Lawrence of Arabia (Blu-ray + UV Copy) [1962] [Region Free]

I went to my son's house for Easter and instead of sitting down to watch the latest action flick (His great joke is treating me to films that I would never watch on my own.), I discovered to my great pleasure that the evening's entertainment was "Lawrence of Arabia." As my son set up the DVD, he said, "Don't you remember? You took us to see it when we were kids." I had forgotten.

When I got home, I pulled out my own two-disc set of the Limited Edition, noting the incredibly clear transfer that looks like HD when I played it on my computer. I then watched the extras. Whereas so many "the making of" documentaries nowadays are self-serving and otherwise forgettable, the Interview with David Lean, Omar Sherif, and the behind-the-scenes crew is truly enlightening, as are the comments of Steven Spielberg.

Enough cannot be said about the subtleties of Peter O'Toole's nuanced performance of the troubled protagonist (and I am still cross about Hollywood's failure to recognize him in any other way than a "Lifetime Achievement Award"--Hollywood's booby prize). In perusing the other reviews on this website, I have noted proper accolades for the performances of Omar Sharif, Jack Hawkins, Alec Guinness, Anthony Quinn, and Claude Raines (always brilliant), but I noticed a failure to appreciate the performance of Anthony Quayle, whose portrayal of the adjutant moves from stiff-upper-lipped-Empire-right-or-wrong--at first resenting Lawrence whom he clearly considers an eccentric loose cannon--to anguished disgust at the political manipulations of Allenby (Hawkins), Dryden (Raines), and Faisal (Guinness), who shamelessly discard Lawrence as an embarrassment after they not only have used him but also have used him up to achieve their political ends. Quayle's sterling performance complements and completes this phenomenal ensemble cast.

Having seen the film several times since 1963, and realizing that my young adult self did not understand the full implications of the story, which I have since come to appreciate, I can well imagine that it was David Lean's sweeping panoramas, Maurice Jarre's haunting musical score which evokes the emptiness of the desert, and the spectacle of the snorting camels, the prancing Arabian horses, and the snappy British military bands that imprinted "Lawrence of Arabia" indelibly into the childhood memories of my son, who was seven years old at the time. Certainly, a tribute to the magic of David Lean's filmmaking.

I first saw this 50 years ago in 70mm, then the restored version 25 years ago; several video versions and film presentations since... I can say that this disc (and the 4K theatrical version) is by far the best is has looked since it first came out. The detail and freshness of the images are stunning; even the sound is better. The only drawback is that you must see this on a huge screen to fully appreciate what David Lean was going for.

From the success of Bridge over the river Kwai, David Lean settled on the story of Colonel T.E Lawrence or Ned to his family and friends, with which to once again captivate and entrance his cinematic public. Perhaps Mr Lean did not anticipate the size of the task that awaited him as if had it might have put him off.
It was a risk for Mr Lean and his backers, after all this was a story that was surrounded in mystery, controversy and conflicting testimony, with the enigmatic Lawrence at its centre. The times had moved on and audiences were demanding big names and new cinema, David Lean had the big names(Alec Guiness, Jack Hawkins & Anthony Quinn) but the two central characters (Lawrence and Ali) were played by two relatively unkown actors, Peter O'Toole and Omar Sharif, a big gamble for any director with such a fantastic story to tell.

For the British in the first half of the century, the story of T.E Lawrence was a romanticised narrative, far departed from the hellish western front. He became much more than an intelligence officer in the British Army, he himself knew the power of propoganda and so did his political and military masters, not to mention the editors of papers back in England and the USA, for which Lawrence was a much needed "breath of fresh air" for the depreseive trench warfare reading of the first world war.

David Lean's film while not strictly historicaly accurate (depending upon which version of Lawrence's life you believe) is a master piece of cinema. The cinematography is ground breaking and the scale of production magnificent. This means that it feels "real" for the audience. No computer graphics here, so when you see the hundreds of arabs charging into Aqaba with sabres raised, those ARE real actors all charging hell for leather into a town (constructed entirely by Lean's team, another fantastic acheivment). This size of staging has to be admired and works beautifully in the film.

Perhaps the fascinating thing about Lean's film is that it does paint a balanced picture of Lawrence. Despite the conflicting testimony of his life and actions by many biographers and Lawrence himself, Lean rightly decided to air those darker sides of Lawrence's war time life along side his projected golden media image. This is summed up beautifully at the start of the film when a British hack asks an American journalist (who had met Lawrence during the Arabian campaign) for a few words after the remberence service for Lawrence at St Pauls. The American journalist gives only complimentary rhetoric (on the record) and then when the hack moves off delivers a cutting slur against Lawrence's character. Perhaps this is why the film works so well, it does not paint Lawrence as a "superman" who is above all vices and cleaner than clean, something American cinema did so well and continues too. Lean presents Lawrence as a great man, nevertheless a man with demons who had a darker side, it shows how he was used to achieve those ends decided by his superiors as much as he used others to get what he wanted.

Peter O'Toole is a genius in the role, the cast as a whole all perform so well that you forget that they are actors and they become the characters they potray, this is surely what every actor and director hope to achieve but rarely do they. Lean and Co have created more than a film, its a ripping yarn, a master class in acting, directing, production, editing and casting. This reviewer recommends Lawrence Of Arabia with no reserevations.