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Review
'Mercilessly funny' Daily Telegraph
‘Mantel writes with wit, compassion and great elegance.' Independent on Sunday
On ‘Giving Up the Ghost’:
'Like Lorna Sage's BAD BLOOD, GIVING UP THE GHOST is a story of childhood that is also a piece of history. Hilary Mantel's self-portrait is a masterpiece of wit, but it conjures up a time and a place and an epoch of female experience with razor-edged sobriety. That past, so thoroughly vanished, is made to live again here – disclosed, cannily and heartbreakingly, as once it too yielded up its author's mind.' Rachel Cusk
‘What a remarkable writer she is. She is piercingly, even laceratingly observant, and every remembered detail has the sharpness of a good photograph. And yet for all its brilliance of detail and its black comedy the memoir is heavy with atmophere. It's a very startling and daring memoir; the more I read it the more unsettling it becomes.’ Helen Dunmore
‘I was riveted. It’s raw, it’s distressing and it’s full of piercing insights into a novelist’s mind.’ Margaret Forster
Sue Gaisford, Independent on Sunday
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Customer Reviews
The title story was an exception, however, a real gem that had me snorting aloud with laughter on the train.
I don't usually like short stories. Often I dismiss them after reading and turn to something weightier. These are insistent and I won't forget.
These stories put the ordinary experience of being an intelligent, working class child at their centre. (Many people are intelligent; most are consigned to the margins of British society.)
Hilary Mantel is not just intelligent and acutely observant; she may also be the best writer of English prose alive today.
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