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Let England Shake CD

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“Take me back to England
& the grey, damp filthiness of ages
fog rolling down behind the mountains
& on the graveyards, and dead sea-captains.”
PJ Harvey, The Last Living Rose

PJ Harvey’s new album was recorded in a 19th Century church in Dorset, on a cliff-top overlooking the sea. It was created with a cast of musicians including such long-standing ... Read more in Amazon's PJ Harvey Store

Visit Amazon's PJ Harvey Store
for 35 albums, 30 photos, discussions, and more.

Frequently Bought Together

Let England Shake + Stories from the City, Stories from the Sea + To Bring You My Love
Price For All Three: £17.90

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Product details

  • Audio CD (14 Feb. 2011)
  • Number of Discs: 1
  • Format: CD
  • Label: Universal / Island
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (116 customer reviews)
  • Amazon Bestsellers Rank: 6,145 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
Listen  1. Let England Shake 3:09£0.99  Buy MP3 
Listen  2. The Last Living Rose 2:21£0.99  Buy MP3 
Listen  3. The Glorious Land 3:34£0.99  Buy MP3 
Listen  4. The Words That Maketh Murder 3:45£0.99  Buy MP3 
Listen  5. All And Everyone 5:39£0.99  Buy MP3 
Listen  6. On Battleship Hill 4:07£0.99  Buy MP3 
Listen  7. England 3:11£0.99  Buy MP3 
Listen  8. In The Dark Places 2:59£0.99  Buy MP3 
Listen  9. Bitter Branches 2:29£0.99  Buy MP3 
Listen10. Hanging On The Wire 2:42£0.99  Buy MP3 
Listen11. Written On The Forehead 3:39£0.99  Buy MP3 
Listen12. The Colour Of The Earth 2:33£0.99  Buy MP3 

Product Description

Product Description

PJ Harvey’s Let England Shake was recorded in a 19th Century church in Dorset, on a clifftop overlooking the sea. It was created with a cast of musicians including such long-standing allies as Flood, John Parish, and Mick Harvey. It is the eighth PJ Harvey album, following 2007’s acclaimed White Chalk, and the Harvey/Parish collaboration A Woman A Man Walked By. Let England Shake evokes the troubled spirit of 2010, but it also casts its mind back to times and places from our long collective memory. In keeping with such imaginative intentions, its music has a rare breadth and emotional power. Nearly two decades after she made her first records, it proves that not just that its author refuses to stand still, but that her creative confidence may well be at an all-time high. It is safe to say that you will not have heard anything like it before.

10 years after her album Stories From the City, Stories From the Sea scooped the Mercury Music Prize, PJ Harvey became the first artist to win it twice when Let England Shake was also awarded the prestigious prize in 2011.

BBC Review

The title of Polly Harvey’s seventh album, 2007’s White Chalk, seemed to address England’s psycho-geography by way of Dover’s iconic coastline. Perhaps that’s projection. But her eighth most definitely does. It’s a concept album, folks. Songtitles include The Last Living Rose, England and The Glorious Land, with a distinct whiff of landscape and legend. A fragile Hanging in the Wire even namechecks "the white hills of Dover". Pete Doherty doesn’t have a copyright on singing about Albion, you know.

Going by her latest photos, Harvey’s position as the alternative Lady Gaga, confounding expectations and changing hair styles at each turn, remains undiminished. This time, the black gown and headpiece screams Hel, the Norse God of the dead. And when you read the lyric sheet, death fair stares you in the face. Its first words are "Let England shake / Weighed down with silent dead"; The Last Living Rose sings of "the grey damp filthiness of ages," and it turns out "the glorious fruit of our land" is "orphaned children". Add various references – Battleship Hill, Bolton Ridge, the Anzac trench – to the disastrous Allied invasion of Galipoli, Turkey in World War One and we appear to have a psycho-geographic lament around the perils of colonialism and the ravages of war that resonate right up to the present.

As a backdrop to this brutal battlefield, Harvey has shifted from White Chalk’s gaunt piano ballads to a broader sound that is no less feverish and close to the bone. Imagine a minimalist take on her debut album Dry’s folk-blues tilt, all urgent and wiry rhythm. It’s recorded mostly live with multi-instrumental support from the long-serving John Parrish and (former Bad Seed) Mick Harvey. But there are subtle additions; the signature horse’n’ hounds bugle leading the hunt is woven into a shifty The Glorious Land, the Bulgarian women’s choral wail (shouldn’t that be Turkish?) on the otherwise skeletal England. There is a playful reference to Eddie Cochran’s Summertime Blues via "what if I take my troubles to the United Nations?" into a skiffle-shaped The Words That Maketh Murder; but this is categorically a sad, despairing album. It ends with The Colour of the Earth, where a host of male voices (including the band) and Polly recall a soldier cut down in action and now "nothing but a pile of bones".

Ah, Earth, so much to answer for. But thankfully we have PJ with another fearsomely creative, emotional record to lead the resistance. God bless unique, unfathomable, great Queen Polly.

--Martin Aston

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Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

81 of 91 people found the following review helpful By Amazon Customer on 14 Feb. 2011
Format: Audio CD
I've had my doubts about some of PJ Harvey's work since Is This Desire, although I have never doubted she had lost any of her immense talent. As if to confirm this Let England Shake is quite simply a great album by any standards. Most of the attention from reviewers has so far centred on the lyrical content and indeed this is most impressive. The twin themes of her ambivalent relationship with England and the destructive cost of war run and intertwine throughout the album. Apparently PJ did a great deal of research before writing these songs; in the very best way this is something that does not show, these are not intellectual or preachy songs. Instead we have a highly individual and considered response to important issues. By looking outwards she has written some of the most resonant and moving lyrics of her career.
Of course for all that PJ is not a poet and without music to match this would not be a great album. The music is actually quite difficult to describe as it sounds unlike anything she has recorded before and yet entirely like her. Looser than usual, it is more melodious than she has allowed herself to be in the past, and at times with it's strummed autoharp and guitars it could almost be described as folk-rock (at times the feel of this record is also similar to The Velvet's third album as a guide). PJ's voice retains much of the higher range debuted on White Chalk but is richer than on that record. There are no weak tracks here but the standout for me is the central section of All & Everyone, Battleship Hill and England, it is quite simply as beautiful a run of three songs as I can remember.
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1 of 1 people found the following review helpful By Mr. Iain R. Wear on 21 Feb. 2015
Format: Audio CD
Whatever happened to girls with guitars? The middle years of the last decade were awash with them, with The Gossip, Sandi Thom, Amy Macdonald and KT Tunstall all making breakthroughs during that period. Whilst all of them are still recording, you seem to hear less of them these days, as the sound has been replaced by female pop singers, largely the ones spawned from things like “X Factor” and “Pop Idol”.

P. J. Harvey certainly had an interesting decade. She opened by winning the 2001 Mercury Music prize and received high scores in various best album polls from both NME and Q magazine. Her last album “White Chalk” was a bit of a change of direction musically and she has followed this with “Let England Shake”, which largely focuses lyrically on the wrongness of war.

I may be in the wrong target audience for an album like this, not being politically aware enough, nor enough of a fan of the jangly, indie based sound for it to really appeal and for me to want to listen to it closely enough to make out the lyrics. Additionally, with the album being purchased as a download, I don’t have easy access to the lyrics through the inlay card, which may have given things a different edge if I’d been able to work them out a little better.

Overall, then, this was a disappointing album for me, despite a couple of high points, especially in the last couple of tracks. However, for someone more inclined to take the time to try and understand the message of the song, or someone more interested in the style of music, I can see how it could be an album with a great deal of impact. As it is, this left me unsure as to how Harvey has had the longevity she has managed or how she has won awards.

This review may also appear, in whole or in part, under my name at any or all of www.ciao.co.uk, www.thebookbag.co.uk, www.goodreads.com, www.amazon.co.uk and www.dooyoo.co.uk
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13 of 15 people found the following review helpful By KenniPod on 20 Feb. 2011
Format: Audio CD
Beautiful, mournful, frightening, poetic.

A lament on the waste of war, on the human condition, and for the England of myth and legend. It is ethereal in a sense, like a walk through an unearthly washed-out wasteland of England's green and pleasant land, where experiences and visions of wars come in and out of sharp focus from the past and the present, unbounded by time and place.

The music is evocative of this England that she is referencing - rock with multi-cultural motifs but grounded in an almost traditional English folk simplicity.

But it is also a very real and intensely personal political statement, a call away from arms and the cycle of war, to her country that she cannot but love.

I find some of her lyrics frustratingly too obscure to decipher her exact meaning, but nevertheless it is music that resonates and I think, touches an on unease that many people feel about the loss of life and limb that has become so much a part of the fabric of out lives today and that we are told politically is a justifiable sacrifice.
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18 of 21 people found the following review helpful By Syriat TOP 500 REVIEWER on 1 Aug. 2011
Format: Audio CD
This is meant to be PJ Harvey's war album and the lyrics, music and feel give you no doubt that Polly Jean Harvey has put a lot of effort into this. There are 12 tracks of short doses of lyrical and musical feats centring around that theme and and the theme of England. Guitars and a very strong percussion accompany the different forms of Harveys voice to give a driven feel throughout. Sometimes she sounds almost operatic and others just angry - sometimes in the same song. The overall effect of this is quite dizzying and it takes a while to appreciate the scope of this album. Tracks like Bitter Branches and Last Living Rose are immediate whilst other take their time to appeal. But they get there. Even when the bugle of The Glorious Land comes in you are a little taken aback at first - but it makes sense with the lyrics. And the lyrics need mentioning. They are quite brilliant - descriptive and concise they are the focus of this album. This album will be up there at the end of the year - already nominated for a Mercury. And it deserves to be.

In the 80's every new female artist was compared to Kate Bush. Now the likes of Anna Calvi et al are compared to PJ Harvey. That should be a measure of her current standing. This offering only cements her place. 'I live and die through England' PJ Harvey declares at the start of her acoustic ode to her mother country. Listening to this you know she believes that in her soul. Heartfelt and meaningful this is a very accomplished album. It also is that rare thing - an album put together by someone who believes every word she sings.
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