Le Voyage Dans La Lune (A Trip To The Moon)
is a classic black and white silent film by revered French director Georges Méliès. Released in 1902, this legendary 14-minute film is widely considered one of the most important works in film history, and the very first to use science fiction as its theme, incorporating special effects that were very state-of-the-art at the turn of the 19th century. It was loosely based on two popular novels of the time: Jules Verne's From the Earth to the Moon
and H. G. Wells' The First Men In The Moon
. A hand-coloured print, the only one known to survive, was rediscovered in 1993 by the Filmoteca de Catalunya. It was in a state of almost total decomposition, and many years of painstaking, manual restoration took place until 2010, when digital technology finally came to the rescue. Following another year at the Technicolor Lab of Los Angeles, it was finally ready to share with the world. Eager to put a contemporary spin on this classic silent film, the producers decided to approach Air's Nicolas Godin and Jean-Benoit Dunckel, to compose an original modern soundtrack - an enormous honour for French musicians, considering the film's place in the canon of French cinema. With the aim of premiering at the 2011 Cannes Film Festival, Air set themselves a tight deadline, locking their studio doors and working around the clock to serve these classic images with brave new sounds. Complete with a new soundtrack by Air, the film debuted at Cannes on May 11, 2011, to immediate and unanimous acclaim. Spurred on by their work on this short movie, Air decided to develop the project into a full album inspired by the film. Expanding the original musical themes beyond cinematic instrumentals, the album also features the vocal talents of Au Revoir Simone and Victoria Legrand (Beach House). The band's lunar fascinations have been evident since the beginning of their career with the release of the seminal 1998 classic Moon Safari
. Now Nicolas and JB have returned to explore the further regions of their very unique musical `space'.
A classic black-and-white short, silent film by revered French director Georges Méliès from 1902, Le Voyage Dans La Lune (A Trip to the Moon) is rightfully considered one of the most important pieces in cinema history, itself inspired by HG Wells and Jules Verne. In the years since its unveiling, the film has influenced (read: been nicked by) a whole range of talented artists and musicians… and The Mighty Boosh.
Asked by the Fondation Groupama Gan and Fondation Technicolor to compose a new soundtrack for the film – an enormous honour, in the French film world and beyond – Nicolas Godin and Jean-Benoit Dunckel set about creating a modern score to bring the film to the attention of a new generation. As luck would have it, the results were ready in time for 2011’s Sundance Film Festival, and the restored film, complete with its all-new music, continues to play to audiences worldwide.
Removed of its cinematic context, Le Voyage… is every bit an Air album. Since their debut LP, 1998’s Moon Safari, allowed the pair to pioneer an entirely new genre of lifestyle-accompanying melodic ethereality bound by a flexing of terrestrial funk, inspiring countless imitators in the process, the duo has always been on safe ground when their subject matter is off-Earth.
By no means strangers to the soundtrack – hear their wonderful Virgin Suicides work, and the elegant ennui of Lost in Translation – Air have conjured up yet another mini-masterpiece that fits the film and evokes the period it hails from perfectly. With guest vocalists Victoria Legrand and Au Revoir Simone on hand to play chanteuse roles on the sublime Who Am I Now? and Seven Stars respectively – tracks which easily exceed the usual vocalised fare on a soundtrack – and vignettes such as Retour sur Terre and Homme Lune, the album as a whole works well without the visuals. Opener Astronomic Club lopes menacingly, like spooky monks building an analogue spacecraft in the keen expectation of top-hatted adventurers. Cosmic Trip sprinkles itself kaleidoscopically into a starry blanket of layered keyboards, while closer Lava features a nice bit of what sounds like prog-banjo planking.
La Voyage Dans La Lune is the ‘most Air’ thing this duo may ever craft, a perfect set with which to remind audiences of their continuing excellence. If you’d lost touch with Godin and Dunckel after their last few albums, this might just be the return ticket needed to step back into their (other)world.
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