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So in the preface fun is poked at "abstract nonsense about postmodern intertextuality", and the pair thunder into well-reasoned, impassioned debate about the DJ being a modern-day shaman--pulse-racing stuff, which makes it all the more uncomfortable when it segues into an unremittingly dull chronological history of the invention of the record deck. The pace quickens with an excellent chapter on Northern Soul, and in hot pursuit follow impressive histories of the reggae, hip-hop and disco genres. But then Acid House--perhaps Britain's most important musical evolution ever--is given short shrift and techno is dismissed over a mere ten pages as "house's swotty offspring". The term "definitive", it seems, has been faded out of the mix.
Last Night A DJ . . . is no Bible for the penitent vinyl worshipper, and its difficult chronology makes it an uncomfortable read. Still, if you think that Northern Soul records were made in Leeds and disco began with the Bee Gees, there's a wealth of knowledge here that'll put you right --Louis Pattison --This text refers to an out of print or unavailable edition of this title.
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It is still a mystery how the history of such a pivotal figure in music has until now been uncharted. I can only thank the authors for giving us such an outstanding account of the great careers and innovative minds that every record we now listen to have stemmed from.
Buy the book, read the book, then go to a club, you will find yourself in a different frame of mind than you have done before. More alert to the DJ's hold and power over his crowd. You will hear mix's you have missed before, 'sets' will either come alive or die on its feet. Then read the book again.
Although i have nothing but praise for this masterpiece i think my girlfriend would disagree, since reading the book i have spent more money on records than ever before and any spare time on my decks. Sorry darling!
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