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The "story" is quite confounding - simple yet ambiguous : in a vast baroque hotel a man (X) attempts to entice a woman (A) into an affair away from another man (M)- persuading her that they met the previous year at Marienbad (or was it Frederickbad?). That's the plot or story, but Resnais & Robbe-Grillet, with hypnotic cinematography, playful elements (moving objects around in the scenery, suggesting a break with reality)& complex-editing present the film as one of those cinematic mysteries that some will love, others will loathe.
Anyone who has enjoyed such films as Antonioni's 'L'Aventura' & 'Blow Up', Bergman's 'Persona', Roeg & Cammell's 'Performance' & David Lynch's 'Lost Highway' & 'Mulholland Drive' will find much here they should enjoy - it certainly tips the post-modern likes of 'The Usual Suspects' into a cocked hat! 'Last Year at Marienbad' remains one of the great films of the 1960s and stands as one of the great works of the European New Wave of the late 1950s and early 1960s, alongside such classics as 'Les Quatres Cents Coups','Bande a Part','Les Amants' & the aforementioned 'L'Aventura.' Anyone interested remotely in cinema and its dreamlike, oblique possibilities should watch this film...
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