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Review
Such is the challenge that lies before 21-year-old Benjamin Francis Leftwich with his debut LP, Last Smoke Before the Snowstorm. The York-based singer-songwriter has certainly garnered the requisite attention, with two well-received EPs in late 2010 and early 2011, not to mention a popular cover of Arcade Fire’s Rebellion (Lies). But how does Leftwich’s debut proper stack up with his many talented peers?
At first, everything seems in order. Opener Pictures exudes prettiness with a simple plucked guitar line accompanied by Leftwich’s whispery voice, while Box of Stones opens up into a delicate, violin-backed chorus. But as the album progresses, soft guitar following soft guitar and hushed vocal stacked on hushed vocal, it gradually dawns that prettiness might be the only trick up its sleeve. The sheer repetition of tone is an almost insurmountable problem here, each track fading into the next with little to separate them. Leftwich’s songs have been described as melancholic, but in reality there’s little to no emotional pull in any direction. The album’s lyrics provoke an equally ambivalent response, wafting vaguely from broad generalities to cloying sentimentality ("Hope you find what you’re looking for / So your heart is warm forever more," he trills on Shine).
The title-track, with its more band-oriented sound, provides a brief highlight simply for the momentary break in tone, but it’s too little, too late. Like a celebrity mansion on MTV Cribs, Last Smoke Before the Snowstorm is solidly built and designed to make a great first impression, but with time feels lacking in character and, ultimately, empty. In the end, it’s an album whose shallow loveliness makes it worryingly suitable for soundtracking saccharine mobile phone ads.
--Chris Lo
Find more music at the BBC This link will take you off Amazon in a new window
Customer Reviews
Leftwich's smooth, unblemished whispers coupled with the beautiful tone of his acoustic guitar and occassionally an accompanying female voice (particularly prevalent on `Atlas Hands') make for a the perfect chill-out album. `Box of Stones' is my personal favourite - relaxing and down to earth & yet his voice still sends shivers down my spine (even after about 50 listens). The only gripe I have is that the songs seem to all blend into one, making it hard to distinguish one from another. However, for me, this in no way detracts from the grace & elegance of the perfect album that is Last Smoke Before The Smokestorm.
Lay back and enjoy the chill guitar rhythms.
I love Benjamin!
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