coal-oil lamp which stands on the table close to the wall, and just beyond the sleeping of my relaxed left hand; with my right hand I am from time to time writing, with a soft pencil, into a school-child's composition book; but just now, I am entirely focused on the lamp, and light. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
A chance to experience a much-praised classic. The book begins with 64 pages of Walker Evans' pictures, as pithy and full of impact as the day they were taken. There then follows Agee's text, 411 pages of the most tortured, convoluted, pretentious, rambling verbosity I have read in a good long time. One can assume from the fact that Agee struggled to find a publisher, and that the planned parts 2 and 3 were never written, that even at the time his work was considered barely readable, and it has aged very badly. But the book is still worth buying for the pictures!
2 of 2 people found the following review helpful
Format:Paperback
Rather than reading, I mounted an assault on this indescribable and demanding "cooperative human effort". Agee's torrential prose is outrageous, arrogant and desperate as he issues a rally cry, and displays a railing anger against the fabric of society (teachers are described as at best being "servants of unconscious murder") as he describes the lot of Alabama tenant farmers in the 1930s. The book's consideration of existence is made all the more resonant through the haunting photography of Walker Evans. Half exposition of a new form of writing, and half explanation of the exposition, the author demands much as he sets out his grandiose ambition - "by consuming all that is within you into the never relaxed determination that this shall be made different, and shall be made right". Influenced heavily by his communist views and his religious background, this unsettling and unique book has made an impression - to live more carefully and more cooperatively and consider responsibilities more fully.
7 of 10 people found the following review helpful
Format:Hardcover
when agee set to work on this with walker evans, he hoped to document three tenant families in the american south during the 1930's... what he did however is a mix of first person and third person prose, poetry, images and every type of writing conceivable. Not particularly easy to read, but there are many gems hidden in here. Not your average american "classic" to say the least. Agee was arguably a creative genius, although at some points he comes out as a mumbling drunkard. Evans' photos are terrific and the book is very touching... a ground breaking book without doubt.
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