Amazon.co.uk Review
Val McDermid just gets better and better.
The Last Temptation is intelligent about undercover police work and psychological profiling as well as moving on the human cost to the people who have to do society's dirty work.
We are back with profiler Tony Hills and super-competent cop Carol, who we met in The Mermaids Singing and The Wire in the Blood. The couple's past experiences have created a bond between them as well as a certain inability to bear the sight of each other. They are brought back into co-operation by the needs of the job in its European dimension. Tony is persuaded to help track a European killer who drowns and mutilates psychologists, while Carol is working undercover to trap a drug trafficker whose dead lover spookily resembles her.
As always, McDermid writes brilliant criminals. She adds that deadening of sympathy which makes horror possible. Both aristocratic gangster Tadeusz and vengeful psychotic Mann have their reasons for being who they are, doing what they do. McDermid makes us care that her detectives succeed and survive just that little bit more than we care for her villains to escape. She writes excellent thrillers simply because she has a journalist's eye for both sides of each case. --Roz Kaveney
Review
‘McDermid’s capacity to enter the warped mind of a deviant criminal is shiveringly convincing’
Marcel Berlins, The Times
Praise for Killing the Shadows:
‘Good pace, enough blood to make us feel that murder is far from cold and clinical, and, best of all, characters you believe in’ Maeve Binchy, Mail on Sunday
‘The plotting is impeccable, the atmosphere palpable, and I doubt that it will be surpassed this year’ Graham Caveney, Sunday Express
‘Killing the Shadows exerts the dangerous pull of a rip tide, drawing us towards its unsettling resolutions. The psychological and procedural details convince, and there are wickedly apposite glimpses of fictional crime writers’ Andrew Taylor, Independent
‘An absorbing read, an entertaining showcase for McDermid’s abundant talents’ Peter Guttridge, Observer
Acclaim for A Place of Execution:
‘Val McDermid is a roaring Ferrari amid the crowded traffic on the crime-writing road … She is a strong enough writer to create her own distinctive world’ Jane Jakeman, Independent
‘A substantial book and an impressive one, possibly the best McDermid has written and it takes this most accomplished writer into higher territory’ Susanna Yager, Sunday Telegraph
‘A gut-wrenching tale that spans two decades and brings the resonance of Greek tragedies to England. Psychological suspense that probes, prods and disturbs. A terrific achievement’ Maxim Jakubowski, Time Out
‘McDermid has become our leading pathologist of everyday evil, and she both thrills and scares in this tale of celebrity stalking with a difference … The subtle orchestration of terror is masterful’ Maxim Jakubowski, Guardian