This film suffers because it comes from the same stable as Lock Stock and Snatch. The reason it suffers is that people expect a Lock Stock 3. It isn't. There's a new director in the chair and the film is a lot darker and edgier than the other two.
The first two were black comedies; this one isn't.
This movie won't have large shoot-outs, but what it will have is a movie with a very strong undercurrent of fear going through the lead's final days in business before he retires. But, retirement is not going to be easy.
Things start to go terribly wrong and one can feel the world coming out from under his feet as events outside of his control are starting to take over and things are going totally wrong.
This is not a film where a grand comical shoot out occurs in the last scenes to leave the anti-heroes (they're all bad bad guys not nice bad guys, remember) with the girl and the loot as in Snatch or Lock Stock. Things have to be resolved their own way.
The acting is wonderful; the characters (hoorah!) don't look like gangsters which is the whole point, despite complaints here to the contrary. The lead characters want to go through life without drawing attention to each other so there's no-one acting like cheap hoodlumns from Central Casting.
There's a couple of wonderful touches and, in one of them, I take my hat off to FCUK for their bravery in one of the early scenes. Wonderful stuff.
In short, a good film. Certainly the best British gangland film made so far; above Long Good Friday (even though nothing will surpass THAT ending) and Get Carter. And, a different film whatsoever to Lock Stock and Snatch.
If you want a film which requires thought then get this one, if you want a Hollywood style mob film with a simplistic plot then get another. This is most certainly not a Saturday night no-brainer movie; this is a classic British film.