- Hardcover: 496 pages
- Publisher: Weidenfeld & Nicolson; First Edition edition (6 April 2006)
- Language English
- ISBN-10: 0297852582
- ISBN-13: 978-0297852582
- Product Dimensions: 23.6 x 15.8 x 4.8 cm
- Average Customer Review: 3.8 out of 5 stars See all reviews (11 customer reviews)
- Amazon Bestsellers Rank: 609,733 in Books (See Top 100 in Books)
The Last Witchfinder
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Review
'an absolute delight...Seldom does one come across a story that works on so many levels. Not only does it satisfy by being a highly entertaining yarn detailing the picaresque, pillar-to-post adventures of its admirable and highly likeable protagonist, Jennet Stearne, it stands too as a sharply observed post-modernist satire that focuses upon the age-old tensions that both bind and divide us - religion and science... a hugely affable work, and a great pleasure to read.' (John Berlyne SFREVU )
'the sheer exuberance of the plot and the determination of the protagonist to reach her goal carries the reader along. A thoroughly entertaining novel.' (WATERSTONE'S BOOKS QUARTERLY )
'..the genius of this book...is that is perfectly captures the prismatic situations of science and theology in the 18th century...Part of the delight of this novel is the richness of the language, the carefully balanced coyness and coquetry of 18th century literarture, and the way in which the Principia Mathematica writes all the world in Newtonian geometry.' (Farah Mendlesohn STRANGE HORIZONS )
'The Last Witchfinder is cleverly written, with the detail of history providing a rich tapestry into which the fiction is woven, bringing events and chartacters both real and imagined to vivid life...Morrow has written a timely intervention into the dangersof Fundamentalism for the zeitgeist.' (Brigid Cherry DREAMWATCH (May 2006) )
'An intense and dramatic novel set in one of the darkest periods of our country's history.' (GOOD BOOK GUIDE )
'James Morrow writes in order to tell us things: to admonish us about our coming destruction of the world, or about the battle between reason and superstition...what he is, deep down, is a satirist and moralist...What makes this satirical version of the struggle against fundamentalism so powerful is Morrow's scenes of natural beauty or urban squalor. These have the scent of real wild flowers, the squish of real mud and dung underfoot.' (Roz Kaveney INDEPENDENT (11.5.06) )
'Romp is too small a word for this novel, although the fin and excitement James Morrow delivers inevitably brings it to mind.' (Alastair Mabbott THE HERALD (13.5.06) )
'a dazzling novel about the clash between superstition and science...This is an extravagant, expansive, erudite, energetic feast of information and adventure...I felt bound to read on as if tied to a stake myself.' (Jessica Mann SUNDAY TELEGRAPH (14.5.06) )
'[a] tremendous historical novel...In a book that will appeal to fans of Jonathan Strange and Mr Norrell, James Morrow captures the imagination and excitement of a world long gone.' (NEWMARKET JOURNAL and SUFFOLK FREE PRESS )
'Inventive, original and downright entertaining with some fantastic fantasy twists, The Last Witchfinder is a book that really does take genre writing in a completely new and highly entertaining direction.' (James Whittington THE DARK SIDE )
'The Last Witchfinder is a magnificent combination of high entertainment and intellectually demanding story telling. The life and travails of Jennet prove to be compelling; the tale fair gallops along and is packed with incident as well as engaging and intriguing characters. It is a tremendously satisfying read which offers much to be considered long after the book is finished.' (Dave M Roberts VECTOR MAGAZINE )
'the sheer exuberance of the plot and the determination of the protagonist to reach her goal carries the reader along. A thoroughly entertaining novel.' (WATERSTONE'S BOOKS QUARTERLY )
'..the genius of this book...is that is perfectly captures the prismatic situations of science and theology in the 18th century...Part of the delight of this novel is the richness of the language, the carefully balanced coyness and coquetry of 18th century literarture, and the way in which the Principia Mathematica writes all the world in Newtonian geometry.' (Farah Mendlesohn STRANGE HORIZONS )
'The Last Witchfinder is cleverly written, with the detail of history providing a rich tapestry into which the fiction is woven, bringing events and chartacters both real and imagined to vivid life...Morrow has written a timely intervention into the dangersof Fundamentalism for the zeitgeist.' (Brigid Cherry DREAMWATCH (May 2006) )
'An intense and dramatic novel set in one of the darkest periods of our country's history.' (GOOD BOOK GUIDE )
'James Morrow writes in order to tell us things: to admonish us about our coming destruction of the world, or about the battle between reason and superstition...what he is, deep down, is a satirist and moralist...What makes this satirical version of the struggle against fundamentalism so powerful is Morrow's scenes of natural beauty or urban squalor. These have the scent of real wild flowers, the squish of real mud and dung underfoot.' (Roz Kaveney INDEPENDENT (11.5.06) )
'Romp is too small a word for this novel, although the fin and excitement James Morrow delivers inevitably brings it to mind.' (Alastair Mabbott THE HERALD (13.5.06) )
'a dazzling novel about the clash between superstition and science...This is an extravagant, expansive, erudite, energetic feast of information and adventure...I felt bound to read on as if tied to a stake myself.' (Jessica Mann SUNDAY TELEGRAPH (14.5.06) )
'[a] tremendous historical novel...In a book that will appeal to fans of Jonathan Strange and Mr Norrell, James Morrow captures the imagination and excitement of a world long gone.' (NEWMARKET JOURNAL and SUFFOLK FREE PRESS )
'Inventive, original and downright entertaining with some fantastic fantasy twists, The Last Witchfinder is a book that really does take genre writing in a completely new and highly entertaining direction.' (James Whittington THE DARK SIDE )
'The Last Witchfinder is a magnificent combination of high entertainment and intellectually demanding story telling. The life and travails of Jennet prove to be compelling; the tale fair gallops along and is packed with incident as well as engaging and intriguing characters. It is a tremendously satisfying read which offers much to be considered long after the book is finished.' (Dave M Roberts VECTOR MAGAZINE )
SUNDAY TELEGRAPH
‘A dazzling novel...This is an extravagant, expansive, erudite, energetic feast of information and adventure’
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
3.0 out of 5 stars
A fine read....but not without its problems.,
By
This review is from: The Last Witchfinder (Paperback)
This book is a very enjoyable read, though not always an easy one. Morrow has taken the battle between Renaissance and Enlightenment, between superstition and reason and located it in a time when witchfinders were stll scouring the English countryside and when unspeakble things were being done to unfortunate women in Salem, Massachusetts. If this sounds a touch dry then don't worry...it isn't. This is a picaresque novel full of larger than life characters, the best of whom are the doomed Isobel Mowbray, the exuberant Barnaby Cavendish and the fantastic heroine Jennet Stearne.
Jennet's mission is to see the overturning of the Witchcraft Statute by Parliament and it is this ultimate aim that unites the various episodes that make up the story. Some of these episodes are fantastically realised, especially the final trial scene which is genuinely tense. However, it has to be said that Jennet's time among the Indians is a trifle dull and her shipwreck on the Caribbean Island isn't nearly as exciting as it sounds. This is the problem with the book. Morrow has written a very ambitious novel and, although some things work brilliantly others just don't. The idea of casting the narrator of the novel as a book, Newton's Principia Mathematica, is original but ultimately doesn't work. Although it succeeds in creating a viewpoint located outside the time frame of the story, it becomes a distraction. Morrow has obviously done a lot of research into the intellectual and scientific theories of the period and, while at times these are stimulating and colourful, at other times they detract from the storytelling. To sum up this is an entertaining and enjoyable read and it is worth sticking with. An ambitious, exciting, frustrating and flawed novel.
5 of 6 people found the following review helpful:
4.0 out of 5 stars
Ripping Yarn,
By
This review is from: The Last Witchfinder (Hardcover)
What a great story the author has woven in this book. The lead character is utterly captivating and the supporting cast quite believable. The subject matter - the Christian-inspired campaign against witchcraft in the 17th/ 18th century and thereabouts - and the battle of the protagonist to use enlightenment science and thought against it, manages to enrage, sadden and captivate the reader - or at least me.
The main device of the book - another book as narrator - was clever and done well - maybe it's been done in other books, but not one I've read. I would have given the book 5 stars, except there was one adventure/ twist in the story that was just too unbelievable. Still, a gripping, entertaining and worthwhile read
13 of 16 people found the following review helpful:
4.0 out of 5 stars
It could have been great,
By
This review is from: The Last Witchfinder (Hardcover)
This book is a behemoth, a veritable tour de force of the age he is portraying and that (I believe) is the books greatest strength and greatest weakness.
The Last Witchfinder is very difficult to classify or sum up in a sentence as it spans such a wide and varied time in both the settings that uses and the characters that are described, however I will do my best to do just that. The story centres on Jennet Sterne, a gifted and arguable petulant child whom is the daughter of Walter Sterne, the Witchfinder of Mercia and East Anglia, and sister to Dunstan, air apparent to Walter's title. As Dunstan is often away with his father learning the family trade Jennet is left with her Aunt Isobel, a scholar who opens Jennet's mind to the many wonders of the world. However, in this turbulent time a woman studying science and who lives alone with very quickly attract very unwelcome attention of Mr Sterne senior... This is how the book begins, however in terms of describing the setting of the book I am doing it scant justice as the story takes us to Philadelphia, an Indian village, a desert island, to passionate embraces with her suitors and onwards to the challenge of parenthood. All of these settings are well described and the supporting cast are well defined but this is where I feel there is a weakness. Due to the volume of major characters and major settings you feel that the book is trying to cram in just too much for its 500 odd pages and on top of this I feel the timing / pacing of the book is also askew, for example there are many instances when you will be reading a passage to have it finish with (or the next passage begin with) and 4 years later, or Ben and Jennet went through 3 summers like this... This to me is a slightly lazy way around the narrative. Now the really unusual part of this book is the interspersed narrative of Newton's Principia Mathematica, the idea being that the book (as with others) has a sentient nature, capable of having a one sided relationship with its readers and its author. I loved the concept but it felt just so out of place within this novel I struggled to see its relevance at all! I would recommend this book but don't take it on lightly, it really needs sticking at. There is some wonderful interplay between the central characters which is worth the read alone but parts are overly wordy, not that relevant and can touch on the boring, thankfully the good parts far outweigh the bad.
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