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Jet Li stars as the warrior Hung Hei-Kwun, a loyalist to the Ming dynasty; as the movie opens, we see him return to his village to find everyone there slaughtered by the Manchus - everyone except his infant son Man Ting (Miu Tse). Vowing revenge, Kwun lets his toddler (and fate) decide whether the boy lives to join his father's fight or joins his mother in death; the boy chooses wisely. A betrayal of grand proportions soon finds Kwun surrounded by enemy fighters; many a martial arts hero has wiped out a troop of baddies all by himself, but Kwun does it with his infant son strapped to his back all the while. When we next meet up with Kwun and his son seven years later, young Ting is the baddest little dude in town - a kung fu fighting machine, an incredibly disciplined young warrior, and a serious lad who probably has more self-control and wisdom than even his father. Now penniless, Kwun agrees to serve as bodyguard to a wealthy merchant, and it is in his service that he gets to know Red Bean (Chingmy Yau), half of a mother-daughter con artist team currently plotting to rob Kwun's employer. As all of this is going on, a master at the threatened Shaolin school is busy tattooing a map to the Shaolin treasure on the backs of five of his pupils in an effort to keep the treasure safe (although the fact the boys always seem to be together sort of defeats the purpose). An old enemy of Kwun's, one whom he thought he had killed, wants that treasure, and he especially wants to kill Kwun. This dude looks like he stuck his head in a pot of boiling water for about half an hour, but he is strong and invincible thanks to a witch's spell. He also drives a metal super-car, something you just don't see everyday in films about the China of the distant past. The Batmobile thing pushes the envelope way too far, but the movie is good enough to make up for the filmmaker's indiscretion.
Anyway, Kwun and Ting must fight to defeat the evil man from Kwun's past, protect the tattooed boys and in doing so save the Shaolin treasure, and deal with his feelings toward the lovely Red Bean. For the most part, he just fights. All of the action sequences in the film blew me away (but of course I'm not hard to impress when it comes to this type of action); you've got claws and darts being flung pell-mell out of nowhere, sword fights galore, and a little bit of kung fu thrown into the mix. Li and his fellow performers are lightning quick in their movements, the main female characters are a force to reckon with, and young Ting is just a joy to watch. Not only can he lick five boys his own age without breaking a sweat, he is basically an equal partner with his father, fighting right alongside him when the moment arises. Their weapons are a little on the souped-up side, but, boy oh boy, it makes for some spectacular fight scenes.
The biggest mystery to me when it comes to Hong Kong films such as this is the comedy aspect. As this movie progresses, an initially grim, sober tale is injected with increasing doses of comedy (only a small part of which can be attributed to the less than perfect dubbing). Some of it is funny, but the movie suffers a little bit in the process. Still, though, the amazing fight scenes alone make this a film that any martial arts fan should enjoy, and I might add in closing that the cinematography is also quite good, boasting one particularly beautiful scene midway through the film.
Just dont expect to see the dear horn knives used on the front cover because as far as i can tell they were not in the film at any point.
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