Le Boucher/The Butcher is one that falls into the love it or hate it camp. Certainly by modern standards, Claude Chabrol makes little of his premise - smalltown schoolteacher Stephane Audran falls for smalltown butcher and serial killer Jean Yanne - either as a suspense vehicle or moral drama. There are occasional hints of something deeper in the butcher's descriptions of the atrocities he saw in Algeria and IndoChina and which he has brought home with him to the outwardly idyllic backwater and scene of his unhappy childhood, but they're just left for the audience to make the connections. As usual, Chabrol is more interested in milieu than the crimes themselves, and his sense of place and community is impeccable without being forced, as his direction. Although the script is fairly thin, it perfectly captures the way comparative isolation and lack of diversion brings people into each other's spheres more than burning passion (in fact, Yanne reveals that it's her ability to calm his passions that makes her so special to him). And it's telling that the two characters never have a romance: they don't even share a kiss. It's more akin to a drawn-out old-fashioned courtship - it's just that one of them happens to be a serial killer.
One thing that is particularly striking is that way he is able to use long, unshowy takes (some lasting several minutes) simply because his actors are up to the challenge, giving the film an unforced, natural flow. There's imagination and striking imagery when required - the film's most tense moment takes place during a fade to black, while a night time drive takes on a disembodied quality - but he's not out to batter his audience with technique. Quietly impressive, but you may need to have lived in a small town to get the most out of it.
Arrow's UK PAL DVD does offer a better transfer than the US Pathfinder DVD in a slightly cropped widescreen ratio, but contains no extras.