Once again, Anita's interactions with the monsters of St Louis are tinged with the horrors of the latest crime she's working on; this time, someone or something has ripped apart and eaten many people, including children. Anita suspects it's an out of control zombie, and who better than an animator to help stop it?
There is a bad guy, naturally. One of the most wealthy men in the country wants Anita to raise a 238 year old zombie. She refuses, as it would require sacrificing the "white goat", a euphemism for human sacrifice. The bad guy, surprisingly, does not take this very well, and Anita's problems deepen.
There is even a bad woman, a "voodoo queen" who isn't quite as strict on morals as Anita is. Anita approaches her for advice on the killer zombie problem, but soon realises that she won't get any help from her.
The crime scenes in this book are horrifically gruesome, as you'd expect. Anita herself is physically sickened by them, as are some very experienced cops. They're well written and incredibly detailed, as is the rest of the book.
One wonderfully enjoyable aspect of this book, and of many others in the series, is the notion that life goes on, no matter what horrors Anita has to deal with. While worrying about killer zombies and millionaire bad guys, Anita also has to deal with the fact that she is a bridesmaid in a friend's wedding and has to wear a hideous pink fluffy dress, which reveals all her scars. She, of course, has no problem with the scars being on show, but everyone else does.
Anita's reluctant relationship with Jean Claude is much more of a subplot in this book than it was in Guilty Pleasures. He does appear every so often, to remind Anita that she now carries two of the four marks which make her his human servant, and that she should start behaving like one. She (surprise surprise) refuses.
There is a strong sense that Laurell K. Hamilton knows where she wants this plot to go and is beginning to steer in it this direction. Guilty Pleasures, by contrast, had an exploratory feel to it, as though Hamilton was still getting to know the characters.
This book focuses more on Anita, and we learn about her childhood and her life long affinity with the dead. We learn about the monsters in a very natural way in this book, usually when Anita is explaining them to the police officer Dolph. Even the backstory of Anita's childhood is natural and unobtrusive.
The crime/bad guy plot is particularly strong in this book, which I really enjoyed. The climax is exciting, and dark, and it shows Laurell K. Hamilton's increased understanding of her character. Anita's toughness and strong sense of right and wrong begins to show through her morals and her religious beliefs, and continues to do so throughout the rest of the series.