Charles Jencks in The Architectural Review, December 2001
"...the fascinating but sad story of his master's attempt to woo the New World in the 1930s..."
--This text refers to the
Hardcover
edition.
Review
"Mardges Bacon's long-awaited study sheds light on one of the strangest love/hate relationships in Modern architecture: Le Corbusier's infatuation with an idealized America and the bitter delusion that followed. Thanks to previously overlooked archives, the events of Le Corbusier's famous 1935 trip to the United States are framed in a broad discussion of French Americanism. Bacon also reveals the fascinating parallel process through which Le Corbusier recycled themes and methods discovered in America and U. S. city builders absorbed his concepts."--Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University, and Director, Institut francais d'architecture, Paris "A long-neglected, important topic in Le Corbusier scholarship has finally found its overdue treatment. Mardges Bacon has produced an indispensable, substantial chronicle of Le Corbusier's visit to the United States. With exceptional acumen and precision, she presents central aspects of his ambiguous relation to American culture and architecture and provides fascinating sidelights of his life."--Adolf Max Vogt, Eidgenossische Technische Hochschule (ETH), Zurich "This book opens a new chapter in both Le Corbusier scholarship and American studies. While Le Corbusier's interest in America has been increasingly discussed by twentieth-century architectural historians, there has been no comprehensive study of his important voyage to America. Mardges Bacon's book admirably fills that gap."--Mary McLeod, Graduate School of Architecture, Planning, and Preservation, Columbia University "...[An]exhaustively researched and engagingly written study of a telling episode in 20th-century architectural transformations." Martin Filler New York Times Book Review "[T]he book's breadth of knowledge and attention to detail are faultless." Elain Harwood The Architects' Journal "Mario Carpo's book combines erudition and wit in his path-breaking interpretation of the printed image's impact on architectural design. A renewed intellectual landscape of Renaissance architecture emerges, through an investigation of the way publishing technologies and strategies shape discourse and practical construction. We owe Carpo a well-deserved thanks for his fascinating account of the earliest, and not the least inspiring, encounter between architectural theory and the media."--Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University, and Director, Institut francais d'architecture, Paris "...[An] exhaustively researched and engagingly written study of a telling episode in 20th-century architectural transformations." Martin Filler New York Times Book Review "Volker Welter's book offers a fascinating journey into uncharted territory. The seminal figure of Patrick Geddes emerges from the extraordinary quantity of archival documents as a key thinker on the city and its history. Issues hitherto repressed in the history of modern urbanism, such as the impact of spirituality on town designs, are brought back to the center of attention."--Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University, and Director, Institut francais d'architecture, Paris "Simon Sadler chronicles the encounter between fantastic technology and the built imagination orchestrated by Archigram during a unique decade. The rigorous historical knowledge offered by his book does nothing to lessen the excitement their designs still generate."--Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University, and Director, Institut francais d'architecture, Paris