This play reworks Shakespeare's Lear story in a thoroughly modern way. In his introduction Bond states how natural it is to him to write about violence and this comes through in the play, which is certainly not for the squeamish, as it involves very graphic and agonising accounts of bodily suffering. Bond's version of Lear does not adhere closely to Shakespeare's plot or style, and rarely contains long, prosaic passages of reflection. It is reminiscent of Beckett in the staccato effect of the often banale lines and childish names that thinly disguise the depths of suffering continually occuring in the play, and ultimately, the world.